174
TROLS knob [1]–[4], operating that controller will transmit
Effect Control 1/2 messages, and the specified dynamic
modulation will be controlled. When this message is
received, the result will be the same as when the controller is
operated.
Although various types of control change can be selected as
dynamic modulation sources, Effect Control 1 (CC#12) and 2
(CC#13) are dedicated for dynamic modulation.
Effect 1 depth (Send 2) (CC#91) [Bn, 5B, vv]
Effect 3 depth (Send 1) (CC#93) [Bn, 5D, vv]
When the above CC# is assigned to the ASSIGNABLE
PEDAL or as the B-mode function of a REALTIME CON-
TROL knob [1]–[4], operating that controller will transmit
Effect 1 Depth (Send 2) or Effect 3 Depth (Send 1) messages,
and the send level 1 or 2 to the master effects MFX1 or MFX2
will be controlled respectively. When this message is
received, the result will be the same as when the controller is
operated.
On the corresponding MIDI channels, this will simulta-
neously control the timbre/track setting as well as the set-
ting following the insertion effect.
• In Combination and Multi, the actual send level of the
timbre/track is determined by summing this value with
the send 1/2 settings for each oscillator (PROG 8–1a).
(
(Send1(MFX1)),” “S2 (Send2(MFX2))”)
• When you adjust “S1 (Send1(MFX1))” or “S2
(Send2(MFX2))” (MULTI 8–1(2)a) in Multi mode, or
when you re-select a multi set (when “Multi mode”
(GLOBAL 0–2a) is for Master) in Multi mode, Send 1/2
will be transmitted by each track whose “Status” is BTH,
EXT
, or EX2. (
Effect 2 depth (IFX on/off) (CC#92) [Bn, 5C, vv]
Effect 4 depth (MFX1 on/off) (CC#94) [Bn, 5E, vv]
Effect 5 depth (MFX2 on/off) (CC#95) [Bn, 5F, vv]
Separately from the effect on/off settings in each mode, “FX
SW” (GLOBAL 0–1b) allows you to turn off insert effect IFX
and master effects MFX1 and MFX2. If you check “IFX Off,”
“MFX1 Off” or “MFX2 Off,” the corresponding message will
be transmitted with vv=0 [00]. If you uncheck these settings,
the corresponding message will be transmitted with vv=127
[7F]. If you check these settings, the corresponding effect(s)
will be turned off as a group. If you uncheck these settings,
the on/off settings of each mode will be used. The same
applies to reception. (vv of 00 is off, and 01 or greater is the
original setting.) These messages are transmitted/received
on the global MIDI channel. (
These messages are defined simply for use in adjusting
the effect levels, and may not have the same function on
another instrument connected to the X50/microX.
Using various controllers for control
Foot controller (CC#04) [Bn, 04, vv]
If the above CC# is assigned as the ASSIGNABLE PEDAL
function, this message will be transmitted when the control-
ler is operated.
• In Combination and Multi modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track.
☞
“Foot Pedal/Switch” (COMBI 4–2a, MULTI 4–3(4)a)
Knob modulation 1, 2, 3, 4 (CC#17, 19, 20, 21)
[Bn, 11, vv], [Bn, 13, vv], [Bn, 14, vv], [Bn, 15, vv]
If the above CC# are assigned to the B-mode of REALTIME
CONTROLS [1]–[4] knobs, these messages will be transmit-
ted when the knobs are operated.
• In Combination and Multi modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track (“Realtime Control
Knob1, 2, 3, 4” COMBI 4–1(2)a, MULTI 4–1 (2)(3)(4)a).
Controller (CC#83) [Bn, 53, vv]
If the above CC# is assigned to the B-mode of REALTIME
CONTROLS [1]–[4] knobs, this message will be transmitted
when the knob is operated.
SW1 modulation (CC#80) [Bn, 50, vv]
SW2 modulation (CC#81) [Bn, 51, vv]
X50:
If the above CC# are assigned as the function of [SW1]
or [SW2], operating the switch will transmit this message
with vv=127 [7F] for ON, and vv=00 [00] for OFF. (These can
also be set as the B-mode functions of the REALTIME CON-
TROL knobs [1]–[4].)
microX:
If you assign the above CC# as the function of the
ASSIGNABLE SWITCH or a REALTIME CONTROLS [1]–
[4] knob B-mode function, operating that control of the
microX will transmit the specified CC#.
• In Combination and Multi modes, transmission/
reception of these messages can be turned on/off
independently for each timbre/track (“SW1/2” COMBI
4–3a, MULTI 4–5(6)a)
Foot switch (CC#82) [Bn, 52, vv]
If the above CC# is assigned as the function of the ASSIGN-
ABLE SWITCH, operating the switch will transmit this mes-
sage with vv=127 [7F] for ON, and vv=00 [00] for OFF. (This
can also be set as a B-mode function of the REALTIME
CONTROL knobs [1]–[4].)
• In Combination and Multi modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track (“Foot Pedal/
Switch” microX: COMBI 4–3a, MULTI 4–5(6)a, X50:
COMBI 4–4a, MULTI 4–7(8)a).
When “Foot controller (CC#04)”–”Foot switch (CC#82)” are
operated on the X50/microX, the specified alternate modu-
lation or dynamic modulation etc. will be controlled. When
these messages are received, the result will be the same as if
the controller had been operated. For “SW1 modulation
(CC#80)”–”Foot switch (CC#82),” vv of 63 [3F] or less will be
OFF, and 64 [40] or greater will be ON.
Damper pedal (CC#64) [Bn, 40, vv]
This message is transmitted when you operate a damper
pedal (separately sold Korg DS-1H etc.) connected to the
DAMPER jack, and the damper effect will be turned on/off.
If the DS-1H is used, a half-damper effect can be applied.
• In Combination and Multi modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track (“Damper CC#64”
COMBI 3–2a, MULTI 3–3(4)a).
Sostenuto (CC#66) [Bn, 42, vv]
If the above CC# is assigned as the function of the ASSIGN-
ABLE SWITCH, operating the switch will transmit this mes-
sage with vv=127 [7F] for ON, and vv=0 [00] for OFF, and
the sostenuto effect will be turned on/off. When this mes-
