Korg MICRO X Parameter Manual Download Page 153

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83: Wah–AmpSim

(Wah/Auto Wah – Amp Simulation)

This effect combines a mono-type wah and an amp simula-
tion. You can change the order of the effect connection.

84: Deci–AmpSim

(Decimator – Amp Simulation)

This effect combines a mono-type decimator and an amp sim-
ulation. You can change the order of the effect connection.

85: Deci–Comp

(Decimator – Compressor)

This effect combines a mono-type decimator and a compres-
sor. You can change the order of the effect connection.

[WAH] Freq Btm (Frequency Bottom)
Sets the lower limit of the wah center frequency

0...100

☞

Fx:09

Top (Frequency Top)
Sets the upper limit of the wah center frequency

0...100

☞

Fx:09

Swp Mode (Sweep Mode)

Auto, Dmod, LFO

Selects the control from auto-wah, modulation source, and LFO

☞

Fx:09,

Src (Source)

Off...Tempo

Selects the modulation source for the wah when Swp Mode=Dmod

lfoF (LFO Frequency)
Sets the LFO speed

0.02...20.00Hz

Resonance
Sets the resonance amount

0...100

LPF (Low Pass Filter)
Switches the wah low pass filter on and off

Off, On

[AMP] Amplifier Type
Selects the type of guitar amplifier

SS, EL84, 6L6

[Routing]

WAH

→

AMP, AMP

→

WAH

Switches the order of the wah and amp simulation connection

W/D (Wet/Dly)

Dry, 1:99...99:1, Wet

Sets the balance between the effect and dry sounds

(Source)

Off...Tempo

Selects the modulation source of the effect balance

(Amount)
Sets the modulation amount of the effect balance

–100...+100

[DECI] Pre LPF

Off, On

Turn the harmonic noise caused by lowered sampling on and off

☞

Fx:14

High Damp
Sets the ratio of high-range damping

0...100%

Sampling Freq (Sampling Frequency)
Sets the sampling frequency

1.00k...48.00kHz

Resolution
Sets the data bit length

4...24

☞

Fx:14

Left

Right

Wet / Dry

Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out

Routing

Amp Simulation

Amp Simulation Filter

Wah/Auto Wah

Wah

-mod

Envelope

Sweep Mode

D-mod

Auto

LFO

Left

Right

Wet / Dry

Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out

Decimator

Routing

Amp Simulation

Amp Simulation Filter

Pre LPF

High Damp

Output Level

Decimator

Resolution

Level (Output Level)
Sets the decimator output level

0...100

☞

Fx:14

[AMP] Amplifier Type
Selects the type of guitar amplifier

SS, EL84, 6L6

[Routing]

DECI

→

AMP, AMP

→

DECI

Switches the order of the wah and amp simulation connection

W/D (Wet/Dly)

Dry, 1:99...99:1, Wet

Sets the balance between the effect and dry sounds

(Source)

Off...Tempo

Selects the modulation source of the effect balance

(Amount)
Sets the modulation amount of the effect balance

–100...+100

[DECI] Pre LPF

Off, On

Turn the harmonic noise caused by lowered sampling on and off

☞

Fx:14

High Damp
Sets the ratio of high-range damping

0...100%

Sampling Freq (Sampling Frequency)
Sets the sampling frequency

1.00k...48.00kHz

Resolution
Sets the data bit length

4...24

☞

Fx:14

Level (Output Level)
Sets the decimator output level

0...100

☞

Fx:14

[CMP] Sensitivity
Sets the sensitivity

1...100

☞

Fx:02

Attack
Sets the attack level

1...100

☞

Fx:02

Level (Output Level)
Sets the compressor output level

0...100

☞

Fx:02

[Routing]

DECI

→

CMP, CMP

→

DECI

Switches the order of the decimator and compressor connection

W/D (Wet/Dly)

Dry, 1:99...99:1, Wet

Sets the balance between the effect and dry sounds

(Source)

Off...Tempo

Selects the modulation source of the effect balance

(Amount)
Sets the modulation amount of the effect balance

–100...+100

Left

Right

Wet / Dry

Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out

Decimator

Routing

Pre LPF

High Damp

Output Level

Decimator

Resolution

Compressor

Comp

Output Level

Envelope - Control

Summary of Contents for MICRO X

Page 1: ...Parameter Guide 2 E...

Page 2: ...elated explanations a parameter that can be selected as an alternate modulation source a parameter that can be selected as a dynamic modulation source and a parameter that can use the BPM MIDI Sync fu...

Page 3: ...an Amp1 Level Pan 21 6 2 Mod Amp1 Modulation 22 6 3 EG Amp1 EG 23 6 4 Lvl Pan Amp2 Level Pan 25 6 5 Mod Amp2 Modulation 25 6 6 EG Amp2 EG 25 PROG 7 Ed Arp Ctrls Arpeggiator Controls 25 7 1 Setup Arpeg...

Page 4: ...Tone Adjust3 59 MULTI 2 Track Param 61 2 1 MIDI 8 MIDI T01 08 61 2 2 MIDI 16 MIDI T09 16 61 2 3 OSC 8 OSC T01 08 62 2 4 OSC 16 OSC T09 16 62 2 5 Ptch 8 Pitch T01 08 62 2 6 Ptch 16 Pitch T09 16 62 2 7...

Page 5: ...4 2 Low Low Sample 88 4 3 Voice Voice Mixer 88 GLOBAL 5 Arp Pattern 89 5 1 Setup 89 5 2 Edit 91 microX GLOBAL 6 Ext Control 93 6 1 A Knob 1 A 2 A 3 A 4 A 93 6 2 B Knob 1 B 2 B 3 B 4 B 93 6 3 C Knob 1...

Page 6: ...LCR Delay L C R Delay 128 44 St Cross Dly Stereo Cross Delay 129 45 St MltTap Dly Stereo Multitap Delay 129 46 St Mod Delay Stereo Modulation Delay 130 47 St DynamicDly Stereo Dynamic Delay 130 48 St...

Page 7: ...ns 154 Dynamic Modulation Source Dmod 157 Dynamic Modulation Source List 158 About the BPM MIDI SYNC function 160 X50 SW1 2 Assign 161 SW1 SW2 Assign List 161 Knob 1 4 B Assign 162 Realtime Control Kn...

Page 8: ...D each containing 128 programs total 512 As for non rewrit able program areas it provides banks G capital programs for GM and bank g d drums X50 Bank List Bank G will toggle between the GM and g d ba...

Page 9: ...an select the desired category and then choose pro grams from that category To select a program by category use the procedure described below To assign a category to each program use the Write Program...

Page 10: ...X An edited program cannot be recovered if you do not write it to memory before turning off the power or selecting another program If you want to write a program you must first turn off the memory pro...

Page 11: ...l increase the amp level above the value that was set With an adjustment of 10 the amp level will be 127 maxi mum Negative settings will lower the amp level below the value that was set With an adjust...

Page 12: ...er or envelope on your software synthesizer Simply switch between external control sets to choose the parameters you want to control The external control function is independent of programs or combina...

Page 13: ...irst note on will retrigger the sound and the second and subsequent note ons will not retrigger When legato is on multiple note on message will not retrig ger the voice If one note is already on and a...

Page 14: ...Swap Oscillator operation press MENU OK button To cancel press the EXIT CANCEL but ton This can be selected only if Mode Oscillator Mode 1 1a is Double 1 2 OSC1 The multisample s waveform or drum kit...

Page 15: ...til the note will sound With a setting of KeyOff the sound will begin when note off occurs This is used to create sounds such as the click that is heard when a harpsichord note is released In this cas...

Page 16: ...illator 2 It is not possible to set the Bottom Velocity greater than the Top Velocity nor the Top Velocity less than the Bot tom Velocity X50 You can also input a value by playing a note on the keyboa...

Page 17: ...2 moving the PITCH wheel up from the center position will raise the pitch by one octave microX JS X 60 12 Specifies how the pitch will change when the joystick is moved all the way to the right A sett...

Page 18: ...ay Time Porta Time 000 127 This parameter is available when Enable Porta Enable is checked This sets the portamento time Increasing the value will pro duce a slower change in pitch 2 1 UTILITY Write P...

Page 19: ...itch change produced by LFO1 and LFO2 for oscillator 2 For an explanation of each parameter refer to the preceding 2 2 OS1lfo 2 5 EG Pitch EG Here you can make settings for the pitch EG which creates...

Page 20: ...me Mod Time Modulation These parameters let you use alternate modulation to con trol the T Time parameters of the pitch EG AMS Time Mod AMS Off KT EXT Indicates the source that will control the T Time...

Page 21: ...te modulation sources to adjust the speed of the OSC1 LFO1 AMS1 Freq AMS1 Off PEG FEG AEG LFO2 KT EXT Indicates the source that will adjust the frequency of the oscillator 1 LFO1 p 152 AMS List OSC1 L...

Page 22: ...TY Write Program 0 1 For details on how to select the desired utility function refer to PROG 0 1 UTILITY Swap LFO 1 2 This exchanges the settings of LFO 1 and 2 If LFO2 is selected in AMS1 Freq AMS1 o...

Page 23: ...ue will produce a stronger effect Reso AMS Resonance AMS Off PEG FEG AEG LFO KT EXT Indicates the source that will control the Resonance A Res onance level p 152 AMS List Intensity AMS Intensity 99 99...

Page 24: ...Low KBDTrk Key Low High KBDTrk Key High Low KBDTrk Ramp Low and High KBDTrk Ramp High With positive settings the effect will be in the same direction as the keyboard tracking settings With negative se...

Page 25: ...ncy A Frequency 4 1b parameter microX When AMS1 Filter AAMS1 is JS X a positive value for this parameter will cause the cutoff frequency to rise when the joystick is moved toward the right and fall wh...

Page 26: ...ation 4 4a Intensity to A LFO2 Int to A 99 99 Intensity to B LFO2 Int to B 99 99 JS Y Int to A LFO2 JS Y Int to A 99 99 JS Y Int to B LFO2 JS Y Int to B 99 99 AMS LFO2 AMS Off PEG FEG AEG KT EXT Int t...

Page 27: ...imes specified by Filter1 EG 4 5a will be used For example if AMS1 Time Mod AMS1 is set to Flt KTr the EG T Time parameters will be controlled by the Keyboard Track 4 2a settings With positive values...

Page 28: ...cillator Mode 1 1a is Double PROG 4 Ed Filter 1 PROG 6 Ed Amp1 2 Here you can make settings for amp 1 which controls the volume of oscillator 1 and amp 2 which controls the volume of oscillator 2 You...

Page 29: ...re Ramp Ramp Setting Specifies the angle of the keyboard tracking Low KBDTrk Ramp Low 99 99 With positive values of this parameter the volume will increase as you play notes below the Low KBDTrk Key L...

Page 30: ...fy how the amp 1 EG will change over time L Level parameters S Start Level 00 99 Specifies the volume level at note on If you want the note to begin at a loud level set this to a high value A Attack L...

Page 31: ...G times will be as specified in Amp1 EG 6 3a A AMS1 SW Attack 0 Specifies the direction of the effect that AMS1 Time Mod AMS1 will have on A Attack Time With positive values of I AMS1 Intensity settin...

Page 32: ...em in Auto Arp Program GLOBAL 0 1c On The arpeggiator can be switched on off by the ARP ON OFF button When on the LED will light The settings of the REALTIME CONTROLS C mode ARP GATE knob ARP VELOCITY...

Page 33: ...ted in the order of their pitch regardless of the order in which you pressed them Off unchecked Notes will be arpeggiated in the order in which you pressed them Latch Off On Specifies whether or not t...

Page 34: ...obs B Assign List The functions you set here will take effect when you operate the REALTIME CONTROLS knobs 1 4 in B mode Knob1 B Knob1 BAssign Off MIDI CC 95 Knob2 B Knob2 BAssign Off MIDI CC 95 Knob3...

Page 35: ...OSC2 will be sent to master effects 1 and 2 These parameters will be valid when Mode Oscillator Mode 1 1a is set to Double and BUS Select is set to L R or Off OSC1 Send1 CC 93 will control the Send 1...

Page 36: ...is set to L R p 99 CC 8 will control the pan amount BUS Select L R 1 2 1 2 Off Specifies the bus to which the sound will be sent after pass ing through the insert effect Normally you will set this to...

Page 37: ...d Chain series connection will be turned on for MFX1 and MFX2 p 102 Off unchecked MFX 1 and MFX2 are operating in parallel Direction Chain Direction MFX1 MFX2 MFX2 MFX1 Specifies the direction of the...

Page 38: ...e Swap Master Effect command press the MENU OK button To cancel press the EXIT CAN CEL button Select by Category Selects master effects by category For the procedure refer to Select by Category p 2 Th...

Page 39: ...32...

Page 40: ...umber Play 0 Play Select and play combinations Select a program for each timbre and make pan and level settings Select an arpeggio pattern and make settings microX Select an external control set p 33...

Page 41: ...the tempo to the corresponding interval Alternatively if you set the GLOBAL 0 3 Foot page Foot SW Assign parameter to Tap Tempo you can specify the tempo by tap ping your foot on a pedal switch conne...

Page 42: ...channel MIDI Channel GLOBAL 1 1a At the same time bank select program change and volume CC 7 mes sages will be transmitted on the MIDI channel specified for each timbre that is set to Status 2 1a of E...

Page 43: ...up page will adjust the pan ning of the sound after the insertion effect p 99 3 Mixer RND The oscillator pan will change randomly at each note on If Status 2 1a has been set to INT MIDI control change...

Page 44: ...n Assign 7 1b 0 4 5 b Arpeggiator A B Pattern Preset 0 Preset 4 U000 U250 Reso Resolution Octave 1 2 3 4 Sort Off On Latch Off On Key Sync Off On Keyboard Off On Sets the various parameters of the com...

Page 45: ...a Destination 1 6 Value 1 6 Destination 1 6 LPF Fc Reverse Selects the parameter that you want to adjust Value 1 6 99 99 12 00 12 00 1200 1200 Off On Specifies the value for the parameter you selecte...

Page 46: ...S Sustain Level or R Release Time respectively PROG 6 3a 6 6a LFO1 Sp LFO1 Speed 199 00 199 Adjusts the LFO1 speed of program OSC 1 2 The parame ter will be controlled in the same way as when CC 76 is...

Page 47: ...Combination Solo Selected Timbre 0 1 2 2 OSC These settings specify how each timbre will be sounded 2 2a Force OSC Mode OSC Select Porta mento Force OSC Mode PRG Poly Mono LGT Specifies the Mode Voic...

Page 48: ...ount of pitch change that will occur when the pitch bender is operated in semitone units PRG The pitch range specified by the program will be used 24 24 This setting will be used regardless of the set...

Page 49: ...operations of the built in con trollers or incoming MIDI data will apply the effect of the checked item to the program of the corresponding timbre The effect dynamic modulation function is not affecte...

Page 50: ...02 to spec ify the function of a foot controller connected to the ASSIGNABLE PEDAL jack will be transmitted and received microX Specifies whether MIDI control change CC 2 the Y direction of the microX...

Page 51: ...assigned to the B mode of knob 2 will be transmitted and received 4 1 UTILITY Write Combination Solo Selected Timbre 0 1 4 2 MIDI 2 2 MIDI Filter 2 2 4 2a Real time Control Knob 3 4 Knob3 Off On Spec...

Page 52: ...sounds in different ranges of the keyboard Key Split By setting the ranges to overlap you can play two or more sounds with a single note Layer If you set the slopes the grayed portion to overlap the...

Page 53: ...ected Timbre 0 1 COMBI 6 Ed Vel Zone Velocity Zone Sets the Top Bottom Velocity parameters to specify the range of velocities that will sound each timbre 1 8 and sets the Top Bottom Slope parameters t...

Page 54: ...ons of REALTIME CONTROLS 1 4 knobs This offers a variety of possibilities such as applying sepa rate arpeggio patterns to two sounds that have been assigned as a keyboard split or using velocity to sw...

Page 55: ...assigned timbre but in this example they are being triggered from the Gch When you play the keyboard arpeggiator A will operate for timbres 2 and 3 but only timbre 3 whose Status is INT will sound Sim...

Page 56: ...ate arpeggiator A Top specifies the upper limit and Btm specifies the lower limit A Vel Velocity Btm A Bottom Velocity 001 127 Top A Top Velocity 001 127 Specifies the range of velocities that will op...

Page 57: ...a drum program Mode Oscillator Mode Drums PROG 1 1a With a setting of DKit the BUS Select GLOBAL 4 3a setting made for each key of the drum kit will be used For example if you have made BUS Select se...

Page 58: ...the same as in Program mode 8 2b Control Channel Control Channel Ch01 16 G ch All Rt Specifies the MIDI channel on which dynamic modula tion Dmod of the insert effect and the Pan CC 8 Send1 MFX1 and S...

Page 59: ...as in Program mode Refer to PROG 9 1 Setup However the master effects will be controlled on the MFX 1 2 Control Ch MIDI channel unlike in Program mode The control changes used are the same as in Progr...

Page 60: ...fect p 31 PROG 9 1 Note the MIDI control channel that is specified by MFX1 2 Control Ch 9 1a will not be swapped 9 2 MFX1 Master Effect1 9 3 MFX2 Master Effect2 Here you can set the parameters of the...

Page 61: ...54...

Page 62: ...select a program and press the center to finalize your selection If Multi Mode GLOBAL 0 2a is set to Master when the multi set is changed track whose Status is EXT EX2 or BTH will transmit bank and p...

Page 63: ...WITCH jack Multi Information X50 This area shows information about the selected multi set This indicates the functions that are assigned to SW1 and SW2 and REALTIME CONTROLS B mode ASSIGN ABLE 1 4 kno...

Page 64: ...k The lower line shows part of the name of the pro gram assigned to the track For GM2 variation banks or the GM2 drums bank the variation bank 1 9 or drums bank d will be shown Choose this parameter a...

Page 65: ...mmand can be selected when a Program page Prog 8 Prog 16 is displayed PROG 0 1 0 4 Mix 8 Mixer T01 08 0 5 Mix 16 Mixer T09 16 Here you can set the pan and volume of each track 0 4 5 a Pan Volume Pan R...

Page 66: ...16 Tone Adjust1 1 3 TA2 8 Tone Adjust2 1 4 TA2 16 Tone Adjust2 1 5 TA3 8 Tone Adjust3 1 6 TA3 16 Tone Adjust3 Here you can adjust certain synthesis parameters of the indi vidual programs that are ass...

Page 67: ...S Filter EG Sustain Level 99 00 99 F EG R Filter EG Release Time 99 00 99 These adjust only the filter parameter as in A Attack Time D Decay Time S Sustain Level or R Release Time respectively PROG 4...

Page 68: ...controlled and MIDI messages will not be transmitted Off The track will not sound nor will MIDI data be trans mitted BTH The operations of both INT and EXT will be per formed If the arpeggiator is sp...

Page 69: ...s is set to PRG nothing will be transmitted This data is transmitted on the MIDI channel specified for each track by MIDI Channel 2 1a 2a 2 3 4 UTILITY Write Multi Copy From Combi 0 1 2 5 Ptch 8 Pitch...

Page 70: ...fy the delay time from note on until the sound is heard and select the scale 2 7 8 a Delay ms Use Prog s Scale Delay ms 0000 5000 KeyOff Specifies a delay time from when a track receives a note on unt...

Page 71: ...setting to apply to that control change Off unchecked Reception of MIDI data is disabled 3 1 M1 1 8 MIDI Filter1 1 T01 08 3 2 1 1 16 MIDI Filter1 1 T09 16 3 1 2 a Program Change After Touch Program Ch...

Page 72: ...d 3 7 8 UTILITY Write Multi Copy From Combi 0 1 MULTI 4 MIDI Filter2 Specifies whether the A and B mode operations of REAL TIME CONTROLS knobs 1 4 will be received MIDI con trol messages are fixed as...

Page 73: ...rrespond to the control change messages assigned in the 7 Ed Arp Ctrls page This setting is valid if you have selected SW1 Mod CC 80 SW2 Mod CC 81 or Porta SW CC 65 4 5 6 UTILITY Write Multi Copy From...

Page 74: ...C 1 G9 Specifies the bottom key lower limit that will be sounded by each track 1 8 9 16 For a diagram of Key and Slope parameters refer to COMBI 5 Ed Key Zone X50 The value of these parameters can al...

Page 75: ...6 It is not possible to set the bottom velocity greater than the top velocity for the same timbre Nor can the top slope and the bottom slope overlap X50 The value of these parameters can also be set b...

Page 76: ...On tracks 1 and 2 set MIDI Channel 2 1 2 a to 01 and Status 2 1 2 a to INT Assign arpeggiator A to track 1 and arpeggiator B to track 2 and check Arpeggiator Run A B 7 1a In Control Track 0 1a choose...

Page 77: ...ator A and B 7 5a Scan Zone A B Zone Map This shows the Scan Zone settings for arpeggiators A and B COMBI 7 4a A Key Btm A Bottom Key C 1 G9 Top A Top Key C 1 G9 Specifies the range of notes keys that...

Page 78: ...ck 0 1a when you oper ate knobs 1 4 The functions you specify here will operate when you rotate the REALTIME CONTROLS knobs 1 4 in B mode Knob1 B Knob1 BAssign Off MIDI CC 95 Knob2 B Knob2 BAssign Off...

Page 79: ...transmitted and received on the MIDI channel specified for each track by the MIDI Channel 2 1a 2a setting The actual send level is determined by sum ming the value of these parameters with the send l...

Page 80: ...the BUS Select 8 1a set ting You can also make this setting in BUS Select 8 1a 8 3 UTILITY Write Multi 0 1 Copy Insert Effect PROG 8 1 DKit IFX Patch COMBI 8 1 Select by Category PROG 8 2 8 4 IFX Inse...

Page 81: ...s will not be copied Swap Master Effect p 31 PROG 9 1 Note the MIDI control channel specified in Control Channel of the MFX 1 and 2 pages will not be swapped 9 2 MFX1 Master Effect1 9 3 MFX2 Master Ef...

Page 82: ...setting is applied at the location PreMIDI or Post MIDI specified by Convert Position 1 1a Master Tune can be controlled by the MIDI universal system exclusive message Master Fine Tuning F0 7F nn 04 0...

Page 83: ...eys Use Prog Combi Multi s Octave Off On On checked When you switch programs combinations or multi sets the OCTAVE button settings saved with the selected program combination or multi set will be used...

Page 84: ...oaded Change all bank references This command changes all program banks specified for tim bres in combinations or tracks of multi sets 1 Select Change all bank references to access the dialog box X50...

Page 85: ...and CC 32 lower byte X50 The bank select messages shown in the following table can be received R or transmitted T corresponding to Program banks A D banks G g d and Combination banks A C Value decima...

Page 86: ...setting also applies to Load Preload Data 0 1 Loading will not be possible if protect is specified for even one of the types of data selected for loading in Kind p 77 Program Off On This setting prot...

Page 87: ...EDAL jack p 165 Foot Pedal Assign List Damper Polarity KORG Standard Set this to match the polarity of the damper pedal connected to the rear panel DAMPER jack If a Korg DS 1H sold separately damper p...

Page 88: ...d notes C D E F G A will sound Odd Odd numbered notes C D F G A B will sound This setting has no effect on the MIDI data that is received MIDI Clock Internal Ext MIDI Ext USB Auto Set this parameter w...

Page 89: ...d Program changes will be transmitted and received In Program mode PROG 0 Play the program will be switched when a program change message is received on the global MIDI channel specified by MIDI Chann...

Page 90: ...natively connect the MIDI IN connector of your computer s MIDI interface to the X50 microX s MIDI OUT connector p 171 If you are using a MIDI data filter etc connect this instrument s MIDI OUT connect...

Page 91: ...OUT connector of your computer s MIDI interface to the X50 microX s MIDI IN connector p 171 If you are using a MIDI data filer connect the MIDI OUT connector of the data filer to the MIDI IN connecto...

Page 92: ...to edit For details on the preset scales refer to Type PROG 1 1c 1 Select Copy Scale to access the dialog box 2 Select the copy source scale From If you select Pure Major or Pure Minor you must also s...

Page 93: ...ted in Program mode PROG 1 Ed Basic OSC1 page Drum Kit when Oscillator Mode is Drums as an oscillator and processed through the filter amp and effects in the same way as a multisample when Oscillator...

Page 94: ...sample or to re specify its category S Ofs Start Offset Off On On checked The sample waveform will start playback from a location later than the beginning of the drumsample waveform The location of t...

Page 95: ...s the EXIT CAN CEL button Select by Category You can select drumsamples by category All drumsamples are grouped into one of sixteen categories For the procedure refer to Select by Category p 2 It is n...

Page 96: ...n Here you can create user arpeggio patterns In this page the X50 microX will sound as it did in the mode you were in before entering Global mode If you entered the Global mode from Program mode Your...

Page 97: ...o note back toward the first Example If you set Lgth to 04 Step 01 to Tone0 Step 02 to Tone1 Step 03 to Tone2 Step 04 to Tone3 and simultaneously play three notes to produce an arpeggio the following...

Page 98: ...rn to access the dialog box 2 Select the copy source arpeggio pattern From 3 To execute the Copy Arpeggio Pattern command press the MENU OK button To cancel press the EXIT CANCEL button 5 2 Edit Here...

Page 99: ...Flam of the arpeggio pattern 1 Select Initialize Steps to access the dialog box 2 Select the type Type of initialize Empty will initialize all tones to a blank state Full will initialize all tones to...

Page 100: ...C 3 C 4 C 6 1 2 3 a Knob A B Ext Control Setup Select 00 63 Selects the external control setup that you want to edit 6 1 2 3 b Knob 1A 1C Knob 2A 2C Knob 3A 3C Knob 4A 4C MIDI Channel 01 16 Gch This...

Page 101: ...94...

Page 102: ...ng Specify whether the demo songs will be played consecu tively or whether only one song will be played Continue to next song After the currently selected demo song has finished playing the next demo...

Page 103: ...96...

Page 104: ...o functions refer to Dynamic Modu lation Source Dmod p 157 1 These effect parameters are marked with p 104 2 The effect parameters marked with support this function p 108 3 Effect I O To achieve the b...

Page 105: ...or Off If BUS Select is set to IFX use S1 Send1 MFX1 and S2 Send2 MFX2 PROG 8 2 for the post IFX signal 3 Mixer Send Level 1 can be controlled by MIDI Control Change CC 93 and Send Level 2 can be cont...

Page 106: ...o return to the original sounds select IFX IFX DrumKit IFX Patch dialog box After settings are made 3 Mixer For each mode use 8 Ed InsertFX or InsertFX Setup page parameters Pan CC 8 BUS Select S1 Sen...

Page 107: ...s option to control the parameters on the channels Ch01 16 that have a mark for the timbres that are routed to the corresponding Insert Effect 4 3 Multi mode Use Setup page Control Channel to set up t...

Page 108: ...um kit BUS Bus Select GLOBAL 4 3a parameter is set to L R or Off will use the S1 Send1 MFX1 and S2 Send2 MFX2 GLOBAL 4 3a settings If IFX is used the S1 Send1 MFX1 and S2 Send2 MFX2 PROG 8 2a after pa...

Page 109: ...D is set to Wet and Rtn Return1 is set to 127 3 2 MFX Chain If you check the MFX Chain check box the signal will be routed between MFX1 and MFX2 The following figure indicates that the output from MF...

Page 110: ...gnals are routed to INDIVIDUAL OUTPUT Program mode Combination Multi mode Pan Oscillator 1 Send1 Select from L R IFX 1 2 1 2 Off IFX BUS IFX MFX2 MFX1 mono mono Return1 2 Master EQ MAIN OUTPUT L MONO...

Page 111: ...stereo limiter You can link left and right channels or use each chan nel individually a Amplifier Type Select between three types of guitar amp simula tors SS EL84 6L6 b W D Wet Dry Dry 1 99 99 1 Wet...

Page 112: ...B Sets the level above which the compressor is applied d Attack Sets the attack time 1 100 e Release Sets the release time 1 100 f Side PEQ Insert Toggles between on off of the trigger signal s EQ Off...

Page 113: ...r tion sounds This effect is suitable for guitar and organ sounds i W D Wet Dly Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Source Off Tempo Selects the modulation source of t...

Page 114: ...300 10 00kHz Sets the center frequency for Mid High EQ 1 peaking type Q Sets the band width of Mid High EQ 1 0 5 10 0 G Gain Sets the gain of Mid High EQ 1 18 18dB h M2 Mid2 Cutoff 500 20 00kHz Sets...

Page 115: ...dB 6 0 Band2 Dynamic Gain Amt dB 9 0 D mod 0dB 6dB 9dB Band2 Gain dB 6 0 Band2 Dynamic Gain Amt dB 15 0 D mod Parametric 4EQ Band2 Dynamic Gain Control Left Right Wet Dry Wet Dry Stereo In Stereo Out...

Page 116: ...75 Higher Max Zero Higher D mod Frequency Bottom 60 Top 30 Higher Max Zero Higher D mod Sweep Mode D mod Frequency Bottom 25 Top 75 Higher Frequency Bottom 75 Top 25 Higher Sweep Mode Auto Envelope En...

Page 117: ...iter intensity b Point Emphatic Point Sets the frequency to be emphasized 0 70 Source Off Tempo Selects the modulation source of the frequency to be emphasized Amount 70 70 Sets the amount of modulati...

Page 118: ...ar monics are added f Envelope Sens Envelope Sensitivity 0 100 Sets the sensitivity with which very low harmonics are added g Envelope Shape Sets the oscillator s volume envelope curve 100 100 h W D W...

Page 119: ...lects the modulation source for the output level Off Tempo Amount Sets the modulation amount of the output level 100 100 f lfoF LFO Frequency Sets the LFO speed 0 02 20 00Hz Source Selects the modulat...

Page 120: ...Q Gain Sets the gain of High EQ 15 0 15 0dB i W D Wet Dly Wet 1 99 Dry 1 99 Wet Sets the balance between the effect and dry sounds Fx 10 Source Off Tempo Selects the modulation source of the effect ba...

Page 121: ...3 output level 0 30 P Pan L6 L1 C R1 R6 Sets the Tap3 stereo image e T4 270 Tap4 Delay 0 570ms Sets the Tap4 LFO phase 270 degrees delay time D Depth Sets the Tap4 chorus depth 0 30 L Level Sets the T...

Page 122: ...00 Sets the feedback damping amount in the high range i W D Wet Dly Wet 1 99 Dry 1 99 Wet Sets the balance between the effect and dry sounds Fx 10 Source Off Tempo Selects the modulation source of the...

Page 123: ...e delay time on the right channel Fx 09 e Swp Mode Sweep Mode EG Dmod Determines whether the flanger is controlled by the envelope gener ator or by the modulation source Src Source Off Tempo Selects t...

Page 124: ...Sets the resonance damping amount in the high range Fx 23 i W D Wet Dly Wet 1 99 Dry 1 99 Wet Sets the balance between the effect and dry sounds Fx 10 23 Source Off Tempo Selects the modulation source...

Page 125: ...e depth of LFO2 modulation 0 100 Amount 100 100 Sets the modulation amount of LFO2 modulation depth i Feedback Sets the feedback amount 100 100 Fx 17 HiDamp High Damp Sets the damping amount in the hi...

Page 126: ...requency Hz 1 00 LFO Freq Mod AUTOFADE Amt 3 00 LFO Frequency 1 0 3 0 4 0Hz LFO Frequency 1 0Hz Gate1 Signal AUTOFADE Fade In Delay AutoFade LFO Frequency Wet Dry Delay Delay Left Right Feedback LFO S...

Page 127: ...the modulation source specified for the Src parameter is smaller than 64 and the effect is on when the value is 64 or higher The Doppler effect is triggered when the value changes from 63 or smaller t...

Page 128: ...ith Always Off dry sounds are not output With Cross Fade a dry sound is usually output and it is muted only when scratching Set W D to Wet to use this parameter effectively a Scratch Source Off Tempo...

Page 129: ...ulation source of LFO speed Off Tempo Amount 20 00 20 00Hz Sets the modulation amount of LFO speed d BPM MIDI Sync Off On Switches between using the frequency of the LFO speed and using the tempo and...

Page 130: ...nt of the depth of mod ulation 100 100 f W D Wet Dly Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Source Off Tempo Selects the modulation source of the effect balance Amount Se...

Page 131: ...Wet Sets the balance between the effect and dry sounds Source Off Tempo Selects the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 100 100 a Pre LPF 0...

Page 132: ...Off Tempo Amount Sets the modulation amount of the pitch shift 100 100cent b Delay Delay Time Sets the delay time 0 1000ms c Feedback Sets the feedback amount 100 100 d High Damp Sets the damping amou...

Page 133: ...Dly Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Source Off Tempo Selects the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 1...

Page 134: ...ecelerated f MicDistance f Spread This is a simulation of stereo microphone settings ER Delay Early reflection and delay effects 41 Early Reflect Early Reflections This effect is only the early reflec...

Page 135: ...ontrolled via the modulation source or the input signal level Src Source Off Tempo Selects the modulation source that controls recording when Enve lope is set to Dmod d Threshold 0 100 Sets the record...

Page 136: ...50 50 Sets the width of the stereo image of the effect sound Fx 43 j W D Wet Dly Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Source Off Tempo Selects the modulation source of...

Page 137: ...0Hz e LFO Sync Switches LFO reset off on Off On Src Source Off Tempo Selects the modulation source that resets the LFO f L Phase L LFO Phase 180 180 Sets the phase obtained when the left LFO is reset...

Page 138: ...h Pan Freq Panning Frequency Sets the panning speed 0 02 20 00Hz Dynamic Delay Threshold Dry Envelope Wet Control Target Out Polarity Wet Control Target Out Polarity Delay Time Time Ducking Delay Rel...

Page 139: ...Adj Adjust Fine adjust the right channel delay time 2 50 2 50 d L Fb L Feedback Sets the feedback amount for the left channel 100 100 Source Off Tempo Selects the modulation source of feedback amount...

Page 140: ...t allowing you to control spaciousness h InLvl Mod Input Level Mod 100 100 Sets the modulation amount of the input level Fx 37 Src Source Selects the modulation source for the input level Off Tempo Fx...

Page 141: ...gh Damp Sets the damping amount in the high range 0 100 c Pre Delay Sets the delay time from the dry sound 0 200ms Fx 52 d Pre Delay Thru Sets the mix ratio of non delay sound 0 100 Fx 52 e Pre EQ Tri...

Page 142: ...r Parametric 4Band EQ Exciter a PEQ Trim Sets the parametric EQ input level 0 100 b B1 Band1 Cutoff Sets the center frequency of Band 1 20 1 00kHz Q Sets the bandwidth of Band 1 0 5 10 0 Fx 06 G Gain...

Page 143: ...ry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Source Off Tempo Selects the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 100 100...

Page 144: ...lects the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 100 100 Left Right Wet Dry Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out Trim Parametr...

Page 145: ...Out Dry Stereo In Stereo Out Routing Overdrive Hi Gain 3 Band PEQ Output Level Mode Overdrive Hi Gain Drive Driver Compressor Output Level Envelope Control Comp d Level Output Level 0 50 Sets the ove...

Page 146: ...lng W D Wet 2 98 Dry 2 98 Wet Sets the effect balance of the chorus flanger Fx 10 20 Out Output Mode Normal Wet Inv Selects the output mode for the chorus flanger h Routing CMP CF FL CH FL CMP Switche...

Page 147: ...Stereo In Stereo Out Routing Compressor LEQ HEQ EQ Trim Output Level Envelope Control Multitap Delay Feedback High Damp Delay 2 1 Mt Dly Wet Dry Comp a LMT Ratio 1 0 1 50 0 1 Inf 1 Sets the signal co...

Page 148: ...the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 100 100 Left Right Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Routing Chorus F...

Page 149: ...tap Delay Feedback High Damp Delay 2 1 Mt Dly Wet Dry Limiter Limiter Gain Adjust Envelope Control Left Right Wet Dry Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out Routing Compressor LEQ HEQ E...

Page 150: ...tereo Out LEQ HEQ EQ Trim Exciter Exciter Phaser Phaser Resonance LFO Tri Sine Phaser Wet Dry Normal Wet Invert Output Mode d LoEQ Pre Low EQ Gain Sets the gain of Low EQ 15 15dB HiEQ Pre High EQ Gain...

Page 151: ...PEQ Output Level Mode Overdrive Hi Gain Drive Driver a OD Mode Drive Mode OverD Hi Gain Switches between overdrive and high gain distortion Drive Sets the degree of distortion 1 100 Fx 06 b Level Outp...

Page 152: ...ects the modulation source of the effect balance Amount Sets the modulation amount of the effect balance 100 100 Left Right Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Routing Over...

Page 153: ...length 4 24 Fx 14 Left Right Wet Dry Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out Routing Amp Simulation Amp Simulation Filter Wah Auto Wah Wah D mod Envelope Sweep Mode D mod Auto LFO LFO L...

Page 154: ...s the LFO speed 0 02 20 00Hz b Dly Delay Time Sets the delay time 0 0 50 0ms Dep Depth Sets the depth of LFO modulation 0 100 Fb Feedback Sets the feedback amount 100 100 Fx 20 c Pre EQ Trim Sets the...

Page 155: ...er Fx 10 20 Out Output Mode Normal Wet Inv Selects the output mode for the chorus flanger Fx 60 i W D Wet Dly Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Source Off Tempo Sele...

Page 156: ...during perfor mance using the REALTIME CONTROLS knob At this time set Knob 2 B to Knob Mod2 CC 19 for Knob B Assign PROG 7 3a COMBI 7 5a MULTI 7 6a The 12 o clock position of the knob corresponds to...

Page 157: ...150...

Page 158: ...lation to each of the specified destinations Frequently used assignments such as using the joystick X or PITCH wheel to control pitch are already provided as dedicated parameters so it is not necessar...

Page 159: ...croX JS X Joy Stick X X50 PITCH wheel microX Joystick X axis horizontal EXT X50 Mod Whl 01 microX JS Y 01 Joy Stick Y CC 01 X50 MOD wheel up direction CC 01 microX Joystick Y axis up CC 01 EXT JS Y 02...

Page 160: ...TROLS knob 1 4 as an AMS make settings in program combination or multi set to set the Ctrls tab parameter Knobs B Assign to the following settings respectively Knob1 B to Knob Mod 1 CC 17 Knob2 B to K...

Page 161: ...mple applications Pitch PROG 2 1a Pitch can be controlled by the filter amp EG controllers or tempo etc If you select Filter EG or Amp EG as the AMS Pitch AMS and set Intensity AMS Intensity to 12 00...

Page 162: ...Filter EG AMS and set Int to A B AMS Int to A B to a positive value moving the joystick down the Y direction will gradually increase the effect of the Filter EG If you set Int to A B AMS Int to A B to...

Page 163: ...f Intensity is set to a positive value the pan will move toward the right as the EG level increases and toward the left as the EG level decreases If Intensity is set to a negative value the opposite e...

Page 164: ...lling effects in this way is referred to as Dynamic Modulation This lets you use effects expressively as a part of the instrument For example you can use a pedal connected to the X50 microX to speed u...

Page 165: ...Joy Stick Y CC 02 X50 CC 02 microX Joystick Y down CC 02 Pdl 4 Foot Pedal CC 04 assignable foot pedal CC 04 p 159 FX1 12 FX Control1 CC 12 MIDI effect control 1 CC 12 FX2 13 FX Control2 CC 13 MIDI ef...

Page 166: ...the knob toward the right will produce a positive change in the effect and rotating it toward the left will produce a negative change With nega tive values the opposite effect will result Kb1 Knob Mo...

Page 167: ...chronize to the tempo of the arpeggiator or to an external MIDI clock If BPM is in the range of 40 240 the specified value will be used Example 2 Delay Time L Bs Base Note Times 1 R Bs Base Note Times...

Page 168: ...neither OSC when the switch is turned off LED off Pitch Bend Lock The state of the PITCH wheel will alternate between Lock and Unlock Lock when the LED is lit While the PITCH wheel is being operated...

Page 169: ...Filter low pass filter Simultaneously CC 74 will be transmitted Flt Reso CC 71 Control the resonance of the Filter or the cutoff frequency of the high pass filter If the program s Type Filter1 2 Type...

Page 170: ...f the high pass filter If the program Filter Type is Low Pass Resonance the resonance level will be controlled If Filter Type is Low Pass High Pass the cutoff frequency of the high pass filter will be...

Page 171: ...fect which holds only the keys Note No that were being held at the moment that the pedal switch was turned on Soft CC 67 Turn the soft pedal effect on off Arpeggio SW Turn the arpeggiator on off The N...

Page 172: ...e pan of a Program of a timbre in a Combination or of a track in Multi mode Expression CC 11 Control the volume of a Program of a timbre in a Combination or of a track in Multi mode Expres sion is mul...

Page 173: ...channel You can make settings for MIDI Filter COMBI 3 4 to enable or disable control changes and controllers for each timbre When checked the above operations will be enabled Effect dynamic modulatio...

Page 174: ...CC 18 19 Knob modulation 2 20 Knob modulation 3 21 Knob modulation 4 22 31 32 Bank select LSB 33 37 38 Data entry LSB 39 63 64 Damper 65 Portamento On Off 66 Sostenuto On Off 67 Soft 68 69 70 Sustain...

Page 175: ...SB 0 127 LSB of RPN or NRPN data 1 64 Damper 0 127 damper effect 65 Portamento On Off 0 63 Off 64 127 On turn the portamento effect on off 66 Sostenuto On Off 0 63 Off 64 127 On turn the sostenuto eff...

Page 176: ...in A mode or in B mode when the function is assigned to CC 70 79 the corresponding program parameter will be edited temporarily You can execute Write Program PROG 0 1 to save that state except for so...

Page 177: ...meter Number and Data Entry can be used to control the following parameters Arpeggiator on off Bn 63 00 Bn 62 02 Bn 06 nn nn 00 3F off 40 7F on Arpeggiator gate control Bn 63 00 Bn 62 0A Bn 06 nn nn 0...

Page 178: ...he track selected by Control Track has a Status of BTH EXT or EX2 p 56 Control Track Tracks whose Status is INT or BTH will receive channel messages of the matching MIDI channel p 61 Status and MIDI C...

Page 179: ...the center value X50 When you move the X50 s PITCH wheel in the up direction pitch bend will be applied and pitch bend change messages will also be transmitted If these messages are received pitch be...

Page 180: ...MIDI messages from an external device to reset the value of the Expression message set vv to 127 In Combination mode Volume messages will be transmitted by each timbre whose Status is EXT or EX2 when...

Page 181: ...ti modes transmission reception of this message can be turned on off independently for each timbre track Foot Pedal Switch COMBI 4 2a MULTI 4 3 4 a Knob modulation 1 2 3 4 CC 17 19 20 21 Bn 11 vv Bn 1...

Page 182: ...In Combination and Multi modes transmission reception can be turned on off independently for each timbre track Realtime Control Knob1 2 3 4 COMBI 4 1 2 a MULTI 4 1 2 3 4 a In Program mode the corresp...

Page 183: ...m This message will be transmitted when you press the ARP ON OFF button When the switch is turned ON the data will be mm 127 7F and when turned OFF the data will be mm 0 00 and the arpeggiator will be...

Page 184: ...message in addition to the usual method of using the X50 microX s switches OG X50 p 115 microX p 117 Saving data If Exclusive GLOBAL 1 1b setting is checked data will also be dumped in response to a D...

Page 185: ...ck to Internal this instrument will be the master device and will transmit MIDI timing clock messages The tempo can be controlled from this instrument Simul taneously the performance of the arpeggiato...

Page 186: ...ic data can be played back Since the X50 microX does not support all of the GS XG sound maps or messages some data may not be played back correctly If you wish to play music data from an external GM G...

Page 187: ...le the data is being written Now receiving MIDI data A data dump or other large quantity of MIDI data is being received Now transmitting data A data dump or other large quantity of MIDI data is being...

Page 188: ...vv Control cc 0 119 microX Ext Control data EX Cn pp pp Program Change Prog Combi change 2 P Dn vv vv Channel Pressure A SW A Pdl After Touch T En bb bb bb bb Bender Change microX JoyStickX X50 PITCH...

Page 189: ...lect 3 C Bn 64 100 0r 0r RPN Param No LSB for RPN select 4 C Bn 65 101 00 00 RPN Param No MSB for RPN select 4 C Bn 78 120 00 00 All Sound Off C Bn 79 121 00 00 Reset All Controllers C Bn 7A 122 00 7F...

Page 190: ...annel 0 F Global Channel 7F Any Channel GM System On Receive when in Multi mode F0 7E nn 09 01 F7 3rd byte nn Channel 0 F Global Channel 7F Any Channel 2 4 2 UNIVERSAL SYSTEM EXCLUSIVE MESSAGES REALTI...

Page 191: ...28 29 30 50 72 89 98 99 100 101 103 C Cat HOLD Category Hold 2 34 Category 2 3 9 34 36 58 86 87 88 Category name setup 86 Chain 30 72 102 Combination category 34 Combination mode 33 Combination Selec...

Page 192: ...9 MIDI Channel 1 35 37 40 51 52 62 81 171 MIDI Clock 34 81 90 MIDI Filter 4 42 44 64 65 82 Setup 16 42 64 MIDI RPN coarse tune message 75 MIDI RPN fine tune message 76 MIDI universal system exclusive...

Page 193: ...19 Swap Swap LFO 1 2 15 Swap Master Effect 31 53 Swap Oscillator 7 System exclusive message 176 T TAP TEMPO 164 Tempo 3 15 25 26 34 47 49 56 69 90 Timbre Parameter 40 Time Amp EG 23 Filter EG 19 Pitch...

Page 194: ...ne sale you must verify that this product is intended to be used in the country in which you reside WARNING Use of this product in any country other than that for which it is intended could be dangero...

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