FX Title
Description
Signal
Processing
G12M-C
2x12 Close
This IR is based on the sound characteristics of a 2x12 close back cabinet with two 12-inch
Celestion® G12M Creamback* speakers, captured by a set of carefully balanced studio microphones.
Mono I/O
G12M-C
2x12 Open
This IR is based on the sound characteristics of a 2x12 open back cabinet with two 12-inch
Celestion® G12M Creamback* speakers, captured by a set of carefully balanced studio microphones.
Green
2x12
This IR is based on the sound characteristics of a 2x12 close back cabinet with two 12-inch
Celestion® G12M Greenback* speakers, captured by a set of carefully balanced studio microphones.
V30 2x12
This IR is based on the sound characteristics of a 2x12 close back cabinet with two 12-inch
Celestion® Vintage 30®* speakers, captured by a set of carefully balanced studio microphones.
G12-65
4x12
This IR is based on the sound characteristics of a 4x12 close back cabinet with four 12-inch
Celestion® G12-65* speakers, captured by a set of carefully balanced studio microphones.
G12H-A
4x12
This IR is based on the sound characteristics of a 4x12 close back cabinet with four 12-inch
Celestion® G12H Anniversary* speakers, captured by a set of carefully balanced studio microphones.
G12H-C
4x12
This IR is based on the sound characteristics of a 4x12 close back cabinet with four 12-inch
Celestion® G12H Creamback* speakers, captured by a set of carefully balanced studio microphones.
G12M-C
4x12
This IR is based on the sound characteristics of a 4x12 close back cabinet with four 12-inch
Celestion® G12M Creamback* speakers, captured by a set of carefully balanced studio microphones.
Green
4x12
This IR is based on the sound characteristics of a 4x12 close back cabinet with four 12-inch
Celestion® G12M Greenback* speakers, captured by a set of carefully balanced studio microphones.
V30 4x12
This IR is based on the sound characteristics of a 4x12 close back cabinet with four 12-inch
Celestion® Vintage 30®* speakers, captured by a set of carefully balanced studio microphones.
User IR
1~50
This is for loading your own IR file by clicking “Import IR file” button. The IR file should be a 24-bit
44.1kHz mono WAV file.
FX Title
Description
Parameters & Ranges
Signal
Processing
EQ(10)
Guitar
EQ
1
This is an equalizer made for guitar. You can use
this 5-band EQ to control your sound, eliminate
unwanted feedback, and expand your tone.
Band 1: 125Hz; Band 2: 400Hz ; Band 3: 800Hz
Band 4: 1.6kHz; Band 5: 4kHz
Use the five bands above to control the EQ level.
Volume: Controls the output level
Stereo I/O
Guitar EQ
2
This is an equalizer made for guitar. You can use
this 5-band EQ to control your sound, eliminate
unwanted feedback, and expand your tone.
Band 1: 100Hz; Band 2: 500Hz ; Band 3: 1kHz
Band 4: 3kHz; Band 5: 6kHz
Use the five bands above to control the EQ level.
Volume: Controls the output level
Bass EQ 1
This is an equalizer made for bass. You can use
this 5-band EQ to control your sound, eliminate
unwanted feedback, and expand your tone.
Band 1: 33Hz; Band 2: 150Hz ; Band 3: 600Hz
Band 4: 2kHz; Band 5: 8kHz
Use the five bands above to control the EQ level.
Volume: Controls the output level
Bass EQ 2
This is an equalizer made for bass. You can use
this 5-band EQ to control your sound, eliminate
unwanted feedback, and expand your tone.
Band 1: 50Hz; Band 2: 120Hz ; Band 3: 400Hz
Band 4: 800Hz; Band 5: 4.5kHz
Use the five bands above to control the EQ level.
Volume: Controls the output level
V-EQ
Our V-EQ is an equalizer based on the legendary
Mesa/Boogie®* 5-band graphic EQ module
found on Mesa/Boogie® Mark™* Series amps.
Put this classic EQ right before your amp or
distortion and hear the magic.
Band 1: 80Hz; Band 2: 240Hz ; Band 3: 750Hz
Band 4: 2.2kHz; Band 5: 6.6kHz
Use the five bands above to control the EQ level
Effect List
Effect Models List
*
The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners. The trademarks were used merely to identify the sound character of the products.
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DESIGN
INSPIRATION
