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Hotone AMPERO II Stomp, User Manual

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Hotone AMPERO II Stomp User Manual Download Page 84

FX Title

Description

Signal 

Processing

Tang 4x12 B

This model is a cabinet simulator based on the sound characteristics of a vintage Orange®* 

4x12” cabinet. 

Mono I/O

Tang 4x12 C

This model is a cabinet simulator based on the sound characteristics of a custom vintage 

Orange®* 4x12” cabinet. 

Messe 4x12 A

This model is a cabinet simulator based on the sound characteristics of a Mesa/Boogie®* 

4x12” cabinet with “Vintage Black Shadow” speakers. 

Messe 4x12 B

This model is a cabinet simulator based on the sound characteristics of a Mesa/Boogie®* 

4x12” cabinet with four 12-inch Celestion® Vintage 30®* speakers.

Rector 4x12 A

This model is a cabinet simulator based on the sound characteristics of a custom 

Mesa/Boogie® Rectifier* 4x12” cabinet with four 12-inch Eminence®* speakers.

Rector 4x12 B

This model is a cabinet simulator based on the sound characteristics of a Mesa/Boogie® 

Rectifier* “Traditional” 4x12” cabinet.

Rector 4x12 C

This model is a cabinet simulator based on the sound characteristics of a Mesa/Boogie® 

Rectifier* “Oversized” 4x12” cabinet.

Rector 4x12 D

This model is a cabinet simulator based on the sound characteristics of a custom 

Mesa/Boogie® Rectifier* 4x12” cabinet with four 12-inch Celestion® G12M-65®* speakers.

Bass  Cab(8)

Mic Type: Selects from different microphone simulations*:

-Dyn 421: Based on Sennheiser® Md421

-Rib 160: Based on Beyerdynamic® M160

-Con 87: Based on Neumann® U87

-Mix: Multi-mic combo

Volume: Controls the output volume

EQ: Selects from 2 different EQ variations: 

-I: A rounder tone

-II: A fatter, aggressive tone

Smooth: Turn on to smooth out both low/high ends

Low Cut/High Cut: Cuts the low/high frequency

Ampage 2x10 A

This model is a cabinet simulator based on the sound characteristics of a vintage Ampeg®* 

2x10” cabinet.  

Mono I/O

Ampage 2x10 B

This model is a cabinet simulator based on the sound characteristics of an Ampeg® SVT-

210AV* 2x10” cabinet.  

Ampage 2x10 C

This model is a cabinet simulator based on the sound characteristics of a modified vintage 

Ampeg®* 2x10” cabinet.  

Ampage 2x10 D

This model is a cabinet simulator based on the sound characteristics of a Ampeg® SVT-210AV* 

2x10” cabinet with Ampeg®* speakers. 

Ampage 4x10 A

This model is a cabinet simulator based on the sound characteristics of a vintage Ampeg®* 

4x10” cabinet.  

Ampage 4x10 B

This model is a cabinet simulator based on the sound characteristics of an Ampeg® SVT-

410HLF* 4x10” cabinet.  

Ampage 4x10 C

This model is a cabinet simulator based on the sound characteristics of a modified Ampeg® 

SVT-410HLF* 4x10” cabinet.   

Ampage 4x10 D

This model is a cabinet simulator based on the sound characteristics of a modified vintage 

Ampeg®* 4x10” cabinet.  

Effect List

Effect Models List

*

The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners. The trademarks were used merely to identify the sound character of the products.

82

DESIGN

 

INSPIRATION

Summary of Contents for AMPERO II Stomp

Page 1: ...ot limited to appearances packaging design manual content accessories size parameters and display screen are subject to change without prior notice Please check with local supplier for exact offers Sp...

Page 2: ...de Controls MIDI Settings Global EQ Display About Factory Reset Suggested Setups Using with your instrument and amp Connecting to your amp s RETURN or Power Amp Loudster FRFR cabinet INPUT Connecting...

Page 3: ...unit Make sure to separate the power adapter and store in a safe place During lightning storms or when not using the unit for an extended period disconnect the adapter from the outlet Make sure your h...

Page 4: ...where the signal goes Split node splits one effects chain into two sending the signal to two effects chains Mixer node combines two effects chains into one Patch The ON OFF status and current module e...

Page 5: ...to the parameter on the display 6 Footswitch Used to change patches turn on off effects set tap tempo etc 7 EXP CTRL 1 4 TRS input for connecting an external expression pedal momentary footswitch con...

Page 6: ...eo TRS output jack for feeding signal to other devices RETURN 1 4 unbalanced stereo TRS input jack for receiving signal from other devices When you need stereo connection a Y cable is needed for conne...

Page 7: ...nu select I O and find Input Mode Select a correct input mode based on what kind of instrument you have E GT for electric guitar or bass A GT for acoustic instruments Line for keyboards For stereo inp...

Page 8: ...page see GLOBAL section on page 30 9 EDIT allows you to edit the current patch see EDIT section on page 11 10 Leveling meter that indicates current I O level PATCH MODE 14 In Stomp Mode press to swit...

Page 9: ...eck them out Quick Access Knobs The quick access knobs allow you to change the values of the three parameters directly above on the touch screen Main Knob Turning the main knob lets you select the obj...

Page 10: ...f the scale will change from red out of tune to yellow near pitch to green in tune Quick access knob 1 adjusts the pitch calibration REF PITCH ranging from 415Hz to 475Hz Standard pitch is set at 440H...

Page 11: ...for reverse playback These footswitch controls correspond with the 1 2 SPD and REV buttons on the touchscreen Operation Function S tatus LED Color Rec Play LED Color Stop Clear On with no data Stop No...

Page 12: ...status the bank will remain unchanged so you can choose another patch in the same bank In bank select status current patch number patch name depending on display mode settings will be stressed as show...

Page 13: ...ound by showing internal signal flow effect combination etc Now let s see detailed effects chain info Remember that turning the effect slots on off and adjusting parameters will change the current pat...

Page 14: ...1 A2 A3 A4 A5 A6 B1 B2 B3 B4 B5 B6 Chain A Chain B Chain A Chain B Chain A Chain B Effects Chain Basics The upper effects chain is called effects chain A or simply chain A the lower chain is called ef...

Page 15: ...a unit s FX loop send jack FX RTN FX loop return module for receiving signal from external devices via unit s FX loop return jack FX LOOP FX loop module for inserting external effects to an effects ch...

Page 16: ...ack FX SND Sets the signal output to unit s FX loop send jack Chain B For chain A only which lets you connect chain A and B in series see Effects Chain Types section on for details page 14 None For ch...

Page 17: ...To Serial Drag and drop input node of chain B to the output node of chain A Change To Split Mix Drag and drop input and output nodes on chain A between input and output nodes depending on your needs Y...

Page 18: ...and mixer nodes Split Node Select a split node and the parameters will come up as shown below MODE lets you select a signal separation mode Mode I In this mode the split node outputs same signals to...

Page 19: ...level from A B chains The ranges are all 0 100 defaults are all set to 100 Use A B PAN to set input signal stereo panning from A B chains The ranges are all L50 Center R50 defaults are all set to Cen...

Page 20: ...list As shown above you can choose an effect by selecting a module choosing a category choosing an effect In this menu you can directly adjust selected effect parameters and change effects types Use...

Page 21: ...t change to a different effect in a module loaded in a slot in this menu you can t change module Press EDIT button again to collapse You can press current effect name to enter module effect menu in an...

Page 22: ...before paste 2 The copied module can be used in different patches 3 The copied module data will be lost if the unit power is off 4 If there already exists a module in target slot pasting will overwri...

Page 23: ...ping the footswitch This tempo will apply to the delay time and other effects with adjustable speed parameters Tap divide values in relation to their musical beats are shown below Time Value Beats Dis...

Page 24: ...m previous slot node FX SND To next slot node depending on FX SND module settings To FX Loop Send jack Signal from previous slot node depending on module settings FX RTN adjusts signal ratio To next s...

Page 25: ...lot node will be sent When set Mix to 100 only signal from FX Loop Return jack will be sent Serial And Parallel FX Loop A Serial FX Loop means external device is connected to other effects chain in se...

Page 26: ...s corresponding to a certain knob turning that knob will have no effect Current Settings Current patch number Exit the menu Tap to select Tap to select Option 1 Enter save screen Main menu Option 2 Op...

Page 27: ...yes and no below each module to show if the CTRL footswitch is activated or not Quick Access Para This menu allows you to set the three quick access of current patch available in main menu The target...

Page 28: ...nly If you select a slot SLOT FX X will show the current effect you re using in the center of the panel Use PARA X to select the parameter you want to assign to the expression pedal The selectable par...

Page 29: ...pear 1 Bring the pedal all the way up back and press NEXT 2 Then press the pedal all the way down and press NEXT The calibration will be set and this message will appear 3 Then strongly press the peda...

Page 30: ...n and other editable targets It is very important to save the changes you made to your tone and control settings In effects chain menu press button and the save menu will appear Then select Save Patch...

Page 31: ...n the management menu Enter a name and click OK to finish Copy And Paste Select a patch press Manage button then press Copy in the management menu to copy a patch Then find a position you need and pre...

Page 32: ...e facing impedance matching issues e g use Ampero II Stomp before fuzz pedals or want to keep a pure analog signal path this mode is recommended Supports only mono in mono out and stereo in out config...

Page 33: ...dio Input 1 2 and 3 4 are the same FX Loop Return inputs are directly sent to USB Audio Input 5 6 regardless of patch settings Input L R signals dry signal are directly sent to USB Audio Input 7 8 reg...

Page 34: ...nput source to Input R and output to FX loop send jack 8 You ll hear guitar signal in headphones and bass signal in monitor amps if everything is set Then record and get individual guitar and bass tra...

Page 35: ...1 to 7 Controls Use this Controls menu to set up unit mode bank select mode automatic cab match and external controllers Use UNIT MODE to switch between Patch Mode and Stomp Mode This works same as h...

Page 36: ...ide MIDI input source DIN Only Receives MIDI messages from MIDI IN jack only USB Only Receives MIDI messages from USB jack only Mixed Receives MIDI messages from both MIDI IN and USB jacks Default is...

Page 37: ...requency ranging from 20Hz to 20000Hz The default frequency of each bands are LOW CUT and LOW SHELF 20Hz BAND 1 100Hz BAND 2 500Hz BAND 3 1600Hz BAND 4 5000Hz HIGH CUT and HIGH SHELF 20000Hz Q Control...

Page 38: ...return to the main menu Use LANGUAGE to switch system UI language Use COLOR to choose from 7 system UI colors DISPLAY TIME lets you set how long screen display lasts for energy saving Selections are...

Page 39: ...ibilities When using with FX Loop jacks please remember to add FX Loop related modules FX SND RTN LOOP or setup input output nodes properly Suggested Setups Connecting to your amp s RETURN or Power Am...

Page 40: ...make sure FX loop related modules nodes are properly set Please adjust patch volume properly or volume drop will occur when bypassing engaging your Ampero II Stomp like a pedal Please remember bypass...

Page 41: ...ure the mixer or interface channel s volume is muted before making any connections Turn the output volume all the way down before connecting headphones to prevent harm to your ears Ampero II Stomp s h...

Page 42: ...will only hear a mono version of your AUX source Connect Ampero II Stomp to your computer and access the free software to manage your device adjust tonal settings transfer files update firmware and u...

Page 43: ...your signal and makes your sound much stronger The Squeezer is a fully functional compressor with lots of tonal flexibility A Tone knob is specially designed for further tone shaping Threshold Contro...

Page 44: ...s a special tone simulator that simulates the legendary Woman Tone created by Eric Clapton during his Cream years The tone is thick sustaining kazoo like but maintaining note definition and enough att...

Page 45: ...coustic sound doing wonders for piezo pickups One knob makes it simple Shape Controls the detailed effect character Mono I O AC Sim This is an acoustic simulator designed for electric guitars that pro...

Page 46: ...g synth y Freq Controls the filter center frequency Reso Controls the filter resonance Level Controls the effect output Moo VCF HP This is a high pass filter that lets the highs go and attenuates the...

Page 47: ...sync on off Mono I O Crier B The Crier B is a controllable band pass filter which delivers a variety of auto wah effects Designed for basses this model has many parameters for shaping the tone of you...

Page 48: ...the effect speed by turning on the Sync switch When the Sync switch is on turn the Rate knob to set a proper tap divide value The default value is 1 4 no division Step 1 8 Controls the filter center...

Page 49: ...s the pitch correction by 50 cents Delay 1 4 Controls the time between dry and wet signals Pan 1 4 Controls the wet signal L R panning Tone Controls the effect tone Mix Controls the overall dry wet si...

Page 50: ...ings can bring you lots of fun Mix Controls the wet dry signal ratio of the effect Key Selects the chord key according to your music Mode Selects the scale mode according to your music Interval Select...

Page 51: ...er frequency range Q Controls the wah resonance filter Q Volume Controls the effect output Position Controls the wah pedal position min fully heel max fully toe Mono I O Voxy Wah This model is based o...

Page 52: ...he effect tone Volume Controls the effect output Mono I O Green 9 This model is based on the legendary Ibanez TS 9 Tube Screamer which was originally designed to simulate the sound of a vintage tube a...

Page 53: ...ols the effect tone Blues Butter This Blues Butter overdrive model recreates the magic of the classic Bluesbreaker sound for you Based on the Marshall Bluesbreaker overdrive pedal this low mid gain ov...

Page 54: ...2 pedal one of the first transparent overdrive pedals Like the original Magic T pushes your amp guitar to the limit while maintaining the original flavor and dynamics Gain Controls the overdrive amoun...

Page 55: ...Based on the legendary Marshall The Guv Nor distortion pedal which was well known for its high quality and iconic British distortion tones it recreated the world famous drive sound of a classic Marsha...

Page 56: ...unt Tone Controls the effect tone Volume Controls the effect output Mode Selects from 3 different sound characters Normal neutral sound Scoop mid scooped sound Edge edgy sound Blend Controls the wet d...

Page 57: ...ect tone Bright Switches extra brightness on off Black Deluxe The Black Deluxe is an amp simulator based on the legendary Fender Blackface Deluxe Reverb amp Normal CH providing you a more scooped blac...

Page 58: ...overdrive Volume Controls the effect output and gain amount Presence Controls the effect headroom Output Controls the effect output Bass Treble 2 band EQ that controls the effect tone Brown Super The...

Page 59: ...3 band EQ that controls the effect tone Watchman This is an amp simulator based on the Gibson Scout amp a rare vintage amp with a smooth vintage clean sound Volume Controls the effect output and gain...

Page 60: ...d UK Class A chime Gain Controls the output volume pre gain Tone cut Counterclockwise controls the effect tone Master Controls the effect output post gain Bass Middle Treble 3 band EQ that controls th...

Page 61: ...gain Presence Controls the effect headroom Master Controls the effect output post gain Bass Middle Treble 3 band EQ that controls the effect tone Dumbell ODS 1 Here comes the THE LEGEND The Dumbell O...

Page 62: ...a serious blues engine with incredible smooth fat sound and great dynamics A must have in your armory Volume Controls the effect output and gain amount Tone Controls the effect tone Output Controls t...

Page 63: ...trols the effect headroom Output Controls the effect output Bass Middle Treble 3 band EQ that controls the effect tone Marshell SLP Marshell SLP is an amp simulator based on the sound characteristics...

Page 64: ...A30 Drive The Tang A30 Drive is based on the famous Orange AD30 amp head CH 2 a 30 watt vintage modern Class A model with Orange s famous juicy sound Adjust the GAIN knob to get the magic glassy bout...

Page 65: ...ogie Lone Star combo bringing you that well balanced smooth American style drive with a rich combination of both vintage and modern tones Input Controls the input sensitivity Gain Controls the gain am...

Page 66: ...gain amount pre gain Presence Controls the effect headroom Master Controls the effect output post gain Bass Middle Treble 3 band EQ that controls the effect tone Eddie 51 The Eddie 51 is based on a h...

Page 67: ...based on an enduring rock n roll icon the legendary Mesa Boogie Dual Rectifier amp head CH3 modern Music industry genres and scenes have come and gone since its first release in early 1990 s but this...

Page 68: ...ull figured tone for which many have deemed it the holy grail of bass amps Now it s finally within reach Volume Controls the output volume post gain Bass Treble 2 band EQ that controls the effect tone...

Page 69: ...nd gain amount Output Controls the effect output Mono I O Tweed Lux The Tweed Lux is a preamp simulator based on the sound characteristics of the legendary Fender Tweed Deluxe amp 5E3 version BRIGHT c...

Page 70: ...the Fender Blackface Super Reverb amp AB763 version a huge sounding amp delivering you the lovely blackface chimes with enhanced treble and bass Volume Controls the effect output and gain amount Outpu...

Page 71: ...nder tone Not much tweaking is needed Just plug in turn up the volume and feel the magic Volume Controls the effect output and gain amount Output Controls the effect output Bass Treble 2 band EQ that...

Page 72: ...or based on the unbeatable Matchless DC 30 combo one of the earliest boutique amps which takes the legendary UK style Class A sound to a new level Volume Controls the effect output and gain amount Mas...

Page 73: ...ct tone Pendragon Clean The Pendragon Clean is a preamp simulator based on the Normal channel of the famous Grindrod Pendragon PG20C combo bright on a masterpiece designed by tube amp guru Steve Grind...

Page 74: ...EQ that controls the effect tone Mono I O Brown King Drive The Brown King Drive is a preamp simulator based on the Fender Brownface Vibro King amp FAT switch on one of Gary Clark Jr s favorite It give...

Page 75: ...ct tone Marshell 50 This is a preamp simulator based on the sound characteristics of the legendary Marshall JMP 50 amp head NORMAL channel No explanation necessary The tone is as legendary as the musi...

Page 76: ...the legendary UK rock n roll scenes Turn up stand back and you re ready to rock Gain Controls the gain amount pre gain Volume Controls the effect output post gain Bass Middle Treble 3 band EQ that co...

Page 77: ...nt Master Controls the effect output Bass Middle Treble 3 band EQ that controls the effect tone Emperor Drive Meet the Emperor of Tone This is a preamp simulator based on the Matchless Chieftain 212 c...

Page 78: ...s Middle Treble 3 band EQ that controls the effect tone Fat Switch on to get a fatter sound Bright Switches extra brightness on off Voicing Selects from two voicings Mid Gain a punchier sound with mor...

Page 79: ...rn in 1994 the VH4 set an incredibly high benchmark for boutique multi channel amps quickly making it a stage and studio standard B stands for blue panel version Dizzle VH S The Dizzle VH S is a pream...

Page 80: ...eg design for more tonal flexibility Gain Controls the gain amount Frequency Selects the center frequency of Midrange control 220Hz 450Hz 800Hz 1 6kHz 3kHz Master Controls the effect output Bass Midra...

Page 81: ...microphone simulations Dyn 57 Based on Shure Sm57 Dyn 421 Based on Sennheiser Md421 Rib 121 Based on Royal R121 Rib 160 Based on Beyerdynamic M160 Con 87 Based on Neumann U87 Con 414 Based on AKG C41...

Page 82: ...model is a cabinet simulator based on the sound characteristics of a Bogner Shiva 2x12 cabinet Glacian 2x12 B This model is a cabinet simulator based on the sound characteristics of a Bogner Shiva 2x...

Page 83: ...Vintage 30 speakers Engle 4x12 B This model is a cabinet simulator based on the sound characteristics of a ENGL 4x12 cabinet with four 12 inch Celestion Greenback speakers Fryman 4x12 A This model is...

Page 84: ...yerdynamic M160 Con 87 Based on Neumann U87 Mix Multi mic combo Volume Controls the output volume EQ Selects from 2 different EQ variations I A rounder tone II A fatter aggressive tone Smooth Turn on...

Page 85: ...Blue speaker captured by a set of carefully balanced studio microphones G12H C 1x12 Close This IR is based on the sound characteristics of a 1x12 close back cabinet with one 12 inch Celestion G12H Cre...

Page 86: ...f a 4x12 close back cabinet with four 12 inch Celestion Vintage 30 speakers captured by a set of carefully balanced studio microphones User IR 1 50 This is for loading your own IR file by clicking Imp...

Page 87: ...with selectable filter types that suitable for any instrument Band 3 filter shape is fixed to Peak Freq 1 5 Controls the filter center frequency Freq 1 20Hz 2000Hz Freq 2 3 4 100Hz 10kHz Freq 5 200Hz...

Page 88: ...ou the real 3D experience for your ears especially on stereo sound systems Mix Controls the wet dry signal ratio Rate Controls the chorus speed Filter Controls the effect tone Depth L C R Controls the...

Page 89: ...The 90 Phaser recreates the warm rich analog phase sound of the legendary MXR M101 Phase 90 pedal Born in 1974 the one knob orange phaser is an icon that has found a place on millions of pedal boards...

Page 90: ...rent vibe modes Chorus and Vibrato Sync Switches Tap Tempo sync on off Tromolo 2 Helicopter This model is based on the legendary Demeter TRM 1 Tremulator tremolo pedal Featuring deep pulsing optical t...

Page 91: ...dry signal ratio Feedback Controls the amount of feedback Time Controls the delay time Level Controls the effect output Sync Switches Tap Tempo sync on off Trail Switched effect trail on off when the...

Page 92: ...switch When the Sync switch is on turn the Time knob to set a proper tap divide value The default value is 1 4 no division Mix Controls the wet dry signal ratio Feedback Controls the amount of feedbac...

Page 93: ...FB R to L R Controls the right channel feedback amount on left right channels Low Cut High Cut Controls the effect low high frequency cutoff L R Sync Switches delay time Tap Tempo sync on off on left...

Page 94: ...ue The default value is 1 4 no division Mix Controls the delay wet dry signal ratio Feedback Controls the amount of feedback Time Controls the delay time Ring Mix Controls the ring mod wet dry signal...

Page 95: ...ry signal ratio Feedback Controls the amount of feedback Time 1 4 Controls the delay 1 4 time Level 1 4 Controls the delay 1 4 output Pan 1 4 Controls the delay 1 4 L R panning Output Controls the ove...

Page 96: ...on the Sync switch When the Sync switch is on turn the Time knob to set a proper tap divide value The default value is 1 4 no division Ekopress 900 Get on the expressway to pure analog heaven The Eko...

Page 97: ...trols the amount of feedback Time Controls the delay time Sens Controls the ducking sensitivity Attenuate Controls the delay signal attenuate amount Release Controls how fast the delay signal goes bac...

Page 98: ...RTN FX Loop Return This is for FX Loop Return jack settings Type Selects the output type channel Return Level Controls the FX Loop return jack input level Mix Controls the signal ratio between the FX...

Page 99: ...Patch 28 0 127 Unit Mode 0 63 Stomp Mode 64 127 Patch Mode 29 0 127 Main Display Mode 0 63 Mode 1 64 127 Mode 2 48 0 127 Slot A1 On Off 0 63 Off 64 127 On 49 0 127 Slot A2 On Off 0 63 Off 64 127 On 5...

Page 100: ...ost 0 63 Post 64 127 Pre 72 0 127 Looper A B Chain 0 63 Chain A 64 127 Chain B 73 0 127 CTRL Status A red LED 0 63 Status B green LED 64 127 74 0 2 Tempo MSB CC74 0 CC75 40 127 40BPM 127BPM CC74 1 CC7...

Page 101: ...the noise is coming from your instrument try using the noise reduction module to adjust it Sound problems Make sure your cables are connected properly Check your instrument output jack If you re using...

Page 102: ...lanced stereo FX loop send jack One 1 8 stereo headphones output jack One standard 5 pin MIDI output jack Input Impedance Input E GT 1M A GT 4 7M LINE 10k FX Loop Return 100k Aux In 10k Output Impedan...

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