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MONITOR  SENDS

These controls route the input channel signal to any one or more Monitor

busses and the associated Monitor Outputs, allowing a number of unique

monitor mixes to be created.  The sends are arranged as a group of mono

sends (1-8) and two stereo pairs (9/10 & 11/12).  Each group of sends is

normally POST-FADE, POST-EQ but may be switched to PRE-FADE,

POST-EQ by pressing the corresponding PRE switch.  All sends are muted

when the MUTE switch (9) is pressed.  Sends 9-12 are arranged as two

stereo pairs, with a send level control and a PAN control to position the

channel signal in the stereo image.  With the PAN control centered, the

signal is fed equally to both sends in the pair. You get most control when the

input Sensitivity is set up correctly, giving maximum travel on the send

controls.  See the `Setting Up & Troubleshooting’ section on page 8 for help

in setting a suitable signal level.

MUTE

All monitor sends are disabled when the MUTE switch is down, and the

associated amber LED illuminates to show that the switch is pressed.

FADER

The FADER provides overall level control of any Monitor Sends which are

selected as post-fade.  You get most control when the input Sensitivity is set

up correctly, giving full travel on the fader.  See the `Setting Up &

Troubleshooting’ section on page 8 for help in setting a suitable signal level.

SIGNAL LED

This green LED illuminates to show that a signal with a level greater than 

-20dB is present in the channel.

PFL/PEAK

When the latching PFL switch is pressed, the pre-fade, post-EQ signal is fed

to the headphones and engineer’s wedge outputs, replacing the selected

wedge source and illuminating the SOLO/PFL LED on the Master section to

show that a PFL is active.  The adjacent red LED lights to identify the

selected channel.  This is a useful way of listening to any required input

signal without interrupting any of the monitor sends, for making

adjustments or tracing problems.

When the PFL switch is released the LED serves as a PEAK indicator which

illuminates approximately 4dB before clipping to give warning of a possible

overload.  The signal is sampled at two points in the EQ section and at the

Insert Send.

7

9

10

12

11

8

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Summary of Contents for SoundCraft MONITOR 2

Page 1: ...Featuring www audiovias com...

Page 2: ...www audiovias com...

Page 3: ...red Blue must be connected to the terminal in the plug which is marked with the letter N l The wire which is coloured Brown must be connected to the terminal in the plug which is marked with the lette...

Page 4: ...Page 3 INPUTS 24 Connecting Up www audiovias com...

Page 5: ...g on page 8 to learn how to set SENS correctly Page 4 1 2 3 4 5 7 6 8 100Hz HI PASS FILTER Pressing this switch activates a steep 18dB per octave filter which reduces the level of bass frequencies onl...

Page 6: ...inates to show that the switch is pressed FADER The FADER provides overall level control of any Monitor Sends which are selected as post fade You get most control when the input Sensitivity is set up...

Page 7: ...12 the signal will be fed in stereo Note that FX Return 1 may be globally switched from the Master section to be the House Mic signal if required FOH Facility A sub grouping facility is included on ou...

Page 8: ...es in operating levels Note that the position of this control does not affect the level to the meters HOUSE MICS Two balanced XLR inputs are provided for House Mics and the HOUSE SENS control sets the...

Page 9: ...hieve satisfactory input level setting without feedback check microphone and speaker placement and repeat the exercise If feedback persists it may be necessary to use a Graphic Equaliser to reduce the...

Page 10: ...Page 9 BAND INSTRUMENTS VOCALS Live Monitor with Effects APPLICATIONS www audiovias com...

Page 11: ...BAND INSTRUMENTS VOCALS Page 10 Live Monitor with In Ear Monitoring www audiovias com...

Page 12: ...2 CA Theatre www audiovias com...

Page 13: ...2 CA FOH Console www audiovias com...

Page 14: ...2 CA FOH Console with Subgrouping www audiovias com...

Page 15: ...3 1 2 3 1 2 3 1 2 3 1 2 GRAPHIC EQ INSERT GRAPHIC EQ INSERT GRAPHIC EQ INSERT WEDGE SOURCE SELECT 11 ONLY WEDGE SOURCE SELECT 12 ONLY TO TO TO FROM FROM FROM INSERT EQ 100Hz HIGH PASS OFF 160Hz PEAK...

Page 16: ...Balanced Unbalanced Insert Leads Y Leads Unbalanced Lamp Connections Y Leads Balanced Headphone Splitter Page 15 Connecting Leads www audiovias com...

Page 17: ...Control Position Sheet You may freely copy this page to mark control positions to assist in resetting the desk between performances www audiovias com...

Page 18: ...2 CA INPUTS MONITOR 2 CONSOLE Typical Starting Out Control Positions www audiovias com...

Page 19: ...o output medium gain via output Hi pass filter off 15Hz to 45kHz 3dB 25Hz to 25kHz 1dB Typical Input and Output levels Maximum output 22dBu Maximum signal into mic input 28dBu Maximum signal into FX r...

Page 20: ...A Harman International Company Part No ZM0192 Part No ZM0192 02 www audiovias com...

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