APPENDIX 2: FACTORY SETUP LISTING
Factory Setup Listing
Following is a complete listing of the factory designed setups. While this is not meant to be an exhaustive list of appli-
cations, it is meant to be a good starting off point for you to be creative in designing custom setups for you r own
needs. Notice the the first three setups are factory default stereo setups that allow you to make a setup completely
from scratch. Do you recognize the three different chain types from earlier in this manual? Further down the list, you
will notice the six mono chain types as well.
Linked Setups
St Def #1
EQ-G-C-DS-L . . . . . . . . .“Default set-up with all values set to zero, for use when building a custom set-up
from scratch.”
St Def #2
SEQ-G-C-DS-L . . . . . . . .“Default set-up with all values set to zero, for use when building a custom set-up
from scratch.”
Ext Sch Def
EQ-G-C-DS-L . . . . . . . . .“Default set-up with all values set to zero, for use when building a custom set-up
from scratch. Note: This is a mono set-up on channel 1 with channel two acting as
the sidechain key.”
Light Mix
EQ-G-C-DS-L . . . . . . . . .Very light compression and sweetening.
Over Heavy
EQ-G-C-DS-L . . . . . . . . .Heavy Compression with a a light feel.
Too Loud!
SEQ-G-C-DS-L . . . . . . . .Very heavy compression with lots of gain for that one louder setting.
The Wave
EQ-G-C-DS-L . . . . . . . . .Medium compression with heavy sweetening.
Telephone
EQ-G-C-DS-L . . . . . . . . .Medium compression with heavy EQ.
Phat
EQ-G-C-DS-L . . . . . . . . .Light compression with extra bass.
Mr. Master
EQ-G-C-DS-L . . . . . . . . .Light overeasy compression with just the right EQ for your DAT.
Catz Meow
EQ-G-C-DS-L . . . . . . . . .So light you will not even know it is on.
SCh Bass
EQ-G-C-DS-L . . . . . . . . .External sidechain for your bass.
Thiknchunky
SEQ-G-C-DS-L . . . . . . . .Medium compression in the middle.
St Drums
EQ-G-C-DS-L . . . . . . . . .“Medium compression, with EQ and gating to bring out the drums.”
St Vocal
EQ-G-C-DS-L . . . . . . . . .“Light compression, EQ and De-essing for those stereo background vocals.”
XL Bottom
EQ-G-C-DS-L . . . . . . . . .“Light compression with heavy EQ on the bottom.”
Hill & Dale
EQ-G-C-DS-L . . . . . . . . .“Light Compression, EQ and Gating, perfect for transferring from analog to digital.”
St E Guitar
EQ-G-C-DS-L . . . . . . . . .Medium Compression with heavy Gating and a little bump in the bottom end.
St Piano
SEQ-G-C-DS-L . . . . . . . .Very mild Compression and Gating with the Sidechain EQ to bring out the top and
bottom of the piano and the room.
St Synth
EQ-G-C-DS-L . . . . . . . . .Light Compression with some gating and light EQ to clean up Synth tracks.
Tickle Me
EQ-G-C-DS-L . . . . . . . . .Just a touch in all the right places.
Back Bacon
EQ-G-C-DS-L . . . . . . . . .Light to medium compression with a little EQ to fatten up the mix. Eh.
DJ Duck
EQ-G-C-DS-L . . . . . . . . .“A ducker, using the side chain to key the compressor.”
Cassette
EQ-G-C-DS-L . . . . . . . . .“Heavy compression with lots of Gating and EQ, to clean up a cassette vocal track.”
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DDP
Digital Dynamics Processor
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Section 6: Appendices
