Hammond SK1, Owner'S Manual, Page: 95 / 158

95
Setting the Parameters
Frequency
Level
Waveform,
Rate
Modulation
Ring
Frequency
Modulation
Source
Original Signal
Effect Signal
❺ RING MODULATOR - SOURCE
Selects what to use to modulate the ring frequency.
MAN: Uses the following FREQ parameter, i. e. the [EFFECT AMOUNT] knob.
EXP: Modulates the ring frequency with the Expression Pedal.
LFO: Allows a cyclical modulation eff ect using the built-in LFO-Low Frequency Oscillator.
NOTE: The ring frequency changes by the note, i. d. the UPPER Part performance (or the performance
of the allocated part if in the Extra Voices).
❻ RING MODULATOR - FREQUENCY
Adjusts the central ring frequency. It is linked with the [EFFECT AMOUNT] knob on
the top panel when the SOURCE (5) is set at MAN, EXP and NOTE.
Th
e setting range is 0 to 127. Th e frequency becomes higher as the value increases.
❼ RING MODULATOR - MIX
Adjusts the volume balance between the fundamental and eff ect sounds.
Th
e setting range is 0 to 127. At 0, only the fundamental sound is heard. As the value is
raised, the more eff ect is added. At 127, only the eff ect comes out.
❽
RING MODULATOR - WAVEFORM
When the SOURCE (5) is set at LFO, the LFO waveform is set.
Tri: Triangle wave. The ring frequency number smoothly varies.
Sqr: Square wave. The ring sound suddenly changes to treble and also suddenly to bass.
Saw: Sawtooth wave. The ring sound repeatedly drops from treble to bass.
S&H: Sample & hold wave. The ring frequency changes randomly.
❾
RING MODULATOR - RATE
When the SOURCE (5) is set at LFO, the frequency speed is adjusted. It is linked with
the [EFFECT AMOUNT] knob on the top panel when the SOURCE (5) is set at LFO.
Th
e setting range is 0 to 127. Th e cycle becomes faster as the value is raised.
❿ RING MODULATOR - DEPTH
Adjusts the depth of the frequency change when the source is set at LFO or EXP.
Th
e setting range is 0 to 127. Th e ring frequency becomes wider as the value is raised.
Ring Mod.
Th e Ring Modulator creates complex, metallic-like sounds by taking the sum and diff er-
ence of the fundamental tone and a second “ring” frequency.
❹ ❺ ❻ ❼ ❽ ❾ ❿