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TYPE:  

PR 616

PART NUMBER:

2282000000 (120V, 60Hz) US,

2282001000 (110V, 60Hz) TW,

2282003000 (240V, 50Hz) AUS,

2282004000 (230V, 50Hz) UK,

2282005000 (220V, 50Hz) ARG,

2282006000 (230V, 50Hz) EUR,

2282007000 (100V, 50Hz) JPN

POWER REQUIREMENT: 

1000W

POWER OUTPUT:

500W+ RMS into 2

@ 1%THD

400W RMS into 4

@ 5%THD

INPUT IMPEDANCE:

510k

INPUT SENSITIVITY:

(Clean Volume at maximum, all tone controls at “12 o’clock,” FX Level and Boost at minimum)

INSTRUMENT:

@ 4

400W: 130mV,

@ 2

500W: 100mV Input

POWER AMP:

@ 4

400W: 1.87V, 

@ 2

500W: 1.41V Input

EFFECTS LOOP:

SEND IMPEDANCE:

220

,

RETURN IMPEDANCE: 

10k

FOOTSWITCH: 

4-Button: Channel Select / Drive Select / Effects / Boost (P/N 064732),

FUSES:

100V-120V versions:

F15A, 125V,

220V-240V versions: 

F8A, 250V

RECOMMENDED SPEAKERS:

MH-412 SL (P/N 2282800000),

MH-412 ST (P/N 2282900000)

DIMENSIONS:

HEIGHT: 

8.50 in (21.6 cm),

WIDTH: 

29.25 in (74.3 cm),

DEPTH: 

11.0 in (27.9 cm)

WEIGHT: 

50 lb  (22.7 kg)

Product specifications are subject to change without notice.

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R. EFFECTS LOOP 

SEND

is a preamp output that

includes onboard equalization and DSP effects.

RETURN 

is a power amp input. 

Connect only

shielded instrument cable with standard 1/4" mono
phone plugs to these jacks:

• Effects Loop - Connect SEND to your effect’s input

and RETURN to the effect’s output.

• Multiple MH-500 Amplifiers - Connect SEND on your

primary MH-500 to the RETURN on your auxiliary MH-
500. The primary MH-500 will control all the auxiliary
amplifiers. More amplifiers can be connected by
splitting the SEND signal of the primary MH-500
(using “Y”-adapters) to connect to the RETURN of
each auxiliary amplifier.

Select from 16 effect variations and combinations:

• DELAY signal echoes of various intervals and repeats

• REVERB creates the ambience of different acoustic spaces

• CHORUS and FLANGE pitch and

delay modulation in multiple stages

• VIBRATONE

simulates the

“doppler effect” of a rotating
speaker

• NOISE GATE reduces noise at low

input levels. Higher FX LEVEL
settings will create a “stop–start”
effect by cutting off the guitar
signal abruptly.

• PHASER phase modulation in

multiple stages

Delay  1

slapback delay (140 ms)

Delay  2

medium delay (315 ms)

Delay  3

long delay (480 ms)

Reverb  1

large room

Reverb  2

medium hall

Delay  3

medium hall / medium delay (235 ms)

Chorus  1

slow, deep sweep

Chorus  2

fast, light sweep

Delay  3

fast chorus / long delay (480 ms)

Reverb  4

fast chorus / medium hall

Flange  1

fast, light sweep

Flange  2

slow, deep sweep

Vibratone  1

medium rotation

Noi Chorus  1

noisegate / deep sweep

Noisegate  2

noisegate

Phaser  1

medium sweep

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Summary of Contents for MH-500

Page 1: ......

Page 2: ...o rain or moisture Unplug the power supply cord before cleaning the unit exterior use a damp cloth only Wait until the unit is completely dry before reconnecting it to power During operation Maintain...

Page 3: ...n solo al servicio t cnico oficial Los amplificadores Fender son capaces de producir niveles de presi n sonora muy elevados que pueden provocar da os temporales o permanentes en el o do Ajuste los ni...

Page 4: ...sione pericolosa all interno della cassa Questo simbolo indica l importanza per l utilizzatore della lettura di tutta la documentazione allegata al prodotto finalizzata all utilizzo sicuro del disposi...

Page 5: ...ra Esta uma medida de seguran a Se voc n o conseguir inserir o plug na sa da entre em contato com um eletricista para substituir sua sa da ultrapassada N o anule o prop sito de seguran a deste plug Ev...

Page 6: ...as indicated by the LED NOTE Turn down all 3 VOLUME knobs before switching the MH 500 on Rear Panel N POWER INPUT Connect the included power cord to a grounded AC outlet in accordance with the voltage...

Page 7: ...ect only shielded instrument cable with standard 1 4 mono phone plugs to these jacks Effects Loop Connect SEND to your effect s input and RETURN to the effect s output Multiple MH 500 Amplifiers Conne...

Page 8: ...to del pedal D DRIVE Use estos mandos para ajustar el nivel de distorsi n de cada canal DIRTY E VOLUME Use estos mandos para ajustar el volumen o potencia de salida de cada canal F PRESENCE Use estos...

Page 9: ...alce al m nimo INSTRUMENTO 4 400 W 130 mV 2 500 W 100 mV entrada ETAPA POTENCIA 4 400 W 1 87 V 2 500 W 1 41 V entrada BUCLE EFECTOS IMPEDANCIA ENVIO 220 IMPEDANCIA RETORNO 10 k PEDALERA 4 botones sele...

Page 10: ...ez ces boutons pour r gler le niveau de sortie de chaque canal F PRESENCE Utilisez ces boutons pour r gler les tr s hautes fr quences de chaque canal DIRTY G TREBLE MID BASS Utilisez ces boutons pour...

Page 11: ...n position interm diaire FX Level et Boost au minimum INSTRUMENT Dans 4 400 W 130 mV dans 2 500 W 100 mV en entr e TAGE DE SORTIE Dans 4 400 W 1 87 V dans 2 500 W 1 41 V en entr e BOUCLE D EFFETS IMP...

Page 12: ...livello di distorsione di ciascun canale DIRTY E VOLUME Usa questa manopola per regolare il loudness di ciascun canale F PRESENCE Usa questa manopola per regolare la risposta in frequenza Ultra High d...

Page 13: ...ustici CHORUS e FLANGE modulazione Pitch e Delay a stadi multipli VIBRATONE simula l effetto Doppler di uno speaker rotante NOISE GATE riduce il rumore a basso livello Con valori elevati del controllo...

Page 14: ...es DIRTY Kanals ein E VOLUME Mit diesen Reglern stellen Sie die Lautst rke jedes Kanals ein F PRESENCE Mit diesen Reglern stellen Sie den Frequenzgang der Ultra H hen jedes DIRTY Kanals ein G TREBLE M...

Page 15: ...87 V 2 Ohm 500 W 1 41 V Eingang EFFECTS LOOP SEND IMPEDANZ 220 Ohm RETURN IMPEDANZ 10 kOhm FUSSSCHALTER 4 Tasten Channel Select Drive Select Effects Boost P N 064732 SICHERUNGEN 100 V 120 V Versionen...

Page 16: ...ED da pedaleira D DRIVE Use estes bot es para ajustar o n vel de distor o de cada canal DIRTY E VOLUME Use estes bot es para ajustar a altura do som de cada canal F PRESENCE Use estes bot es para ajus...

Page 17: ...o INSTRUMENTO 4 400W 130mV 2 500W 100mV ENTRADA POWER AMP 4 400W 1 87V 2 500W 1 41V ENTRADA EFEITOS LOOP IMPED NCIA ENVIADA 220 IMPED NCIA DE RETORNO 10k PEDALEIRA 4 Bot o canal Select Drive Select Ef...

Page 18: ...18 f f e e n n d d e e r r c c o o m m...

Page 19: ...19 f f e e n n d d e e r r c c o o m m...

Page 20: ...ENDER MUSICAL INSTRUMENTS CORPORATION CORONA CALIFORNIA USA Fender and Metalhead are trademarks owned by FMIC Other trademarks are property of their respective owners 2004 FMIC All rights reserved P N...

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