Euphonix R-1 Digital Multitrack Operation Manual Download Page 1

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Supplement to the

R-1 Digital Multitrack

Operation Manual

Version 3.0

Part Number: 840-07912-01

Euphonix Inc

220 Portage Ave.
Palo Alto, California 94306
Phone: 650-855-0400
Fax: 650-855-0410
Web:

http://www.euphonix.com

e-mail: [email protected]

Summary of Contents for R-1 Digital Multitrack

Page 1: ...1 Digital Multitrack Operation Manual Version 3 0 Part Number 840 07912 01 Euphonix Inc 220 Portage Ave Palo Alto California 94306 Phone 650 855 0400 Fax 650 855 0410 Web http www euphonix com e mail...

Page 2: ...t notice or obligation System 5 S 5 PatchNet eMix EuCon R 1 Audio Deck Studio Hub are trademarks of Euphonix Inc 2001 Euphonix Inc All rights reserved worldwide No part of this publication may be repr...

Page 3: ...10 Chapter 2 Display Features 15 2 1 Waveform Display 15 2 2 Metering and Zoom Features 18 2 3 Bars and Beats 20 2 3 1 Tempo and Time Signature 20 2 3 2 Re order Regions 22 2 3 3 Create a Click Track...

Page 4: ...2 4 Clip Edge Locating 41 Chapter 5 Editing and Selection Features 43 5 1 Editing Features 43 5 1 1 Paste Relative 43 5 1 2 Place Clips from the Directory 44 5 1 3 Cue Track Editing 45 5 2 Selection F...

Page 5: ...2 10 Edit Tempo Map Window 21 3 1 Export button illuminates when Sound File is selected 27 3 2 Multi selecting Sound Files for Export 27 3 3 Export command in the Clips popup menu 28 3 4 The Export t...

Page 6: ...he R 1 Operation Manual vi 5 4 Wireframe Selection 47 5 5 Cue Track left and Clip Select right Right click Menus 48 5 6 Track Name Select Right click menu 49 5 7 Clip Info dialog 50 5 8 Editing the Ta...

Page 7: ...sed to upgrade only the R 1 software to the most current version at the time of purchase The installer allows including the newest software version without creating an entirely new ghost image CD ROM...

Page 8: ...idely praised and now includes the following new options decay peak hold no peak hold re settable no decay peak hold adjustable decay rate The crossfade time now always visible on the Navigation Bar o...

Page 9: ...d Selection Features for complete information Context Sensitive Popup Menus Right clicking with the trackball pointer produces context sensitive popup menus in several new places Right clicking never...

Page 10: ...and Varispeed behavior Unlike previous versions Varispeed is not automatically defeated upon receiving a Ma chine Control Play commands A new machine control Chase command has been added that is comp...

Page 11: ...1 and MADI devices from the dialog box that appears Next define how the MADI ports of each device are connected to each other This rep licates your MADI connections on the rear of the R 1 For example...

Page 12: ...s 1 4 are all selected for routing To change a patch or route select a channel under one of the MADI devices in Devices Generating MADI signals For example 1 Click on the next to Analog to MADI AM 713...

Page 13: ...change editing and then click ing Store To recall a Patch simply select the Patch you want and click on Recall You can also create new delete or make current different configurations under the Config...

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Page 15: ...downbeats and similar material on separate tracks Depending on your level of experience with using waveforms you may even recognize certain instruments Figure 2 1 Waveforms with selected region on tw...

Page 16: ...globally set the Display Waveforms and or Display File Names for all tracks press the Wave Select Enable Select All keys All tracks are highlighted 4 Right click over any one of the selected tracks E...

Page 17: ...e the Transport is active The entire disk throughput is dedicated to play and record reliably waveform calculation is only al lowed to be active during Transport idle time The R 1 also attempts to cal...

Page 18: ...g in the R 1 has been widely praised and includes a decaying peak hold no peak hold and no decay manually reset able peak hold R 1 metering now supports a user adjustable decay rate to get just the ef...

Page 19: ...hes Zoom Features Perhaps the most useful of the new Zoom features is Zoom to Selection which quickly zooms to a selected section Zoom to Extents shows the entire Title where clips are used New Select...

Page 20: ...k on page 23 Bars and Beats time display differs from other display modes because it depends on the tempo and time signature both of which can change independently during a single title The R 1 repres...

Page 21: ...ted from the zero position in Absolute Time Now you must edit the Tempo Map to match the music you are about to record which can be done only in the software 4 Click at the top of the Current Time Dis...

Page 22: ...Map Entering an inappropriate value causes the software to interpret it as time code 0 Newly entered values for these tempo region parameters appear in the tempo region list on the left when any one...

Page 23: ...xist 2 Choose Make Click Track from the popup menu The Make Click Track dialog appears 3 Press the Edit Tempo Map button and adjust your tempo map settings for your song as described in Tempo and Time...

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Page 25: ...audio disks as Sound Files Copy files from the Directory into the Multitrack 3 1 Launching New Titles There are two New Title options in the Remote menu Pressing Title then New on the Remote is ident...

Page 26: ...e New after pressing the Title key Either method creates an automatically named Title The R 1 Remote shows the name it selected for the new Title Press Select to clear this display 3 2 File Interchang...

Page 27: ...from the Directory Software Panel In the Audio Browser select either Media or Libraries Then select a Disk drive or Li brary in the Tree Panel to see its Sound File contents Using the Media display m...

Page 28: ...k on the last Sound File All files including and between the top and bottom file are selected 3 Click the Export button to display the Export to Wave dialog page 29 3 2 2 Export from the Multitrack Pa...

Page 29: ...xported files on any system The R 1 will only be able to recognize exported and edited files if they are not moved around on the Pilot There are some exceptions to this rule of course Exporting to a n...

Page 30: ...multichannel recordings to a single file To export a multi channel audio file you must first link the R 1 channels onto which the audio will be originally recorded There is no way to combine separate...

Page 31: ...track and time information has been stored in the BWAV file format You may want to import only a single file at a time until you are familiar with this feature Remember that multichannel BWAV files c...

Page 32: ...d Clip you can only import that file into the Directory as described above If the selected Clip has been previ ously exported the export name will automatically be listed in the Import Wave Files batc...

Page 33: ...3 7 The Add Wave File to Import List dialog Figure 3 8 The Import Wave Files dialog To change the import operation for a given file select it with the pointer and press the Edit Import File Properties...

Page 34: ...oose Paste from the popup menu There is currently no difference between Paste and Paste Relative for dropping files from the Directory to a Multitrack Sheet Figure 3 10 Selecting a Sound File illumina...

Page 35: ...n the Library to place into the new Title The Library name will usually match the Title from which you are copying the audio 4 Press the Copy button 5 Switch back to the Multitrack panel select all Tr...

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Page 37: ...Clip edges 4 1 Track Controls 4 1 1 Monitoring All Repro and Auto Input are now mutually exclusive When All Input or All Repro is selected Auto Input is ignored in monitoring but continues to be lit...

Page 38: ...can be pasted into a smaller number of channels Select the number of channels to edit without linking them then paste the multichannel file Channels are pasted in the order they occur in the original...

Page 39: ...Jog and Shuttle are all supported under trackball control The play head can be dragged while in Stop Jog or Shuttle mode by clicking on the Cue Track holding down then pulling the cursor toward the ma...

Page 40: ...Euphonix Version 3 Supplement to the R 1 Operation Manual Locator and Track Controls 40 Pull the cursor left to play backwards Hold down the Ctrl key to pull audio against Now Line then...

Page 41: ...entially from Cue to Cue Press the Wave and Next Previous keys simultaneously to locate to Clip edges All Clips on all tracks are included according to their time With the Now Line positioned as shown...

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Page 43: ...rsion 3 allows greater editing interaction between the trackball and keyboard The trackball cursor can now select Clips punch segments with a single click It is now also possible to wireframe select u...

Page 44: ...ton 3 Press the Display button to switch back to the Multitrack panel 4 Select the Tracks where the audio clips will go 5 Position the Now Line at the time where you want to paste the Clip 6 Choose th...

Page 45: ...1 3 Cue Track Editing The R 1 has always supported cut clear copy paste and slip editing with the option to adjust or maintain the time stamps of audio clips downstream from the editing location Versi...

Page 46: ...the arrangement of Clips already on the Track If the selection starts in the middle of a Clip then only the later half of the Clip will be affected by the edit Conversely if the end point lands in the...

Page 47: ...ill be over a contiguous Track and time range 4 Add discontinuous Tracks to the selection by clicking on the Track names while holding down the keyboard Ctrl key The selection start and end points wil...

Page 48: ...Popup Menus Right clicking with the trackball pointer produces context sensitive popup menus in several new places Right clicking never does anything harmful or data altering so you can experiment to...

Page 49: ...enu for metering options 5 3 The Info Drop down Panel The cursor location in the Multitrack panel determines the information available about the Title You can even edit the contents of the Title with...

Page 50: ...R 1 Operation Manual Editing and Selection Features 50 Figure 5 7 Clip Info dialog Figure 5 8 Editing the Tail Trim in the Clip Info dialog 5 3 1 Clip Info All Parameters in the following table are ed...

Page 51: ...ed Posi tion or Time Position The time within the Title of the first playable sample of this Sound File Editing the Playback Time changes the time position of every sample within the playable portion...

Page 52: ...on of the Sound File Clip edge to where fade out starts last 100 volume sample Set by the cross fade time for Punch In Out points dur ing record Once recorded the crossfade time for each clip is uniqu...

Page 53: ...lection area ends Yes This value is retained and displayed even when it is not being used i e it is disabled If End Time is disabled then the End Time is automatically set to 24 00 Use the Store End E...

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