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4. Panel RefeRence  | 23

• Pressing the button for a single 

non-active

 layer turns that layer on 

and deactivates all others.

• To activate more than one layer at once, press the desired layer 

buttons simultaneously.

 

M

Despite being inactive, a layer may still produce sound although it 
does not receive any keyboard input. A static arpeggio using KB 
Hold, for instance, will keep running even if its layer is deactivated.

lOcK

When 

LOCK

 (Shift+layer enable) is turned on, the layer 

A

-

D

 buttons can 

not be used for turning layers on or off, without using the 

LAYER ENABLE

 

button.

 

In Lock mode, an inactive Layer can still be accessed and played, 
while pressing down its button. As soon as the button is let go of 
however, the Layer settings will return to locked configuration. 

GROUP

layers can be grouped together – having them share desired settings 
for various panel sections. This makes it possible to affect the settings 
and sound of multiple layers from any of the grouped layers.

 assigning a layer to the group is done by pressing 

SHIFT

+layer 

A

-

D

. a 

lit yellow 

GROUP

 leD below the layer button indicates that it belongs to 

the group.

Panel sections that can be shared within that group have a 

GROUP

 leD 

below their On buttons, and these sections are made part of the group 
by pressing 

SHIFT

 + 

ON

 

M

A layer needs to be assigned to the group in the Layer Control 
section before a panel section can be set to Group.

SOlO

To monitor only the focused layer, press the 

SOLO

 button. The blinking 

led for the focused layer at this point turns red, and volume levels for the 
non-soloed layers are displayed with a single lit leD instead of the filled 
leD bar graphs. 

The Solo function is useful both as a performance tool and when creat-
ing and editing programs.

MUlTI eDIT

The 

MULTI EDIT

 function (Shift + Solo) can be used for editing parame-

ters simultaneosly on all four layers – regardless of whether they belong 
to the Group or not. Multi edit is indicated by all four layer leDs blink-
ing, rather than just the one for the focused layer. 

 

Note that the Shift button can be let up, once Multi Edit is active.

a double press on Multi edit activates the “sticky” mode, allowing edits 
to be performed without keeping the Multi edit button pressed down.

exit the “sticky” Multi edit mode either by pressing Multi edit (Shift + 
Solo) again, or by pressing Shift/exit.

KB SPlIT

The nord Wave 2 has 3 split points, for up to 4 zones, with 8 possible 
split locations (f2, c3, f3, c4, f4, c5, f5, c6). 

each split point – 

1

2

3

 – separates the layers (a, B, c, D) in the 

following way, when active: 

a to the left and B, c, D to the right

a, B to the left and c, D to the right

a, B, c to the left and D to the right

KB Split is turned on by pressing the 

KB SPLIT

 button. To adjust which 

split points are active and at which locations enter the 

SPLIT MENU 

(Shift+KB Split) 

SPlIT MenU

To turn a split point On or Off in the split menu, press the 

5

 soft button 

(

PROGRAM 2

 button) to access the upper display row. Select a split 

point by pressing its corresponding soft button (

PROGRAM 3

-

5

 buttons) 

and turn the dial. a setting of “1” represents the split point being active 
using no split width (split crossfade). When set to “Off” the split point is 
inactive. Read more about the other settings (6, 12) below.

leDs are provided above the keyboard, indicating which split positions 
are active at all times

cHOOSInG a SPlIT POSITIOn

To adjust the position for a split point, go to the lower display row by 
pressing. the 

6

 soft button. Then select the split point to adjust using its 

soft button (

1

2

 or 

3

) and turn the dial. 

SPlIT WIDTH SeTTInGS

normally the transition between two keyboard zones is direct, with 
no overlap between the sounds selected for each zone. By adjusting 
the 

Width

 setting for a split point, the sounds can instead be mixed or 

“cross-faded” across the split point, producing a smoother transition 
between the sounds. 

To adjust the split width press the 

5

/

6

 soft button, corresponding to 

the 

PROGRAM 2

 button, to access the upper display row.

Select the split point to adjust by pressing its soft button (

1

2

 or 

3

) and 

turn the dial to change its setting. 

Off

: Turns the split point off.

1:

 With the 

1

 setting there will be no cross-fade between sounds at the 

split point.

6

: The 

6

 setting represents a width of 6 notes 

above

 the split point, after 

sounds below the split point will be completely faded out. Sounds above 
the split point will similarily reach 6 notes 

below

 it. 

12

: The 

12

 setting provides a width of 12 semitones below the split 

point and 12 above it.

KEYBOARD SPLIT          

Off

C4

2

1

3

Width

Note

Off

--

--

12

Summary of Contents for Nord Wave 2

Page 1: ...USER MANUAL Nord Wave 2 English OS version 1 0x Edition E Part number 50502 Copyright Clavia DMI AB Edition E...

Page 2: ...flash with the arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated voltage within the products en closure that may be of sufficient magnitude t...

Page 3: ...uttons 14 Value dial 14 List options 15 Numeric 15 Abc 15 Category 15 Live Mode 15 Layer Init 15 Layer Swap 15 Program Buttons 15 What is a program 15 System Sound MIDI Menus 15 Organize 16 Enter the...

Page 4: ...channels 30 Program Change operations 30 other Message types 30 Control Change messages 30 Pedal Control Change 30 Volume 30 Pan CC 30 MIDI Local 30 MIDI Clock 30 USB MIDI 30 Panic 30 6 MENUS 31 Soft...

Page 5: ...use the different features in a musical context READING THE MANUAL IN PDF FORMAT This manual is available as a digital PDF file It can be downloaded free of charge from the Nord Wave 2 section on our...

Page 6: ...yer by pressing DISABLE Shift KB Hold OCTAVE SHIFT allows for shifting a layer up or down in one octave steps When the GLOBAL option is turned on Shift Octave Down the octave shift is performed on all...

Page 7: ...ovide both subtle over drive for warming up a sound or extreme distortion if desired The Delay effect can go anywhere from expressively vintage to modern and atmospheric sounding with its Analog mode...

Page 8: ...controlling the Pan setting for each layer Hold the MONITOR button found in the Program section and turn a knob to view the stored setting of a parameter in the display without changing it BUTTONS Se...

Page 9: ...T and turning the WAVEFORM dial Use Shift again to EXIT the list view Note that changing any parameter on the Nord Wave 2 panel causes an E to appear next to the current program number in the display...

Page 10: ...s left of split points 1 2 3 Layer B is always right of split point 1 and left of 2 3 Layer C is always right of split points 1 2 and left of 3 Layer D is always right of split point 1 2 3 Here is to...

Page 11: ...sure the new layer is initialized by pressing LAYER INIT Shift Live Mode and Ok using the display soft button 4 Set the new layer to SAMPLES in the Oscillator section and select the Mellotron Flute s...

Page 12: ...and notice how the Gate becomes softer at 0 setting and very hard at the maximum Env amount MASTER CLOCK Set up an arpeggio according to the previous section and let s try the Master Clock feature to...

Page 13: ...f the ABC button moves the cursor to the next position The dial or PAGE 3 4buttons can be used to move the cursor freely The Ins soft button is used for inserting a blank space at the current position...

Page 14: ...ays reset after lifting all keys and then playing the keyboard again Soft When set to Soft the Master Clock is only reset if waiting longer than one quarter note in relation to the current tempo to pl...

Page 15: ...or selection is not reset LAYER SWAP From the Layer Init screen use the PAGE 4 button to access the Layer Swap function From here any layer can load the contents of another layer in the loaded program...

Page 16: ...the button corresponding to the layer morph pattern or program the settings should be pasted into Layers and morphs can either be pasted within the program they were copied from or into any other prog...

Page 17: ...Octave Shift Reverb Size VIBRATO The DLY1 DLY2 and DLY3 settings add a delayed vi brato their respective delay times being 0 5 1 0 and 1 5 seconds When WHEEL is selected the depth of the vibrato is c...

Page 18: ...nced to the Master Clock in the entire program Note that you can choose which layer or layers should reset the Master Clock when played For instance an arpeggio sound on the left side of a split could...

Page 19: ...istinct tremolos etc Sawtooth Used for linear ramp type modulations Inverted Sawtooth Inverted linear ramp S H Stepped Random Recreates a stepped random modulation OSC MOD ENV The PITCH Semitones or O...

Page 20: ...lators which can be added to the basic sound for those fat classic synthesizer sounds Note that using Unison does not reduce the po lyphony A UNISON setting of 1 equals a classic dual oscillator de tu...

Page 21: ...king it softer than the White Noise option Red A noise signal with more energy in the low frequencies and more dampened high frequencies than the Pink Noise option WAVETABLE These waveforms have been...

Page 22: ...PLE PRESETS AND RAW SAMP Samples from the Nord Sample Library come with preset filter and Amp Envelope settings in order to make them instantly playable M Preset filter settings are applied using an a...

Page 23: ...d without keeping the Multi Edit button pressed down Exit the sticky Multi Edit mode either by pressing Multi Edit Shift Solo again or by pressing Shift Exit KB SPLIT The Nord Wave 2 has 3 split point...

Page 24: ...e sound level of the transient decreases gradually between the 0 and 2 settings of the knob The 2 setting of the knob corresponds to 0 Attack in non Transient mode DECAY Decay is the time it takes for...

Page 25: ...han the LP24 setting A 12 dB filter is also known as a 2 pole filter The LP24 setting with an attenuation slope of 24 dB octave is a more classic synth filter It cuts out frequencies rather drasticall...

Page 26: ...his ringing occurs depends on the Frequency value When the LP HP filter setting is used the RES knob instead controls the high pass cut off frequency as indicated by the FREQ HP text KB TRACK The reas...

Page 27: ...AS PHASER The Phaser PHAS effect produces a characteristic sweeping sound which is created by splitting the audio signal into two paths One path passes through a filter that alters the phase The amoun...

Page 28: ...ilter removing low frequency con tent This can be useful for making long delay tails sound less muddy The BP setting adds a Band Pass filter which dampens both high and low frequencies making for a fa...

Page 29: ...dividual sound sources from a sequencer E A Layer does not have to be active in a Program to receive MIDI it will always respond to incoming MIDI on its MIDI Channel This makes it possible to control...

Page 30: ...ge 0 124 0 127 0 4 M A Program Change message that reaches the Nord Wave 2 unaccompanied by Bank Select messages will take effect in the currently focused Program bank exiting Live mode if active In t...

Page 31: ...to select the type of pedal connected to the SUSTAIN PEDAL jack in case the functionality of the pedal is reversed when the pedal is up sustain is on and vice versa The Auto setting can automati cally...

Page 32: ...ntrol of the entire Wave 2 When set to Off the text Send on Lay er Channel is displayed indicating that the Layer Channels in this mode can be used for sending MIDI Range 1 16 Off Default 1 3 MIDI LAY...

Page 33: ...rograms from the Nord Wave 2 to a computer Uploading bundles containing programs and their associated sample files Performing backups of the entire instrument Restoring the entire instrument to a prev...

Page 34: ...sampled song intro to a single key the Nord Sample Editor 3 opens up many possibilities together with the Nord Wave 2 Here are some of the key features Intuitive user interface Drag and drop single o...

Page 35: ...MIDI IN The 5 pin MIDI In connection is used for receiving MIDI data sent from external devices such as controller keyboards sequencers or computers MIDI OUT The 5 pin MIDI Out connection will send M...

Page 36: ...evel 15 Layer A Pan 16 Layer B Pan 17 Layer C Pan 18 Layer D Pan 19 Amp Env Attack 82 Amp Env Attack Transient 81 Amp Env Decay 83 Amp Env Sustain 84 Amp Env Release 85 Amp Env Velocity 86 Filter Env...

Page 37: ...Pedal 31 G Gain Ctrl Pedal 31 Gate 18 Getting started 8 Glide 17 Global MIDI Channel 29 Global Transpose 32 Group 23 H Harmonic FM 21 Headphones 35 HP Delay 28 HP High Pass 25 I Impulse Morph 17 Inhar...

Page 38: ...20 Shift Pattern 18 Skip Atk 20 Soft buttons 31 Solo Layer 23 Sound Menu 31 Split Menu 23 Split Position 23 Store 13 Store As 13 Subdivision Mst Clk 14 Sustain Amp Env 24 Sustain Pedal 31 Swap Organiz...

Page 39: ...to be the source of interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more o...

Page 40: ......

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