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24 |  nORD WaVe 2 USeR ManUal OS V1.0x

aMPlIfIeR enVelOPe

The amplifier envelope (

AMP ENV

) is used for controlling how the sound 

level

 changes over time. By modulating the amplifier with an envelope, 

the sound can be given its basic profile and evolving character. In fact, 
the “volume shape” is one of the most important factors to how we 
identify the sound. By setting up a proper amplifier envelope you can 
make a sound “soft”, “hard”, “plucked” “static” etc.

 

Press the 

MONITOR

 button and turn one of the envelope controls to 

see a graphic representation of the envelope! 

aTTacK

attack is the time it will take for the envelope to go from zero to the 
maximum amplitude as soon as a key have been pressed.

 

A very short attack time could produce a click in the beginning of 
the sound. To eliminate this, increase the attack time slightly.

TRanSIenT

TRANSIENT

 (Shift + attack knob) adds a short transient spike to the 

onset of the attack phase. The sound level of the transient decreases 
gradually between the 0 and 2 settings of the knob. The 2 setting of the 
knob corresponds to 0 attack in non-Transient mode.

DecaY

Decay is the time it takes for the envelope to drop down to the sustain 
level after the attack phase has been completed.

 

If Sustain is set to the maximum level, a Decay time will have no 
effect since the envelope “is already” at the Sustain level.

SUSTaIn

Sustain is the level the envelope will reach after the decay phase has 
been completed. When the envelope has decayed down to the sustain 
level, it will stay at this level until the key is released. With a sustain set-
ting of zero the envelope will drop down to zero during the Decay phase 
of the envelope.

 

M

The Sustain parameter is used to set a level, while Attack, Decay 
and Release parameters are all used to set times.

decay (time)

release (time)

key down

key up

attack (time)

Sustain
(level)

Amp & filter ADSR envelopes 

time

 

amount

key down

attack (time)

Amp & filter envelopes 2

time

 

amount

key down

Decay

decay (time)

attack (time)

time

 

amount

decay (time)

key down

attack (time)

Sustain
(level)

Sustain

time

 

amount

Summary of Contents for Nord Wave 2

Page 1: ...USER MANUAL Nord Wave 2 English OS version 1 0x Edition E Part number 50502 Copyright Clavia DMI AB Edition E...

Page 2: ...flash with the arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated voltage within the products en closure that may be of sufficient magnitude t...

Page 3: ...uttons 14 Value dial 14 List options 15 Numeric 15 Abc 15 Category 15 Live Mode 15 Layer Init 15 Layer Swap 15 Program Buttons 15 What is a program 15 System Sound MIDI Menus 15 Organize 16 Enter the...

Page 4: ...channels 30 Program Change operations 30 other Message types 30 Control Change messages 30 Pedal Control Change 30 Volume 30 Pan CC 30 MIDI Local 30 MIDI Clock 30 USB MIDI 30 Panic 30 6 MENUS 31 Soft...

Page 5: ...use the different features in a musical context READING THE MANUAL IN PDF FORMAT This manual is available as a digital PDF file It can be downloaded free of charge from the Nord Wave 2 section on our...

Page 6: ...yer by pressing DISABLE Shift KB Hold OCTAVE SHIFT allows for shifting a layer up or down in one octave steps When the GLOBAL option is turned on Shift Octave Down the octave shift is performed on all...

Page 7: ...ovide both subtle over drive for warming up a sound or extreme distortion if desired The Delay effect can go anywhere from expressively vintage to modern and atmospheric sounding with its Analog mode...

Page 8: ...controlling the Pan setting for each layer Hold the MONITOR button found in the Program section and turn a knob to view the stored setting of a parameter in the display without changing it BUTTONS Se...

Page 9: ...T and turning the WAVEFORM dial Use Shift again to EXIT the list view Note that changing any parameter on the Nord Wave 2 panel causes an E to appear next to the current program number in the display...

Page 10: ...s left of split points 1 2 3 Layer B is always right of split point 1 and left of 2 3 Layer C is always right of split points 1 2 and left of 3 Layer D is always right of split point 1 2 3 Here is to...

Page 11: ...sure the new layer is initialized by pressing LAYER INIT Shift Live Mode and Ok using the display soft button 4 Set the new layer to SAMPLES in the Oscillator section and select the Mellotron Flute s...

Page 12: ...and notice how the Gate becomes softer at 0 setting and very hard at the maximum Env amount MASTER CLOCK Set up an arpeggio according to the previous section and let s try the Master Clock feature to...

Page 13: ...f the ABC button moves the cursor to the next position The dial or PAGE 3 4buttons can be used to move the cursor freely The Ins soft button is used for inserting a blank space at the current position...

Page 14: ...ays reset after lifting all keys and then playing the keyboard again Soft When set to Soft the Master Clock is only reset if waiting longer than one quarter note in relation to the current tempo to pl...

Page 15: ...or selection is not reset LAYER SWAP From the Layer Init screen use the PAGE 4 button to access the Layer Swap function From here any layer can load the contents of another layer in the loaded program...

Page 16: ...the button corresponding to the layer morph pattern or program the settings should be pasted into Layers and morphs can either be pasted within the program they were copied from or into any other prog...

Page 17: ...Octave Shift Reverb Size VIBRATO The DLY1 DLY2 and DLY3 settings add a delayed vi brato their respective delay times being 0 5 1 0 and 1 5 seconds When WHEEL is selected the depth of the vibrato is c...

Page 18: ...nced to the Master Clock in the entire program Note that you can choose which layer or layers should reset the Master Clock when played For instance an arpeggio sound on the left side of a split could...

Page 19: ...istinct tremolos etc Sawtooth Used for linear ramp type modulations Inverted Sawtooth Inverted linear ramp S H Stepped Random Recreates a stepped random modulation OSC MOD ENV The PITCH Semitones or O...

Page 20: ...lators which can be added to the basic sound for those fat classic synthesizer sounds Note that using Unison does not reduce the po lyphony A UNISON setting of 1 equals a classic dual oscillator de tu...

Page 21: ...king it softer than the White Noise option Red A noise signal with more energy in the low frequencies and more dampened high frequencies than the Pink Noise option WAVETABLE These waveforms have been...

Page 22: ...PLE PRESETS AND RAW SAMP Samples from the Nord Sample Library come with preset filter and Amp Envelope settings in order to make them instantly playable M Preset filter settings are applied using an a...

Page 23: ...d without keeping the Multi Edit button pressed down Exit the sticky Multi Edit mode either by pressing Multi Edit Shift Solo again or by pressing Shift Exit KB SPLIT The Nord Wave 2 has 3 split point...

Page 24: ...e sound level of the transient decreases gradually between the 0 and 2 settings of the knob The 2 setting of the knob corresponds to 0 Attack in non Transient mode DECAY Decay is the time it takes for...

Page 25: ...han the LP24 setting A 12 dB filter is also known as a 2 pole filter The LP24 setting with an attenuation slope of 24 dB octave is a more classic synth filter It cuts out frequencies rather drasticall...

Page 26: ...his ringing occurs depends on the Frequency value When the LP HP filter setting is used the RES knob instead controls the high pass cut off frequency as indicated by the FREQ HP text KB TRACK The reas...

Page 27: ...AS PHASER The Phaser PHAS effect produces a characteristic sweeping sound which is created by splitting the audio signal into two paths One path passes through a filter that alters the phase The amoun...

Page 28: ...ilter removing low frequency con tent This can be useful for making long delay tails sound less muddy The BP setting adds a Band Pass filter which dampens both high and low frequencies making for a fa...

Page 29: ...dividual sound sources from a sequencer E A Layer does not have to be active in a Program to receive MIDI it will always respond to incoming MIDI on its MIDI Channel This makes it possible to control...

Page 30: ...ge 0 124 0 127 0 4 M A Program Change message that reaches the Nord Wave 2 unaccompanied by Bank Select messages will take effect in the currently focused Program bank exiting Live mode if active In t...

Page 31: ...to select the type of pedal connected to the SUSTAIN PEDAL jack in case the functionality of the pedal is reversed when the pedal is up sustain is on and vice versa The Auto setting can automati cally...

Page 32: ...ntrol of the entire Wave 2 When set to Off the text Send on Lay er Channel is displayed indicating that the Layer Channels in this mode can be used for sending MIDI Range 1 16 Off Default 1 3 MIDI LAY...

Page 33: ...rograms from the Nord Wave 2 to a computer Uploading bundles containing programs and their associated sample files Performing backups of the entire instrument Restoring the entire instrument to a prev...

Page 34: ...sampled song intro to a single key the Nord Sample Editor 3 opens up many possibilities together with the Nord Wave 2 Here are some of the key features Intuitive user interface Drag and drop single o...

Page 35: ...MIDI IN The 5 pin MIDI In connection is used for receiving MIDI data sent from external devices such as controller keyboards sequencers or computers MIDI OUT The 5 pin MIDI Out connection will send M...

Page 36: ...evel 15 Layer A Pan 16 Layer B Pan 17 Layer C Pan 18 Layer D Pan 19 Amp Env Attack 82 Amp Env Attack Transient 81 Amp Env Decay 83 Amp Env Sustain 84 Amp Env Release 85 Amp Env Velocity 86 Filter Env...

Page 37: ...Pedal 31 G Gain Ctrl Pedal 31 Gate 18 Getting started 8 Glide 17 Global MIDI Channel 29 Global Transpose 32 Group 23 H Harmonic FM 21 Headphones 35 HP Delay 28 HP High Pass 25 I Impulse Morph 17 Inhar...

Page 38: ...20 Shift Pattern 18 Skip Atk 20 Soft buttons 31 Solo Layer 23 Sound Menu 31 Split Menu 23 Split Position 23 Store 13 Store As 13 Subdivision Mst Clk 14 Sustain Amp Env 24 Sustain Pedal 31 Swap Organiz...

Page 39: ...to be the source of interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more o...

Page 40: ......

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