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28

Recording Options

The EOS-1Ds Mark III offers some highly flexi-

ble image recording options. With the

Wireless File Transmitter WFT-E2 II A*, users

can download directly to a compatible

portable USB hard drive. Compatible devices

range from popular and convenient USB thumb

drives to many portable USB hard drives. With

the CF card, SD card and external media, the

following recording functions can be used:

• Standard: Images are recorded onto one

card (or connected hard drive).

• Automatic switching of recording media: When

the current recording medium becomes full,

the camera switches to another automatically

and continues recording without interruption.

• Separate recording: A captured image can be

recorded in different image sizes on different

media. Each recording medium can be set to

record a specific image size (L, M1, M2, S,

RAW, sRAW) for each shot.

• Recording of identical images: A back-up

mode, this records the exact same file type

and size onto two cards and/or a connected

hard drive.

SDHC (SD High-Capacity) is a memory

card standard (SDA Ver.2.00) to handle high-

capacity data from 2GB to 32GB. Because it is

compatible with SDHC, the camera can be used

with SD cards having a capacity up to 32GB.

Security

If the slot cover of the EOS-1Ds Mark III is

opened during the writing operation, an alarm

sounds and a warning message appears on

the screen to indicate that writing is in

progress. The card writing continues even if

the slot cover is opened. Also, if you set the

power switch to <OFF> during the card writing,

a message appears on the screen to indicate

that writing is in progress. After the writing is

completed, the power turns off. 

You can protect individual images, all

images in a folder, or all images on the card.

Alternately, you can cancel image protection.

You can erase individual images, all images

in a folder, all images in the card, or just

check-marked images. Unprotected images

will be erased.

Copying Image Files

Selected images, a folder of images, or the

entire contents of any memory card can be

copied by the photographer onto another

memory card — or attached USB hard drive —

at any time. This gives the ability to make

back-up copies of

important images,

whenever it’s

appropriate. If the

Canon Wireless

File Transmitter

WFT-E2 II A* or 

WFT-E2A is used, a compatible USB-enabled

hard drive can be attached directly to the trans-

mitter’s USB port. Instead of having to bring a

laptop computer on location, a photographer

can quickly copy their files to a high-capacity

hard drive during a break in shooting. It’s an

ideal option to provide security and peace of

mind to the working professional.

*This device has not been authorized as required by the rules
of the Federal Communications Commission. This device is not,
and may not, be offered for sale or lease, or sold or leased,
until authorization is obtained.

Recording Quality Specifications: EOS-1Ds Mark III

Image Size

Pixels
[Approx.
MB]

File Size
[Approx. 
MB]

Possible
Shots
[Approx.]

Maximum Burst

[Approx.]

Hi-

Speed

Low-

Speed

Printing
Size

L (Large)

M1 (Medium1)

M2 (Medium2)

S (Small)

RAW

RAW+

sRAW

RAW+

L (Large)

M1 (Medium1)

M2 (Medium2)

S (Small)

L (Large)

M1 (Medium1)

M2 (Medium2)

S (Small)

21.0

(5,616x3,744)

16.0

(4,992x3,328)

11

(4,080x2,720)

5.2

(2,784x1,856)

21.0

(5,616x3,744)

5.2

(2,784x1,856)

6.4

5.2

3.9

2.2

25.0

25.0+6.4

25.0+5.2

25.0+3.9

25.0+2.2

14.5

14.5+6.4

14.5+5.2

14.5+3.9

14.5+2.2

290

350

470

840

75

54

57

60

64

130

82

90

97

100

56 

73

110

160

12

10

10

12

12

18

12

12

12

18

83

140

300

890

14

10

10

12

12

24

14

14

18

20

A2

or Larger

Around 

A2

Around 

A3

Around 

A4

A2 

or Larger

Around 

A4

The size of one image, number of possible shots (also related to
battery life) and continuous shooting speed are based on JPEG
quality 8, ISO 100, Standard Picture Style, Canon’s testing stan-
dards and a 1GB CF card. (These figures vary depending on the
subject, memory card brands, ISO speed, Picture Style, etc.)

Professional Features

Revised and Simplified Operation

Canon has thoroughly investigated ways to make

camera operation easier. The camera uses the

EOS Digital line’s basic operation method with

the Main Dial, Quick Control Dial, Multi-con-

troller, SET button and other buttons to select

and set various functions. Also, the ISO speed

button, AF Start (AF-ON) button, Picture Style

button, and Memory selection/Image size/White

balance function button have been added to

make camera operation easier.

With the older EOS-1D series cameras, the

basic shooting operation logic consisted of

holding down a button and turning the Main

Dial or Quick Control Dial to select a setting.

However, with the Mark III series, when you

press a button, it remains active for a while so

you can let it go and then turn a dial to set

something. Several  buttons  are  multi-

purpose — press once and turn either the top

Main Dial or rear Quick Control Dial for the

respective functions.

The Multi-controller on the rear is used to

select Menu headings, and provides several

AF functions as well. If the AF point select

button is pressed once, a push on the Multi-

controller toggles between selecting the center

AF point and Automatic AF point select mode.

The cameras can also memorize any of the 19

user-selectable AF points, and instantly jump

back to it when you press the Multi-controller.

27

“snap,” making it easy for photographers to

tell when an image pops into sharp focus. All

previous Ec-series focus screens can be used

in EOS-1Ds Mark III. Since the eyepiece frame

now has a different

shape to accommodate

the bigger eyepiece lens,

Eg-series viewfinder

accessories have been

developed: Eyecup Eg,

Dioptric Adjustment Lenses Eg (7 types: -4, -3,

-2, 0, +1, +2, +3), and Anti-fog Eyepiece Eg.

The standard Eyecup Eg has a mount for

attaching it to the eyepiece. It is less likely to

detach inadvertently.

Wide-view 3.0-inch LCD Monitor

The large, 3.0-inch wide TFT monitor features

approximately 230,000 pixels, a wide viewing

angle (140° both vertically and horizontally),

high-level brightness and low power con-

sumption. The LCD monitor is backlit with

four LED modules. The maximum brightness

setting makes it easier to see the image on

the LCD monitor even in bright outdoor condi-

tions. The seven brightness adjustment levels

make the camera more adaptable to environ-

mental condi-

tions. A large,

clear gray scale

is provided for

guidance. Also,

the color repro-

duction range

has been increased to more closely simulate a

personal computer monitor. The LCD monitor

is not only larger, but easier to use and the

display is more informative than ever.

Weather-resistant System

The legendarily excellent water- and dust-

resistant construction measures are incorpo-

rated at 76 places around the camera controls

and along cover seams. Also, O-rings are used

on the memory card slot covers and the battery

compartment, and silicon rubber is employed

around the top and rear covers and buttons

where the user can

see it and feel reas-

sured. The camera’s

hot shoe is shaped to

resist water with a rib around its perimeter.

When the Speedlite 580EX II is attached, water

resistance is maintained. When a water-resistant

EF lens is attached to the camera, the entire

camera-and-lens outfit will be moisture- and

dust-resistant.

Clear, Sharper Viewfinder

The EOS-1Ds Mark III’s viewfinder has approx-

imately 100% coverage, 0.75x magnification, a

35° angle of view, a 20mm eyepoint, -3 to +1

dpt. dioptric adjustment and an eyepiece

shutter that is gray to make it easier to see

when it is closed. 

The viewfinder’s optics have been devel-

oped to achieve best-in-class performance. A

highly refractive material is used for the pen-

taprism of the EOS-1Ds Mark III. To improve

viewfinder magnification, a larger pentaprism

is employed. The basic configuration of the

eyepiece optics has four lens elements.

However, by increasing lens power, high

magnification is attained. Finally, the finder’s

parts are fabricated with greater precision

for more consistent performance at higher

magnifications.

The Ec-C IV focusing screen is a Laser Matte

unit whose molding method has been improved

over the previous Ec-C III focusing screen’s. 

It makes it easier to focus and provides natural-

looking background blur (bokeh). It is also

brighter and less grainy, making it a very

well-balanced focusing screen. The dispersion

characteristic is improved, and the screen is

bright with minimal flare. The Ec-C IV focus

screen gives superb contrast and visual

Pentaprism

Backlight lens

SI-LED

Metering lens

Condenser lens

SI prism 1

SI prism 2

H-LED

H-LCD prism

Eyepiece lens

V-LCD

V-LCD prism

Metering sensor

SI lens 2

SI mirror

SI lens 1

SI-LCD

Focusing screen

Ec-C IV

Ec-C III

Fresnel

lens area

Cross section of 

fresnel lens

Major Viewfinder Specifications

Item

EOS-1Ds Mark III

EOS-1D Mark III

Coverage [Approx.]

100%

Magnification

0.75x

0.76x

Viewing Angle

35°

30°

Eye point [Approx.]

20mm

Dioptric adjustment

-3 to +1 dpt

Viewfinder Optics

Magnified Screen

Location of Major Water-resistant Measures

•Metering Mode

•JPEG/RAW Recording
•Battery Charge Level

•ISO

TECHNOLOGY

Eyecup Eg

LCD Viewing Angle

Vertical
Viewing

Angle

Horizontal Viewing Angle

LCD Brightness

Info button 

AF start button 

AF start button 

Multi-controller 

Setting button 

ISO speed button 

Quick Control Dial switch 

Function button 
(WB/Recording media/ 
Image size selection button)  

AF/Drive mode 

selection button 

Picture Style selection button 

Camera Control Modifications

On-screen message 
if the slot cover is opened

On-screen message 
if the power switch is set to <OFF>

Creating and selecting a folder

Summary of Contents for EOS-1D Mark IV

Page 1: ......

Page 2: ...125 PowerShot Technology PowerShot G11 PowerShot S90 Digital Projectors 127 Digital Projector Technology REALiS WUX10 Mark II D WUX10 Mark II SX7 Mark II D SX7 Mark II SX80 Mark II D SX80 Mark II SX800 Visualizer RE 455X Professional Video Cameras 131 Professional Video Camera Technology XL H1S XL H1A XH G1S XH A1S VIXIA HF S21 XF305 XF300 133 EF Lenses 137 Speedlites 139 Wireless Connectivity 141...

Page 3: ...push the technology envelope enabling not only still but now also full HD video capture with awe inspiring image quality and astonishing versatility The superb range of EF lenses sophisticated Speedlite flashes and a comprehensive array of system accessories empower and inspire the professional with such advanced capabilities as wireless connectivity and secure data handling High performance compa...

Page 4: ... the EOS System stands alone as a photo graphic tool enabling him to experiment with design and color as with no other camera system SMALL PRODUCT Michel Tcherevkoff Michel Tcherevkoff Explorer of Light Specialty Lenses for Specialized Shooting Educated as an engineer London born photographer Norman McGrath transitioned into his career as an architectural photographer after moving to New York in 1...

Page 5: ...factor making it possible to take full advan tage of the specific optical characteristics for which the lenses were designed This is an important benefit for photographers who have sizable EF lens collections Ultra High Resolution Image Capture The 21 1 Megapixel Full Frame CMOS Sensor captures images with stunning detail and precision The resulting high resolution image files ensure exceptional r...

Page 6: ... 2009 Gil Smith All Rights Reserved LARGE PRODUCT ...

Page 7: ...ved handling and maneuverability Extensive weatherproofing ensures true reliability even when shooting in harsh environments Rubber gaskets are used at nearly every joint and seam including around the battery compartment cover memory card door and flash shoe to keep out moisture and dust Technology at One with Nature 63 zone Metering System A 63 zone metering sensor combined with sophisticated met...

Page 8: ... 2009 Vincent Isola All Rights Reserved ...

Page 9: ... and other situations in which it would be a physical strain to keep the eye at the viewfinder The Live View Function image can also be displayed on a TV monitor which is ideal for showing images as they are being composed to clients and portrait subjects Highlight Tone Priority Activated via a Custom Function the Highlight Tone Priority mode employs sophisticated processing algorithms to preserve...

Page 10: ... is better able to capture a wide range of light values without blowing out highlights or losing shadow detail Subtle tonal gradations are also more accurately recorded Canon EOS Tilt Shift Lenses Canon TS E lenses are capable of tilt and shift movements that normally require the use of technical view cameras Tilt movements alter the angle of the plane of focus between the lens and the focal plane...

Page 11: ...d by the rules of the Federal Communications Commission This device is not and may not be offered for sale or lease or sold or leased until authorization is obtained Wide ISO Range By combining the excellent image capture capabilities of the Canon CMOS sensor with advanced data processing technologies the EOS 1Ds Mark III offers an extraordi narily wide ISO range making it possible to shoot even i...

Page 12: ... infrared absorption glass with PixelSize Microlens Comparison Opening Ratio Dichroic mirror Reflects infrared rays Infrared absorbing glass Low pass filter Separates image in vertical direction Low pass filter Separates image in horizontal direction Phaser layer Converts linear polarized light into circular polarized light CMOS sensor Low pass Filter Construction Raising the Bar in Professional C...

Page 13: ...s well as AF processing To attain 10 fps with AI Servo AF EOS 1D Mark III the AF CPU and camera CPU are separate dedicated processors The 19 cross type AF points take advantage of the following technologies With finer processing steps the peripheral circuit could be made smaller and the f 2 8 AF sensor area could be expanded The secondary image forming lens see diagram is molded glass By incorpora...

Page 14: ...u can let it go and then turn a dial to set something Several buttons are multi purpose press once and turn either the top Main Dial or rear Quick Control Dial for the respective functions The Multi controller on the rear is used to select Menu headings and provides several AF functions as well If the AF point select button is pressed once a push on the Multi controller toggles between selecting t...

Page 15: ...You can then check and adjust the focus subject framing and so forth in real time and shoot remotely With the optional Wireless File Transmitter WFT E2 II A or WFT E2A attached you can use a wireless LAN and see the Remote Live View Function on a computer without using a cable Key features of Live View Function include a 100 field of view precise manual focusing with 5x and 10x magnification the a...

Page 16: ...a returns to the Live View Function display automatically As with viewfinder shooting pressing the AE lock button during shooting with Live View Function will lock the current exposure and an asterisk will appear on the LCD monitor During magnified view AE lock will be applied auto matically to the exposure level of the full view display The Tv and Av settings will be dis played in orange During t...

Page 17: ...tal SLRs deliver With Canon Nachtwey captures some of the most haunting images in photojournalism PHOTOJOURNALISM James Nachtwey James Nachtwey Explorer of Light The Coordinated Canon Workflow John Huba came to New York City in his early twenties seeking a career in fashion photography He has since established himself as a sought after portrait and editorial photographer working in his stu dio and...

Page 18: ...with a technologi cally advanced tool WEDDING PORTRAIT WEDDING PORTRAIT Sandy Puc Charles Maring Charles Maring Explorer of Light The Image Will Go On Having won the Academy Award for Cinematography for his work on Titanic Russel Carpenter s cameras double as cinematic tools Requiring his cameras to meet the challenges unique to moving images Carpenter s Canon EOS digital SLR cameras with their ra...

Page 19: ...ting is enhanced with three improved AF modes in Live mode AF is achieved with contrast detection according to AF point selection In Face detection Live mode the camera detects the human face automatically and focuses with contrast AF If multiple faces are detected the largest face closest to the center is chosen automatically Alternative faces can be selected via the camera s Multi controller In ...

Page 20: ... 2009 Arthur Morris All Rights Reserved ...

Page 21: ...utton Additionally photographers can define their own default focus points depending on the camera s orientation when composing in normal plus grip up and grip down vertical positions instantly switching the AF point according to the position of the camera Photographers can also program the camera to focus from five predeter mined focus zones and can even choose to have their primary focus point s...

Page 22: ...1D Mark IV s controls buttons and external covers are dust and water resistant ensuring uninter rupted operation whether shooting in the rain in a windstorm or anything in between When the EOS 1D Mark IV is used with a dust and water resistant EF lens or external Speedlite the entire camera system is nearly impervious to the elements Integrated Cleaning System Dust is managed with the advanced Can...

Page 23: ...in what is otherwise a beautiful photo Smooth images rivaling the best medium format films are achieved simply and quickly thanks to brilliant Canon hardware and software solutions Dual DIGIC 4 Image Processors In addition to speeding up and enabling a dizzying array of camera functions the EOS 1D Mark IV s Dual DIGIC 4 Image Processors ensure that color rendition noise reduction and reproduction ...

Page 24: ...ing suitable for whatever comes in front of the lens Still images can be captured in full resolution while shooting movies and can be saved as distinct files It s as simple as pressing the shutter button while recording a movie and the resultant image can be modified as could any other recorded still The Advantage of Interchangeable Lenses By shooting video with a large sensor camera it s simple t...

Page 25: ... VGA 640 x 480 the EOS 1D Mark IV can shoot at up to 60 59 94 fps perfect for action sports or reality broadcasting not only allowing for smooth rendition of movement but also for grabbing still images after the shoot APS H Sensor With the EOS 1D Mark IV and its sensor resolution of 16 1 Megapixels there s no question that movies and stills can be captured in extensive detail But the EOS 1D Mark I...

Page 26: ...otogra phers and their audiences for decades As filmmakers buy Canon EOS cameras with video in mind they can do so with the knowledge that they re buying some of the best image making tools in the world And while the EOS 1D Mark IV s video features open up a world of new possibilities to still photographers filmmakers too will be thrilled to discover the expansive choices available to them with 16...

Page 27: ...e that can occur when shooting at high ISOs or in the bright and dark areas of the image Sophisticated hardware and software designs work to ensure continu ous film like smoothness in all images is captured 14 bit A D The EOS 1D Mark IV employs a 14 bit converter to process the output of the CMOS sensor 14 bit means smooth tones natural gradations and phenomenal colors RAW images are recorded at 1...

Page 28: ... x 1080 resolution can be shot at 24 25 or 30 frames per second for up to 4GB per clip Movies are saved as MOV files and can be viewed in Full HD with the EOS 1D Mark IV s HDMI output Other recording sizes include HD at 1280 x 780 50 60 fps or SD VGA at 640 x 480 50 60 fps SLR Effects in Motion In the EOS 1D Mark IV s manual Video mode users can control depth of field and sense of motion creating ...

Page 29: ... signal to noise ratio which translates to better real world performance and image files 16 1 Megapixel CMOS Sensor The EOS 1D Mark IV s amazing CMOS sensor captures a tremendous level of resolution with striking detail down to each individual pixel With size to spare it s easy to crop images or to make massive enlargements without concern of losing detail A marvel of technical innovation the EOS ...

Page 30: ...uitry size This leaves more physical space for the photodiodes enabling their collective area to be significantly increased The larger sensor photodiode area results in wide dynamic range elevating imag ing performance to a level never before achieved with such high pixel site density The new photodiode design also improves photo electric conversion rate providing a markedly improved S N ratio The...

Page 31: ...lay will revert to Live View when the user is finished with menu and image playback functions Shooting options such as drive mode ISO speed Picture Style white balance and AF mode can be selected while in Live View mode For still shooting the EOS 1D Mark IV Live View mode provides a choice of three AF modes In Quick Mode the AF sensor is used for phase difference detection The camera defaults to O...

Page 32: ...flash trigger thereby eliminating contact scorching and wear Instead the X sync employs the PR signal and a semiconductor switch This not only improves reliability but also makes possible a maximum X sync speed of 1 300 second with Canon EX series Speedlites Rugged Magnesium alloy Construction Magnesium alloy is used for the EOS 1D Mark IV top front and rear covers as well as for the memory card s...

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