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30

Camera Live View Function

Instead of looking through the viewfinder, you

can shoot while viewing the scene on the

camera’s LCD monitor. Compared to looking

through the viewfinder, it provides the follow-

ing advantages:

1. The real-time picture can be magnified by 5x

or 10x to help make focusing more precise.

2. Shoot while checking the composition on

the LCD monitor.

3. You can view a live histogram before the

shot is taken (C.Fn IV-16-1, then press the

INFO button to apply histogram).

Live View Function is extremely effective

in a variety of conditions. It’s applied by first

enabling it with a menu setting, and then

pressing the SET button. The reflex mirror will

then lock up, the shutter will open, and the

image output from the CMOS sensor will be

displayed in real time and 100% image cov-

erage on the camera’s LCD monitor. Press the

SET button again and the reflex mirror will go

back down and the shooting with Live View

Function will end.

Focusing

Focusing is manual-only with Live View

Function. Use the Multi-controller to move the

AF point aimed over the area on which you want

to focus, then press the Magnify button to

enlarge the

image by 5x or

10x at the AF

point’s position.

Press the button

again to return to

normal view. At

5x or 10x magni-

fication, you can

focus manually

while looking at

the LCD monitor.

To make it easier

to focus during

the magnified

view, image sharpness is applied at a higher

setting on the LCD monitor than it really is.

Pressing the depth-of-field preview button

stops down to the aperture that will be used to

take the picture. It will simulate the shooting

exposure and you can check both the exposure

level and depth-of-field. If you use depth-of-field

preview during regular viewfinder shooting, the

viewfinder will look dark and it may be difficult

to see the depth-of-field. However, with Live

View Function shooting, a clever simulation is

displayed so checking the depth-of-field is

easier as long as the exposure setting is near

the metering’s correct exposure.

  Remote Live View
Function

Remote Live View Function

is controlled through the

EOS Utility software includ-

ed on the EOS Digital

Solution Disk, Ver.14 or

higher. The camera can be

connected, either wired with

the provided USB 2.0 Hi-

Speed cable, or wirelessly

with the Wireless File

Transmitter WFT-E2 II A* or WFT-E2A. To get

started, the camera must be set to enable Live

View Function. Then, click the [Starting Live

View Function] selection on the Remote Live

View Function screen.

*This device has not been authorized as required by the rules
of the Federal Communications Commission. This device is not,
and may not, be offered for sale or lease, or sold or leased,

until authorization is obtained.

Function
Settings

The metering

mode is set to AF

point-linked

Evaluative meter-

ing. Other shooting settings (Shooting mode,

Drive mode, Image Size, ISO speed, Exposure

Compensation, etc.) can be set in the same

way as during viewfinder shooting. The meter-

ing timer is 16 seconds (including AE lock).

Focus presets with super telephoto lenses

cannot be used. Even during shooting with

Live View Function, the power will turn off after

the [Auto power off] time elapses. During Live

View Function, pressing the MENU or Playback

button will terminate the Live View Function

shooting and the menu screen or image play-

back will appear.

particles can be mapped onto each image, and

the dust “cloned-out” with supplied Canon

Digital Photo Professional software. This

removal of dust takes place with a simple

mouse click, and can be automatically per-

formed on one or hundreds of images at a time.

A “Dust Delete Data” test image needs to

be taken to enable this, and after it’s taken,

the location of any remaining dust is added to

each subsequent image. Activated via a Menu

setting, the user simply sets their camera lens

to infinity, and fills the frame with a plain

white subject located about 1 or 2 feet away.

A test shot is taken, with the camera switch-

ing momentarily to Av mode at f/22. The LCD

monitor confirms whether Dust Delete Data

was successfully acquired. Dust Delete Data

can be updated whenever the photographer

feels it’s necessary.

Live View Function

Live View Function is a

significant addition to the professional SLR

shooter’s arsenal. It is a terrific problem-

solver for all those situations in which it

would be awkward, difficult or impossible

to look through the viewfinder to compose,

meter and shoot. In response to the particular

requests of studio and remote sports photog-

raphers, EVF (Electronic ViewFinder) shooting

with a computer, wired or wireless, is possible

with the EOS-1Ds Mark III. By connecting the

camera via USB to a computer with the EOS

Utility 2.0 software provided, the computer

will display in real time the image output by

the camera’s imaging sensor. You can then

check and adjust the focus, subject framing

and so forth in real time and shoot remotely.

With the optional Wireless File Transmitter

WFT-E2 II A* or WFT-E2A attached, you can use

a wireless LAN and see the Remote Live View

Function on a computer without using a cable.

Key features of Live View Function include a

100% field-of-view, precise manual focusing

with 5x and 10x magnification, the ability to

pre-visualize exposure, framing and focusing

on a computer monitor, easy checking for

moiré and false color, displaying film-related

aspect ratios and having a video-out terminal

for TV display. 

Live View Function enabled

With 10x magnification

29

File Naming Options 

Each EOS-1Ds Mark III body comes with a

unique, 4-character prefix for its file numbers.

It also offers two user-defined options to tailor

file naming to the shooter’s needs: the user

can set their own first four characters for file

names (ABCD1234.jpg) or set the first three

characters, and have the camera add the 4th

to indicate size of the file (L for full-resolution,

M for M1, N for M2, or S for Small JPEG/Small

RAW—ABCL1234.CR2).

Highlight Tone Priority

This feature extends the dynamic range of

highlights by about one stop and improves

gradation within highlight areas. By expanding

the range from the correct exposure level (18%

gray) to the maximum allowable highlight

level, the gradation from the grays to the high-

lights becomes smoother and loss in highlight

detail is minimized. If [C.Fn II-3; 1: Enable] is

set, the ISO range is ISO 200-3200 (EOS-1Ds

Mark III: 20–1600).* When active, zeros in the

ISO display are lower case (2oo, 4oo, etc).

Depending on shooting conditions, noise in

the shadow areas may increase slightly.

*Standard output sensitivity. Recommended exposure index.

Integrated Cleaning
System

The EOS-1Ds Mark III

incorporates the EOS

Integrated Cleaning

System, which is a com-

plete anti-dust system.

It suppresses dust generation and dust adher-

ing to the sensor, removes dust and makes

any remaining dust less noticeable.

• The shutter has been improved to generate

less dust.

• The IR-cut filter’s anti-static charge surface

prevents attracting dust due to static charge.

• The sensor unit is self-cleaning.

• Dust Delete Data can be obtained and

appended to images.

• Manual cleaning of the imaging sensor using

air is still an option.

The compact Self Cleaning Sensor Unit is

optimized for the full-frame EOS-1Ds Mark III.

On the front infrared-absorption glass, two

thin, single-layer piezo-electric elements are

attached. By applying ultrasonic vibration to

the infrared absorption glass, the adhering

dust is shaken off. The removed dust particles

stick onto adhesive material around the

infrared absorption glass. Also, to prevent

dust from entering the sensor unit, the assem-

bly is secured with sealing material around the

perimeter. Unlike some competitors who

vibrate an extra glass plate, the EOS-1Ds

Mark III vibrates the infrared absorption

glass directly, so the optical performance is

not degraded by an extra layer of glass and

the unit can be kept compact. The Self

Cleaning Sensor Unit can therefore be incor-

porated in a conventional size body.

Operation timing is either Auto or Manual.

The default setting has the unit operating for

about 3.5 seconds whenever you turn the

power switch ON or OFF. While the unit is oper-

ating, the LCD monitor displays a logo indicat-

ing that sensor cleaning is being executed. If

the menu is set to [Auto cleaning: Disable], the

auto cleaning is not executed.

When the menu is set to [Clean now], you

can clean the sensor whenever you wish. It

takes about 4 seconds. During the cleaning,

ultrasonic vibration is applied to the infrared-

absorption glass and the shutter is cocked

three times so that the dust falls off the

infrared-absorption glass and any dust reset-

tling on the shutter curtains is also shaken off.

During sensor cleaning, whether started auto-

matically or manually, pressing the shutter

button halfway or pressing the Menu button

will immediately terminate the cleaning and

the camera will be ready to shoot. Because the

unit has very low power consumption, clean-

ings do not significantly affect the number of

possible shots, even if the default Auto setting

is selected. 

To prevent the piezo-electric elements from

overheating and to ensure proper cleaning,

the unit cannot operate again within 3 sec-

onds of finishing operation. Also, if the unit

operates five times successively at intervals

shorter than 10 seconds, it will not operate

again for 10 seconds. During the stoppage, the

[Clean now] menu option can not be selected.

The position and size of any remaining dust

Infrared-

absorption

glass

Piezoelectric element

Support material

Sealing material

Low-pass filter

CMOS sensor

Self Cleaning Sensor Unit

Self Cleaning Sensor Unit Construction Diagram

Highlight Tone Priority: ON

Highlight Tone Priority: OFF

TECHNOLOGY

Dust in the image is deleted by Digital Photo Professional
software using “Dust Delete Data.”

Live View Function settings

Summary of Contents for EOS-1D Mark IV

Page 1: ......

Page 2: ...125 PowerShot Technology PowerShot G11 PowerShot S90 Digital Projectors 127 Digital Projector Technology REALiS WUX10 Mark II D WUX10 Mark II SX7 Mark II D SX7 Mark II SX80 Mark II D SX80 Mark II SX800 Visualizer RE 455X Professional Video Cameras 131 Professional Video Camera Technology XL H1S XL H1A XH G1S XH A1S VIXIA HF S21 XF305 XF300 133 EF Lenses 137 Speedlites 139 Wireless Connectivity 141...

Page 3: ...push the technology envelope enabling not only still but now also full HD video capture with awe inspiring image quality and astonishing versatility The superb range of EF lenses sophisticated Speedlite flashes and a comprehensive array of system accessories empower and inspire the professional with such advanced capabilities as wireless connectivity and secure data handling High performance compa...

Page 4: ... the EOS System stands alone as a photo graphic tool enabling him to experiment with design and color as with no other camera system SMALL PRODUCT Michel Tcherevkoff Michel Tcherevkoff Explorer of Light Specialty Lenses for Specialized Shooting Educated as an engineer London born photographer Norman McGrath transitioned into his career as an architectural photographer after moving to New York in 1...

Page 5: ...factor making it possible to take full advan tage of the specific optical characteristics for which the lenses were designed This is an important benefit for photographers who have sizable EF lens collections Ultra High Resolution Image Capture The 21 1 Megapixel Full Frame CMOS Sensor captures images with stunning detail and precision The resulting high resolution image files ensure exceptional r...

Page 6: ... 2009 Gil Smith All Rights Reserved LARGE PRODUCT ...

Page 7: ...ved handling and maneuverability Extensive weatherproofing ensures true reliability even when shooting in harsh environments Rubber gaskets are used at nearly every joint and seam including around the battery compartment cover memory card door and flash shoe to keep out moisture and dust Technology at One with Nature 63 zone Metering System A 63 zone metering sensor combined with sophisticated met...

Page 8: ... 2009 Vincent Isola All Rights Reserved ...

Page 9: ... and other situations in which it would be a physical strain to keep the eye at the viewfinder The Live View Function image can also be displayed on a TV monitor which is ideal for showing images as they are being composed to clients and portrait subjects Highlight Tone Priority Activated via a Custom Function the Highlight Tone Priority mode employs sophisticated processing algorithms to preserve...

Page 10: ... is better able to capture a wide range of light values without blowing out highlights or losing shadow detail Subtle tonal gradations are also more accurately recorded Canon EOS Tilt Shift Lenses Canon TS E lenses are capable of tilt and shift movements that normally require the use of technical view cameras Tilt movements alter the angle of the plane of focus between the lens and the focal plane...

Page 11: ...d by the rules of the Federal Communications Commission This device is not and may not be offered for sale or lease or sold or leased until authorization is obtained Wide ISO Range By combining the excellent image capture capabilities of the Canon CMOS sensor with advanced data processing technologies the EOS 1Ds Mark III offers an extraordi narily wide ISO range making it possible to shoot even i...

Page 12: ... infrared absorption glass with PixelSize Microlens Comparison Opening Ratio Dichroic mirror Reflects infrared rays Infrared absorbing glass Low pass filter Separates image in vertical direction Low pass filter Separates image in horizontal direction Phaser layer Converts linear polarized light into circular polarized light CMOS sensor Low pass Filter Construction Raising the Bar in Professional C...

Page 13: ...s well as AF processing To attain 10 fps with AI Servo AF EOS 1D Mark III the AF CPU and camera CPU are separate dedicated processors The 19 cross type AF points take advantage of the following technologies With finer processing steps the peripheral circuit could be made smaller and the f 2 8 AF sensor area could be expanded The secondary image forming lens see diagram is molded glass By incorpora...

Page 14: ...u can let it go and then turn a dial to set something Several buttons are multi purpose press once and turn either the top Main Dial or rear Quick Control Dial for the respective functions The Multi controller on the rear is used to select Menu headings and provides several AF functions as well If the AF point select button is pressed once a push on the Multi controller toggles between selecting t...

Page 15: ...You can then check and adjust the focus subject framing and so forth in real time and shoot remotely With the optional Wireless File Transmitter WFT E2 II A or WFT E2A attached you can use a wireless LAN and see the Remote Live View Function on a computer without using a cable Key features of Live View Function include a 100 field of view precise manual focusing with 5x and 10x magnification the a...

Page 16: ...a returns to the Live View Function display automatically As with viewfinder shooting pressing the AE lock button during shooting with Live View Function will lock the current exposure and an asterisk will appear on the LCD monitor During magnified view AE lock will be applied auto matically to the exposure level of the full view display The Tv and Av settings will be dis played in orange During t...

Page 17: ...tal SLRs deliver With Canon Nachtwey captures some of the most haunting images in photojournalism PHOTOJOURNALISM James Nachtwey James Nachtwey Explorer of Light The Coordinated Canon Workflow John Huba came to New York City in his early twenties seeking a career in fashion photography He has since established himself as a sought after portrait and editorial photographer working in his stu dio and...

Page 18: ...with a technologi cally advanced tool WEDDING PORTRAIT WEDDING PORTRAIT Sandy Puc Charles Maring Charles Maring Explorer of Light The Image Will Go On Having won the Academy Award for Cinematography for his work on Titanic Russel Carpenter s cameras double as cinematic tools Requiring his cameras to meet the challenges unique to moving images Carpenter s Canon EOS digital SLR cameras with their ra...

Page 19: ...ting is enhanced with three improved AF modes in Live mode AF is achieved with contrast detection according to AF point selection In Face detection Live mode the camera detects the human face automatically and focuses with contrast AF If multiple faces are detected the largest face closest to the center is chosen automatically Alternative faces can be selected via the camera s Multi controller In ...

Page 20: ... 2009 Arthur Morris All Rights Reserved ...

Page 21: ...utton Additionally photographers can define their own default focus points depending on the camera s orientation when composing in normal plus grip up and grip down vertical positions instantly switching the AF point according to the position of the camera Photographers can also program the camera to focus from five predeter mined focus zones and can even choose to have their primary focus point s...

Page 22: ...1D Mark IV s controls buttons and external covers are dust and water resistant ensuring uninter rupted operation whether shooting in the rain in a windstorm or anything in between When the EOS 1D Mark IV is used with a dust and water resistant EF lens or external Speedlite the entire camera system is nearly impervious to the elements Integrated Cleaning System Dust is managed with the advanced Can...

Page 23: ...in what is otherwise a beautiful photo Smooth images rivaling the best medium format films are achieved simply and quickly thanks to brilliant Canon hardware and software solutions Dual DIGIC 4 Image Processors In addition to speeding up and enabling a dizzying array of camera functions the EOS 1D Mark IV s Dual DIGIC 4 Image Processors ensure that color rendition noise reduction and reproduction ...

Page 24: ...ing suitable for whatever comes in front of the lens Still images can be captured in full resolution while shooting movies and can be saved as distinct files It s as simple as pressing the shutter button while recording a movie and the resultant image can be modified as could any other recorded still The Advantage of Interchangeable Lenses By shooting video with a large sensor camera it s simple t...

Page 25: ... VGA 640 x 480 the EOS 1D Mark IV can shoot at up to 60 59 94 fps perfect for action sports or reality broadcasting not only allowing for smooth rendition of movement but also for grabbing still images after the shoot APS H Sensor With the EOS 1D Mark IV and its sensor resolution of 16 1 Megapixels there s no question that movies and stills can be captured in extensive detail But the EOS 1D Mark I...

Page 26: ...otogra phers and their audiences for decades As filmmakers buy Canon EOS cameras with video in mind they can do so with the knowledge that they re buying some of the best image making tools in the world And while the EOS 1D Mark IV s video features open up a world of new possibilities to still photographers filmmakers too will be thrilled to discover the expansive choices available to them with 16...

Page 27: ...e that can occur when shooting at high ISOs or in the bright and dark areas of the image Sophisticated hardware and software designs work to ensure continu ous film like smoothness in all images is captured 14 bit A D The EOS 1D Mark IV employs a 14 bit converter to process the output of the CMOS sensor 14 bit means smooth tones natural gradations and phenomenal colors RAW images are recorded at 1...

Page 28: ... x 1080 resolution can be shot at 24 25 or 30 frames per second for up to 4GB per clip Movies are saved as MOV files and can be viewed in Full HD with the EOS 1D Mark IV s HDMI output Other recording sizes include HD at 1280 x 780 50 60 fps or SD VGA at 640 x 480 50 60 fps SLR Effects in Motion In the EOS 1D Mark IV s manual Video mode users can control depth of field and sense of motion creating ...

Page 29: ... signal to noise ratio which translates to better real world performance and image files 16 1 Megapixel CMOS Sensor The EOS 1D Mark IV s amazing CMOS sensor captures a tremendous level of resolution with striking detail down to each individual pixel With size to spare it s easy to crop images or to make massive enlargements without concern of losing detail A marvel of technical innovation the EOS ...

Page 30: ...uitry size This leaves more physical space for the photodiodes enabling their collective area to be significantly increased The larger sensor photodiode area results in wide dynamic range elevating imag ing performance to a level never before achieved with such high pixel site density The new photodiode design also improves photo electric conversion rate providing a markedly improved S N ratio The...

Page 31: ...lay will revert to Live View when the user is finished with menu and image playback functions Shooting options such as drive mode ISO speed Picture Style white balance and AF mode can be selected while in Live View mode For still shooting the EOS 1D Mark IV Live View mode provides a choice of three AF modes In Quick Mode the AF sensor is used for phase difference detection The camera defaults to O...

Page 32: ...flash trigger thereby eliminating contact scorching and wear Instead the X sync employs the PR signal and a semiconductor switch This not only improves reliability but also makes possible a maximum X sync speed of 1 300 second with Canon EX series Speedlites Rugged Magnesium alloy Construction Magnesium alloy is used for the EOS 1D Mark IV top front and rear covers as well as for the memory card s...

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