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23

multiple coatings to reflect infrared and ultra-

violet rays. It effectively reduces red fringing

and color casts caused by reflections of the

sensor surface. A sophisticated low-pass filter

is also utilized, behind the IR-cut filter, to min-

imize color artifacts such as moiré.

Performance: Dazzling
Speed, Superb Precision

Dual “DIGIC III” Image
Processors

DIGIC, a high-performance imag-

ing processor, has been a major feature of

Canon digital cameras

because of its very fine

image detail, natural

color reproduction and

high-speed signal pro-

cessing. DIGIC III retains

its basic concept and improves upon it with

higher performance and faster speed. For the

EOS-1Ds Mark III’s 21.1 Megapixels, Dual

“DIGIC III” Image Processors work for ultra-

fine detail, natural color reproduction and

high-speed image processing.  

The extra power of Dual “DIGIC III” Image

Processors has also allowed analog-to-digital

conversion to improve from 12 to 14 bits per

channel, meaning that tonal gradation for RAW

images is divided into 16,384 separate levels

per channel rather than 4,096. When saved as

a 16-bit TIFF image, the image retains the full

range of tones obtained with 14 bits. Also,

JPEG images, at 8 bits per color, are generated

from the 14-bit data.

Blazingly Fast Shooting
Speed and Outstanding
Burst Rate

The EOS-1Ds Mark III provides a

continuous shooting speed of 5 fps at its full

21.1 Megapixel resolution. It can also capture

up to 56 consecutive full-resolution JPEG

images or up to 12 RAW images in a single

continuous burst. A shutter assembly, an auto-

focus system and Dual “DIGIC III” Image

Processors contribute to the landmark speed

of the EOS-1Ds Mark III.

High-precision AF System

The autofocus system of

the EOS-1Ds Mark III

represents a complete

reconsideration of pro-

fessional autofocus. In addition to a sensor

chip, sophisticated manufacturing technologies

have made it possible to reconfigure the concave

submirror and the cleverly-designed secondary

image formation lens. The result is greater

sensitivity, easier and more logical navigation,

higher precision and significantly better real-

world performance.

In the previous 45-point AF system used by

such cameras as the EOS-1v, EOS-1D, EOS-1Ds,

EOS-1D Mark II, EOS-1Ds Mark II and EOS-1D

Mark II 

N

, there were seven cross-type, high-

precision sensors grouped around the center

of the frame. Any of the 45 points could be

selected by navigating around the frame. 

This was the configuration of the previous

45-point AF array:

Here is the AF point layout:

Note that the 19 high-precision, cross-type

points are no longer clustered solely in the

center of the frame. The 26 additional assist AF

points are horizontal-line sensitive at f/5.6, are not

user selectable, but can be added to a manually-

chosen point to expand its size, and are also

used in Automatic AF point selection mode.

24

required by the faster signal reading, the out-

put amp’s power consumption has been

reduced. Also during long exposures, power to

the output amp is turned off and the standard

current driving the circuit is also cut off to save

power. In addition, during shooting with Live

View Function, the power distribution for the

signal-reading operation is optimized for more

pinpoint power-saving control.

For the Self Cleaning Sensor Unit, the

infrared-absorption glass is separate from the

three-layer, optical crystal plate. This makes

the dust-shaking plate lighter, saving power

and making it easier to control.

The infrared filter has a hybrid construc-

tion; it has an infrared-absorption glass with

Pixel Size

Microlens Comparison & Opening Ratio

Dichroic mirror
(Reflects infrared rays)

Infrared-absorbing glass

Low-pass filter
(Separates image in vertical direction)

Low-pass filter
(Separates image in horizontal direction)

Phaser layer
(Converts linear polarized light  
into circular polarized light)

CMOS sensor

Low-pass Filter Construction

Raising the Bar in
Professional Cameras

EOS-1Ds Mark III: 
A Full-Frame Performance
Standard

The EOS-1Ds Mark III incorporates the Canon

CMOS sensor, which delivers approximately

21.1 Megapixels (5616 x 3744 pixels). The

recording area of the sensor is 36.0 x 24.0mm,

which is equivalent to the full-frame size of

the 35mm film format. Compared to typical

smaller digital camera sensors, the Canon

full-frame sensor can accomodate a tremen-

dous pixel count while maintaining larger

individual pixel site size. The EOS-1Ds Mark III

can capture up to 56 consecutive full-resolution

JPEG images or up to 12 RAW images in a

single continuous burst (at 5 fps with 21.1

Megapixel files). Larger sites improve light-

gathering capability, enabling the sensor to

produce a cleaner, more noise-free image.

The Canon full-frame sensor thus delivers

high-resolution images of exacting precision,

with jaw-dropping data density for enhanced

large-output capabilities and post-processing

cropping flexibility.

Full-frame sensors let photographers use

the entire range of superb Canon EF lenses

without a conversion factor, making it possible

to take full advantage of the specific optical

characteristics for which the lenses were

designed. This is an important benefit for

photographers who have a sizable EF lens

collection.

Image Quality

Canon Exclusive CMOS Sensor

Designed and manufactured by Canon, CMOS

single-plate sensors advance the state of the art

in professional SLR sensor design. The imaging

area of the CMOS sensor of EOS-1Ds Mark III

measures 36.0 x 24.0mm (full-frame) — appre-

ciably larger than 28.1 x 18.7mm (APS-H) and

22.2 x 14.8mm (APS-C).

Effective Light-gathering

The EOS-1Ds Mark III sensor

has 21.1 Megapixels.

Individual pixel size on the 1Ds Mark III’s

sensor is 6.4µm.

By optimizing the gap between the on-chip

microlenses and improving the fill factor

(photodiode area divided by total pixel size)

of each pixel, light-gathering efficiency has

been improved.

Wide ISO Range

By combining the splendid image capture

capabilities of the sensor with advanced

Dual “DIGIC III” Image Processors, the EOS-1Ds

Mark III offers extraordinarily wide ISO range,

making it possible to shoot even in previously

impossible lighting conditions. The standard

ISO range of 100–1600, can be extended to a

remarkable low end of 50 and high end of

6400.* More importantly, the low-noise per-

formance at high ISO settings makes the entire

range usable in real-world shooting situations.

*CIPA standard output sensitivity. Recommended exposure index.

Low Noise, High Speed

To achieve even less noise, the EOS-1Ds Mark III

has a feed-through output amp that attains

both high speed and low noise. Low noise is

also achieved with an improved manufacturing

process, an optimized pixel amp and an opti-

mized reading circuit. 

The EOS-1Ds Mark III employs a single-line,

8-channel reading. With a faster output amp

and optimized read circuit, a continous shoot-

ing speed of approximately 5 fps is attained.  

To minimize the higher power consumption

36.0 mm

24.0 

mm

 

 

EOS-1Ds Mark III

   

50

100 - 1600

3200

EOS-1Ds Mark III Full-Frame 

CMOS Sensor (Actual Size)

©2009 Vincent Isola

The Technology to Set the Standard

TECHNOLOGY

Time

Diagram of 8-channel
Signal Reading

 

 

 

 

 

  (C

   

   

 

 

 

 

 

  (C

   

   

AF Sensor

5 fps continuous shooting speed (Images simulated)

 

 

 

 

 

  (C

   

   

: f/2.8 sensors

(Cencer AF point is f/4)

: f/5.6 sensors

Summary of Contents for EOS-1D Mark IV

Page 1: ......

Page 2: ...125 PowerShot Technology PowerShot G11 PowerShot S90 Digital Projectors 127 Digital Projector Technology REALiS WUX10 Mark II D WUX10 Mark II SX7 Mark II D SX7 Mark II SX80 Mark II D SX80 Mark II SX800 Visualizer RE 455X Professional Video Cameras 131 Professional Video Camera Technology XL H1S XL H1A XH G1S XH A1S VIXIA HF S21 XF305 XF300 133 EF Lenses 137 Speedlites 139 Wireless Connectivity 141...

Page 3: ...push the technology envelope enabling not only still but now also full HD video capture with awe inspiring image quality and astonishing versatility The superb range of EF lenses sophisticated Speedlite flashes and a comprehensive array of system accessories empower and inspire the professional with such advanced capabilities as wireless connectivity and secure data handling High performance compa...

Page 4: ... the EOS System stands alone as a photo graphic tool enabling him to experiment with design and color as with no other camera system SMALL PRODUCT Michel Tcherevkoff Michel Tcherevkoff Explorer of Light Specialty Lenses for Specialized Shooting Educated as an engineer London born photographer Norman McGrath transitioned into his career as an architectural photographer after moving to New York in 1...

Page 5: ...factor making it possible to take full advan tage of the specific optical characteristics for which the lenses were designed This is an important benefit for photographers who have sizable EF lens collections Ultra High Resolution Image Capture The 21 1 Megapixel Full Frame CMOS Sensor captures images with stunning detail and precision The resulting high resolution image files ensure exceptional r...

Page 6: ... 2009 Gil Smith All Rights Reserved LARGE PRODUCT ...

Page 7: ...ved handling and maneuverability Extensive weatherproofing ensures true reliability even when shooting in harsh environments Rubber gaskets are used at nearly every joint and seam including around the battery compartment cover memory card door and flash shoe to keep out moisture and dust Technology at One with Nature 63 zone Metering System A 63 zone metering sensor combined with sophisticated met...

Page 8: ... 2009 Vincent Isola All Rights Reserved ...

Page 9: ... and other situations in which it would be a physical strain to keep the eye at the viewfinder The Live View Function image can also be displayed on a TV monitor which is ideal for showing images as they are being composed to clients and portrait subjects Highlight Tone Priority Activated via a Custom Function the Highlight Tone Priority mode employs sophisticated processing algorithms to preserve...

Page 10: ... is better able to capture a wide range of light values without blowing out highlights or losing shadow detail Subtle tonal gradations are also more accurately recorded Canon EOS Tilt Shift Lenses Canon TS E lenses are capable of tilt and shift movements that normally require the use of technical view cameras Tilt movements alter the angle of the plane of focus between the lens and the focal plane...

Page 11: ...d by the rules of the Federal Communications Commission This device is not and may not be offered for sale or lease or sold or leased until authorization is obtained Wide ISO Range By combining the excellent image capture capabilities of the Canon CMOS sensor with advanced data processing technologies the EOS 1Ds Mark III offers an extraordi narily wide ISO range making it possible to shoot even i...

Page 12: ... infrared absorption glass with PixelSize Microlens Comparison Opening Ratio Dichroic mirror Reflects infrared rays Infrared absorbing glass Low pass filter Separates image in vertical direction Low pass filter Separates image in horizontal direction Phaser layer Converts linear polarized light into circular polarized light CMOS sensor Low pass Filter Construction Raising the Bar in Professional C...

Page 13: ...s well as AF processing To attain 10 fps with AI Servo AF EOS 1D Mark III the AF CPU and camera CPU are separate dedicated processors The 19 cross type AF points take advantage of the following technologies With finer processing steps the peripheral circuit could be made smaller and the f 2 8 AF sensor area could be expanded The secondary image forming lens see diagram is molded glass By incorpora...

Page 14: ...u can let it go and then turn a dial to set something Several buttons are multi purpose press once and turn either the top Main Dial or rear Quick Control Dial for the respective functions The Multi controller on the rear is used to select Menu headings and provides several AF functions as well If the AF point select button is pressed once a push on the Multi controller toggles between selecting t...

Page 15: ...You can then check and adjust the focus subject framing and so forth in real time and shoot remotely With the optional Wireless File Transmitter WFT E2 II A or WFT E2A attached you can use a wireless LAN and see the Remote Live View Function on a computer without using a cable Key features of Live View Function include a 100 field of view precise manual focusing with 5x and 10x magnification the a...

Page 16: ...a returns to the Live View Function display automatically As with viewfinder shooting pressing the AE lock button during shooting with Live View Function will lock the current exposure and an asterisk will appear on the LCD monitor During magnified view AE lock will be applied auto matically to the exposure level of the full view display The Tv and Av settings will be dis played in orange During t...

Page 17: ...tal SLRs deliver With Canon Nachtwey captures some of the most haunting images in photojournalism PHOTOJOURNALISM James Nachtwey James Nachtwey Explorer of Light The Coordinated Canon Workflow John Huba came to New York City in his early twenties seeking a career in fashion photography He has since established himself as a sought after portrait and editorial photographer working in his stu dio and...

Page 18: ...with a technologi cally advanced tool WEDDING PORTRAIT WEDDING PORTRAIT Sandy Puc Charles Maring Charles Maring Explorer of Light The Image Will Go On Having won the Academy Award for Cinematography for his work on Titanic Russel Carpenter s cameras double as cinematic tools Requiring his cameras to meet the challenges unique to moving images Carpenter s Canon EOS digital SLR cameras with their ra...

Page 19: ...ting is enhanced with three improved AF modes in Live mode AF is achieved with contrast detection according to AF point selection In Face detection Live mode the camera detects the human face automatically and focuses with contrast AF If multiple faces are detected the largest face closest to the center is chosen automatically Alternative faces can be selected via the camera s Multi controller In ...

Page 20: ... 2009 Arthur Morris All Rights Reserved ...

Page 21: ...utton Additionally photographers can define their own default focus points depending on the camera s orientation when composing in normal plus grip up and grip down vertical positions instantly switching the AF point according to the position of the camera Photographers can also program the camera to focus from five predeter mined focus zones and can even choose to have their primary focus point s...

Page 22: ...1D Mark IV s controls buttons and external covers are dust and water resistant ensuring uninter rupted operation whether shooting in the rain in a windstorm or anything in between When the EOS 1D Mark IV is used with a dust and water resistant EF lens or external Speedlite the entire camera system is nearly impervious to the elements Integrated Cleaning System Dust is managed with the advanced Can...

Page 23: ...in what is otherwise a beautiful photo Smooth images rivaling the best medium format films are achieved simply and quickly thanks to brilliant Canon hardware and software solutions Dual DIGIC 4 Image Processors In addition to speeding up and enabling a dizzying array of camera functions the EOS 1D Mark IV s Dual DIGIC 4 Image Processors ensure that color rendition noise reduction and reproduction ...

Page 24: ...ing suitable for whatever comes in front of the lens Still images can be captured in full resolution while shooting movies and can be saved as distinct files It s as simple as pressing the shutter button while recording a movie and the resultant image can be modified as could any other recorded still The Advantage of Interchangeable Lenses By shooting video with a large sensor camera it s simple t...

Page 25: ... VGA 640 x 480 the EOS 1D Mark IV can shoot at up to 60 59 94 fps perfect for action sports or reality broadcasting not only allowing for smooth rendition of movement but also for grabbing still images after the shoot APS H Sensor With the EOS 1D Mark IV and its sensor resolution of 16 1 Megapixels there s no question that movies and stills can be captured in extensive detail But the EOS 1D Mark I...

Page 26: ...otogra phers and their audiences for decades As filmmakers buy Canon EOS cameras with video in mind they can do so with the knowledge that they re buying some of the best image making tools in the world And while the EOS 1D Mark IV s video features open up a world of new possibilities to still photographers filmmakers too will be thrilled to discover the expansive choices available to them with 16...

Page 27: ...e that can occur when shooting at high ISOs or in the bright and dark areas of the image Sophisticated hardware and software designs work to ensure continu ous film like smoothness in all images is captured 14 bit A D The EOS 1D Mark IV employs a 14 bit converter to process the output of the CMOS sensor 14 bit means smooth tones natural gradations and phenomenal colors RAW images are recorded at 1...

Page 28: ... x 1080 resolution can be shot at 24 25 or 30 frames per second for up to 4GB per clip Movies are saved as MOV files and can be viewed in Full HD with the EOS 1D Mark IV s HDMI output Other recording sizes include HD at 1280 x 780 50 60 fps or SD VGA at 640 x 480 50 60 fps SLR Effects in Motion In the EOS 1D Mark IV s manual Video mode users can control depth of field and sense of motion creating ...

Page 29: ... signal to noise ratio which translates to better real world performance and image files 16 1 Megapixel CMOS Sensor The EOS 1D Mark IV s amazing CMOS sensor captures a tremendous level of resolution with striking detail down to each individual pixel With size to spare it s easy to crop images or to make massive enlargements without concern of losing detail A marvel of technical innovation the EOS ...

Page 30: ...uitry size This leaves more physical space for the photodiodes enabling their collective area to be significantly increased The larger sensor photodiode area results in wide dynamic range elevating imag ing performance to a level never before achieved with such high pixel site density The new photodiode design also improves photo electric conversion rate providing a markedly improved S N ratio The...

Page 31: ...lay will revert to Live View when the user is finished with menu and image playback functions Shooting options such as drive mode ISO speed Picture Style white balance and AF mode can be selected while in Live View mode For still shooting the EOS 1D Mark IV Live View mode provides a choice of three AF modes In Quick Mode the AF sensor is used for phase difference detection The camera defaults to O...

Page 32: ...flash trigger thereby eliminating contact scorching and wear Instead the X sync employs the PR signal and a semiconductor switch This not only improves reliability but also makes possible a maximum X sync speed of 1 300 second with Canon EX series Speedlites Rugged Magnesium alloy Construction Magnesium alloy is used for the EOS 1D Mark IV top front and rear covers as well as for the memory card s...

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