Canon EOS-1D Mark IV Brochure Download Page 2

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Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

EOS-1Ds Mark III

. . . . . . . . . . . . . . . . . . . . . . . . . . . .

LARGE PRODUCT

– Gil Smith

. . . . . . . . . . . . . . . . .

LANDSCAPE

– Vincent Isola

. . . . . . . . . . . . . . . . .

SMALL PRODUCT

– Michel Tcherevkoff

. . . . . . . . . .

ARCHITECTURE

– Norman McGrath

. . . . . . . . . . . .

ASTRONOMY

– Jennifer Wu

. . . . . . . . . . . . . . . . .

EOS-1Ds Mark III Technology . . . . . . . . . . . . . . . . . . . 23

EOS-1D Mark IV

. . . . . . . . . . . . . . . . . . . . . . . . . . . .

WILDLIFE

– Arthur Morris

. . . . . . . . . . . . . . . . . . . . . 37

SPORTS

– Peter Read Miller

. . . . . . . . . . . . . . . . . . . . 41

PHOTOJOURNALISM

– James Nachtwey

. . . . . . . . . . . 43

BEAUTY

– John Huba

. . . . . . . . . . . . . . . . . . . . . . . . . 45

PHOTOJOURNALISM

– Vincent Laforet

. . . . . . . . . . . 47

TELEVISION

– Félix Alcalá

. . . . . . . . . . . . . . . . . . . . . 49

CINEMATOGRAPHY

– Shane Hurlbut

. . . . . . . . . . . . . 51

WEDDING/PORTRAIT

– Charles Maring

. . . . . . . . . . . 53

CINEMATOGRAPHY

– Russel Carpenter

. . . . . . . . . . . 55

WEDDING/PORTRAIT

– Sandy Puc’

. . . . . . . . . . . . . . 57

EOS-1D Mark IV Technology. . . . . . . . . . . . . . . . . . . . 59

EOS 5D Mark II

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

WEDDING

– Clay Blackmore

. . . . . . . . . . . . . . . . . . . 67

PHOTOJOURNALISM

– Richard Koci Hernandez

. . . . 71

DOCUMENTARY

– Joachim Ladefoged

. . . . . . . . . . . . 73

NATURE

– George Lepp

. . . . . . . . . . . . . . . . . . . . . . . . 75

CELEBRITY

– Greg Gorman

. . . . . . . . . . . . . . . . . . . . . 77

ADVERTISING

– Tyler Stableford

. . . . . . . . . . . . . . . . 79

EOS 5D Mark II Technology . . . . . . . . . . . . . . . . . . . . 81

EOS 7D

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

DOCUMENTARY

– Lauren Greenfield

. . . . . . . . . . . . . 89

WEDDING/PORTRAIT

– Michele Celentano

. . . . . . . . . 93

DOCUMENTARY

– James Longley

. . . . . . . . . . . . . . . . 95

WEDDING/PORTRAIT

– Stillmotion

. . . . . . . . . . . . . . . 97

BEAUTY

– Stephen Eastwood

. . . . . . . . . . . . . . . . . . . 99

COMMERCIAL/TV

– Rodney Charters

. . . . . . . . . . . 101

CORPORATE/INDUSTRIAL

– Gregory Heisler

. . . . . . 103

PHOTOJOURNALISM

– Christopher Morris

. . . . . . . 105

EOS 7D Technology . . . . . . . . . . . . . . . . . . . . . . . . . 107

EOS 50D

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

113

WEDDING

– Hanson Fong

. . . . . . . . . . . . . . . . . . . . 115

TRAVEL

– Lewis Kemper

. . . . . . . . . . . . . . . . . . . . . . 119

COMMERCIAL

– Douglas Kirkland

. . . . . . . . . . . . . . 121

EOS 50D Technology . . . . . . . . . . . . . . . . . . . . . . . . 123

PowerShot Digital Cameras

. . . . . . . . . . . . . . 125

PowerShot Technology

PowerShot G11 / PowerShot S90

Digital Projectors

. . . . . . . . . . . . . . . . . . . . . . . . . 127

Digital Projector Technology

REALiS WUX10 Mark II D / WUX10 Mark II /

SX7 Mark II D / SX7 Mark II /

SX80 Mark II D / SX80 Mark II / SX800/ Visualizer RE-455X

Professional Video Cameras

. . . . . . . . . . . . . 131

Professional Video Camera Technology

XL H1S / XL H1A

XH G1S / XH A1S

VIXIA HF S21

XF305 / XF300 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

EF Lenses

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137

Speedlites

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139

Wireless Connectivity

. . . . . . . . . . . . . . . . . . . . 141

Professional Software Tools

. . . . . . . . . . . . . 143

Studio Solution Software

. . . . . . . . . . . . . . . . 145

Education

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

Canon Digital Learning Center

Canon Live Learning

EOS Discovery Day

Canon Publication

Professional Services

. . . . . . . . . . . . . . . . . . . . . . . 149

Canon Professional Services

Canon Service & Support

Canon Media Maintenance Service

EOS Nomenclature. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151

EOS Custom Function Chart . . . . . . . . . . . . . . . . . . . . . . 160

EOS System Chart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164

EOS Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167

imagePROGRAF iPF9100

Ryszard Horowitz

. . . . . . . . . . . . . . . . . . . . . . . . . . . . 169

Bruce Dorn

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

imagePROGRAF iPF8300

Vincent Isola

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

imagePROGRAF iPF6350

John Pinderhughes

. . . . . . . . . . . . . . . . . . . . . . . . . . . 179

John Huba

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183

imagePROGRAF iPF6300

Parish Kohanim

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

Stephen Eastwood

. . . . . . . . . . . . . . . . . . . . . . . . . . . 189

imagePROGRAF iPF5100

George Lepp

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

Parker Pfister

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195

Sandy Puc’

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197

PIXMA Pro9500 Mark II

Robert Farber

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199

Eddie Tapp

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203

PIXMA Pro9000 Mark II

Vincent Laforet

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205

Michel Tcherevkoff

. . . . . . . . . . . . . . . . . . . . . . . . . . . 209

imagePROGRAF Technology . . . . . . . . . . . . . . . . . . . . . . 211

PIXMA Technology . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213

EOS for Professionals . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

Professional Photo Printers Specifications . . . . . . . . . . 217

Professional Photo Printers Media Compatibility Chart. . . . . 219

INDEX

CANON PROFESSIONAL PRODUCTS

CANON PROFESSIONAL PHOTO PRINTERS

Summary of Contents for EOS-1D Mark IV

Page 1: ......

Page 2: ...125 PowerShot Technology PowerShot G11 PowerShot S90 Digital Projectors 127 Digital Projector Technology REALiS WUX10 Mark II D WUX10 Mark II SX7 Mark II D SX7 Mark II SX80 Mark II D SX80 Mark II SX800 Visualizer RE 455X Professional Video Cameras 131 Professional Video Camera Technology XL H1S XL H1A XH G1S XH A1S VIXIA HF S21 XF305 XF300 133 EF Lenses 137 Speedlites 139 Wireless Connectivity 141...

Page 3: ...push the technology envelope enabling not only still but now also full HD video capture with awe inspiring image quality and astonishing versatility The superb range of EF lenses sophisticated Speedlite flashes and a comprehensive array of system accessories empower and inspire the professional with such advanced capabilities as wireless connectivity and secure data handling High performance compa...

Page 4: ... the EOS System stands alone as a photo graphic tool enabling him to experiment with design and color as with no other camera system SMALL PRODUCT Michel Tcherevkoff Michel Tcherevkoff Explorer of Light Specialty Lenses for Specialized Shooting Educated as an engineer London born photographer Norman McGrath transitioned into his career as an architectural photographer after moving to New York in 1...

Page 5: ...factor making it possible to take full advan tage of the specific optical characteristics for which the lenses were designed This is an important benefit for photographers who have sizable EF lens collections Ultra High Resolution Image Capture The 21 1 Megapixel Full Frame CMOS Sensor captures images with stunning detail and precision The resulting high resolution image files ensure exceptional r...

Page 7: ...ved handling and maneuverability Extensive weatherproofing ensures true reliability even when shooting in harsh environments Rubber gaskets are used at nearly every joint and seam including around the battery compartment cover memory card door and flash shoe to keep out moisture and dust Technology at One with Nature 63 zone Metering System A 63 zone metering sensor combined with sophisticated met...

Page 9: ... and other situations in which it would be a physical strain to keep the eye at the viewfinder The Live View Function image can also be displayed on a TV monitor which is ideal for showing images as they are being composed to clients and portrait subjects Highlight Tone Priority Activated via a Custom Function the Highlight Tone Priority mode employs sophisticated processing algorithms to preserve...

Page 10: ... is better able to capture a wide range of light values without blowing out highlights or losing shadow detail Subtle tonal gradations are also more accurately recorded Canon EOS Tilt Shift Lenses Canon TS E lenses are capable of tilt and shift movements that normally require the use of technical view cameras Tilt movements alter the angle of the plane of focus between the lens and the focal plane...

Page 11: ...d by the rules of the Federal Communications Commission This device is not and may not be offered for sale or lease or sold or leased until authorization is obtained Wide ISO Range By combining the excellent image capture capabilities of the Canon CMOS sensor with advanced data processing technologies the EOS 1Ds Mark III offers an extraordi narily wide ISO range making it possible to shoot even i...

Page 12: ... infrared absorption glass with PixelSize Microlens Comparison Opening Ratio Dichroic mirror Reflects infrared rays Infrared absorbing glass Low pass filter Separates image in vertical direction Low pass filter Separates image in horizontal direction Phaser layer Converts linear polarized light into circular polarized light CMOS sensor Low pass Filter Construction Raising the Bar in Professional C...

Page 13: ...s well as AF processing To attain 10 fps with AI Servo AF EOS 1D Mark III the AF CPU and camera CPU are separate dedicated processors The 19 cross type AF points take advantage of the following technologies With finer processing steps the peripheral circuit could be made smaller and the f 2 8 AF sensor area could be expanded The secondary image forming lens see diagram is molded glass By incorpora...

Page 14: ...u can let it go and then turn a dial to set something Several buttons are multi purpose press once and turn either the top Main Dial or rear Quick Control Dial for the respective functions The Multi controller on the rear is used to select Menu headings and provides several AF functions as well If the AF point select button is pressed once a push on the Multi controller toggles between selecting t...

Page 15: ...You can then check and adjust the focus subject framing and so forth in real time and shoot remotely With the optional Wireless File Transmitter WFT E2 II A or WFT E2A attached you can use a wireless LAN and see the Remote Live View Function on a computer without using a cable Key features of Live View Function include a 100 field of view precise manual focusing with 5x and 10x magnification the a...

Page 16: ...a returns to the Live View Function display automatically As with viewfinder shooting pressing the AE lock button during shooting with Live View Function will lock the current exposure and an asterisk will appear on the LCD monitor During magnified view AE lock will be applied auto matically to the exposure level of the full view display The Tv and Av settings will be dis played in orange During t...

Page 17: ...tal SLRs deliver With Canon Nachtwey captures some of the most haunting images in photojournalism PHOTOJOURNALISM James Nachtwey James Nachtwey Explorer of Light The Coordinated Canon Workflow John Huba came to New York City in his early twenties seeking a career in fashion photography He has since established himself as a sought after portrait and editorial photographer working in his stu dio and...

Page 18: ...with a technologi cally advanced tool WEDDING PORTRAIT WEDDING PORTRAIT Sandy Puc Charles Maring Charles Maring Explorer of Light The Image Will Go On Having won the Academy Award for Cinematography for his work on Titanic Russel Carpenter s cameras double as cinematic tools Requiring his cameras to meet the challenges unique to moving images Carpenter s Canon EOS digital SLR cameras with their ra...

Page 19: ...ting is enhanced with three improved AF modes in Live mode AF is achieved with contrast detection according to AF point selection In Face detection Live mode the camera detects the human face automatically and focuses with contrast AF If multiple faces are detected the largest face closest to the center is chosen automatically Alternative faces can be selected via the camera s Multi controller In ...

Page 21: ...utton Additionally photographers can define their own default focus points depending on the camera s orientation when composing in normal plus grip up and grip down vertical positions instantly switching the AF point according to the position of the camera Photographers can also program the camera to focus from five predeter mined focus zones and can even choose to have their primary focus point s...

Page 22: ...1D Mark IV s controls buttons and external covers are dust and water resistant ensuring uninter rupted operation whether shooting in the rain in a windstorm or anything in between When the EOS 1D Mark IV is used with a dust and water resistant EF lens or external Speedlite the entire camera system is nearly impervious to the elements Integrated Cleaning System Dust is managed with the advanced Can...

Page 23: ...in what is otherwise a beautiful photo Smooth images rivaling the best medium format films are achieved simply and quickly thanks to brilliant Canon hardware and software solutions Dual DIGIC 4 Image Processors In addition to speeding up and enabling a dizzying array of camera functions the EOS 1D Mark IV s Dual DIGIC 4 Image Processors ensure that color rendition noise reduction and reproduction ...

Page 24: ...ing suitable for whatever comes in front of the lens Still images can be captured in full resolution while shooting movies and can be saved as distinct files It s as simple as pressing the shutter button while recording a movie and the resultant image can be modified as could any other recorded still The Advantage of Interchangeable Lenses By shooting video with a large sensor camera it s simple t...

Page 25: ... VGA 640 x 480 the EOS 1D Mark IV can shoot at up to 60 59 94 fps perfect for action sports or reality broadcasting not only allowing for smooth rendition of movement but also for grabbing still images after the shoot APS H Sensor With the EOS 1D Mark IV and its sensor resolution of 16 1 Megapixels there s no question that movies and stills can be captured in extensive detail But the EOS 1D Mark I...

Page 26: ...otogra phers and their audiences for decades As filmmakers buy Canon EOS cameras with video in mind they can do so with the knowledge that they re buying some of the best image making tools in the world And while the EOS 1D Mark IV s video features open up a world of new possibilities to still photographers filmmakers too will be thrilled to discover the expansive choices available to them with 16...

Page 27: ...e that can occur when shooting at high ISOs or in the bright and dark areas of the image Sophisticated hardware and software designs work to ensure continu ous film like smoothness in all images is captured 14 bit A D The EOS 1D Mark IV employs a 14 bit converter to process the output of the CMOS sensor 14 bit means smooth tones natural gradations and phenomenal colors RAW images are recorded at 1...

Page 28: ... x 1080 resolution can be shot at 24 25 or 30 frames per second for up to 4GB per clip Movies are saved as MOV files and can be viewed in Full HD with the EOS 1D Mark IV s HDMI output Other recording sizes include HD at 1280 x 780 50 60 fps or SD VGA at 640 x 480 50 60 fps SLR Effects in Motion In the EOS 1D Mark IV s manual Video mode users can control depth of field and sense of motion creating ...

Page 29: ... signal to noise ratio which translates to better real world performance and image files 16 1 Megapixel CMOS Sensor The EOS 1D Mark IV s amazing CMOS sensor captures a tremendous level of resolution with striking detail down to each individual pixel With size to spare it s easy to crop images or to make massive enlargements without concern of losing detail A marvel of technical innovation the EOS ...

Page 30: ...uitry size This leaves more physical space for the photodiodes enabling their collective area to be significantly increased The larger sensor photodiode area results in wide dynamic range elevating imag ing performance to a level never before achieved with such high pixel site density The new photodiode design also improves photo electric conversion rate providing a markedly improved S N ratio The...

Page 31: ...lay will revert to Live View when the user is finished with menu and image playback functions Shooting options such as drive mode ISO speed Picture Style white balance and AF mode can be selected while in Live View mode For still shooting the EOS 1D Mark IV Live View mode provides a choice of three AF modes In Quick Mode the AF sensor is used for phase difference detection The camera defaults to O...

Page 32: ...flash trigger thereby eliminating contact scorching and wear Instead the X sync employs the PR signal and a semiconductor switch This not only improves reliability but also makes possible a maximum X sync speed of 1 300 second with Canon EX series Speedlites Rugged Magnesium alloy Construction Magnesium alloy is used for the EOS 1D Mark IV top front and rear covers as well as for the memory card s...

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