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Dual Envelope

The module contains two Voltage-Controlled Envelope 

Generators – identical other than the left-hand one having 
a slower 'slow' range. 

An Envelope begins  when the Manual Trigger button is 

pressed or when the Gate Input rises above r1V 
(via internal comparator). As such, any waveform can be 

used as trigger source (not just square wave / gate).

The Envelope Output is unipolar between 0V and +10V 
with an exponential shape.

The Mode can be set as:

Gated – Attack/Sustain/Release

When a gate occurs, the Envelope Output ramps up 
to +10V at a rate determined by Attack and sustains 

at that level until the gate ends, at which point it 
releases at a rate determined by Decay.

If the Attack phase has not completed by the time 
the gate ends, the Release phase starts immediately 

without re10V.
If a new gate occurs during Release phase, the 

envelope starts rising again without resetting to 0V.

Triggered – Attack/Decay

When a gate occurs, the attack phase is triggered 

and the output rises to +10V before immediately 
entering the decay phase. 

It is only the rising edge of the gate that is of importance – if any further gates occur during 
the attack phase, they are ignored, while a gate during the decay phase changes the envelope 

back into attack phase without resetting to 0V.

Loop

The output continuously oscillates between 0V and +10V. Any gate inputs behave like in 

Triggered mode – ignored during attack, triggered to attack (without reset) during decay.

The Fast range offers audio rates, primarily for use in Loop mode, while the Slow(er) range offers 
sub-audio rates for more typical Envelope usage.  Note that faster Attack/Decay rates are achieved 

by turning the dials clockwise – this may seem counter-intuitive, but makes more sense if thinking 
of it raising the frequency of an oscillator. 

Fast –

 

Atk 34 mS – 60 μS 

Dcy 50mS – 90 μS 

Slow - 

Atk 3.5 S – 5 mS

Dcy 5 S – 8 mS 

Slower - 

Atk 15 S – 22 mS

Dcy 25 S – 35 mS

Rates can be further expanded downwards by patching a fixed DC voltage (eg. -5V) to any CV input.

Patch Ideas

Oscillator Overtones

 – 

Set Mode to Loop, Range to Fast and feed a VCO to the Gate Input. 

With Attack turned fully clockwise, adjust Decay to hear 'Sync' Waves. Works at LFO rates too.

Sub-Oscillator / Clock-Divide

 – Set Mode to AD, Range to Fast and feed a VCO to the Gate.

With Decay turned fully clockwise, adjust Attack to hear audio sub-divisions. Works at LFO rates.

Envelope Shape Bending – 

By patching the Envelope output back into the CV inputs, you can bend 

the envelope shape into more linear or logarithmic shapes (note - also changes the frequency).

There are no internal adjustment parameters for this module.

Summary of Contents for Synth Voice

Page 1: ...ntroller Powered Frame The system exoskeleton with internal power distribution Patching within the system is free flowing due to the use of stackable 4mm banana cables and standardised signal amplitud...

Page 2: ...bus to individual MTA100 power headers to which the module power cables are connected These system power voltages can be considered as boundaries for signals within the system with the 0 Volt being t...

Page 3: ...the setting of the main Frequency control dial to determine the operating Cutoff Frequency You can think of a Control signal as being an automated knob twiddler and these can work at sub audio or aud...

Page 4: ...ial with positive voltages adding to the main sum and negative voltages subtracting As such A bipolar 5V signal will add and subtract from the master control setting For full control sweep set the mai...

Page 5: ...ds detailed below ensuring that it was externally brought up to suitable 10V P to P amplitude Interfacing with External Systems The Synth Voice can easily talk with other systems or external control d...

Page 6: ...cay phase changes the envelope back into attack phase without resetting to 0V Loop The output continuously oscillates between 0V and 10V Any gate inputs behave like in Triggered mode ignored during at...

Page 7: ...modulation patch the Wave output back into the EFM CV input Waveforms are skewed as positive or inverted modulation is brought in Tri Saw produce Log Exp shapes while Sqr produces different pulse widt...

Page 8: ...P to P 12 k Hz 8V P to P The Sub mode on the left hand section switches in extra filter capacitors to shift the range into sub audio frequencies Low pass corresponds to integration and functions like...

Page 9: ...source can be made by patching the Out to In A and turning the Initial dial up to near full The right hand unit has only one Main Path input again DC coupled but the response can be swept between Line...

Page 10: ...lly be used for audio signals The Output Mixer has three DC coupled inputs which feed two separate summing buses via individual Level controls Both 1 4 outputs are AC coupled and are Impedance Balance...

Page 11: ...tall 3 rack unit and a maximum of 1 65 deep Module Fixing M3 x 10mm Bolt The Frame Chassis and PCB Panels are all connected to Chassis 0V which joins the System 0V by the DCDC converter Thanks to Pal...

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