BugBrand Synth Voice Manual Download Page 9

Dual Amplifier

The basis of the module is a pair of DC-coupled Voltage-

Controlled Amplifiers (or, more accurately, attenuators – 
gain is variable from 0 to +1) each with a form of 

waveshapping which can be switched in to follow each 
VCA. The Initial controls sweep the VCAs from fully closed 

to fully open.

The left-hand unit features a Linear response and two 

Main Path inputs – one full scale (In A) and one with 
attenuator (In B) allowing two inputs to be mixed.

The Fold switch brings in a 4-stage Wavefolder which folds 

the waveform tips back in on themselves as amplitude is 
increased [does not work with squarewaves!] resulting in 

extra harmonics. 

The Fold mode works fine with sub-audio signals and 
folding kicks in around 9 o'clock on the Initial dial. 

Try mixing a sub-audio signal into In B while running an 
audio signal into In A for a width modulation effect. 

A passable white-noise source can be made by patching the 
Out to In A and turning the Initial dial up to near full. 

The right-hand unit has only one Main Path input (again 
DC-coupled), but the response can be swept between 

Linear and Exponential which gives a sharper response from envelope modulation. It also features 
a 2

nd

 unattenuated modulation input.

The Sat(uration) switch brings in an amplification stage with zener limiting at +/-5V. Soft-clipping 

begins to occur after around 9 o'clock on the Initial dial.

A 4 quadrant multiplier (Ring Modulator) can be patched using the two sections combined with the 

DC Mixer. 

Switch both to VCA mode with Initial control set to around mid point

Feed the same signal (carrier) to each side (In A and In)

Feed a bipolar signal (modulator) to the centre CV inputs (CV and CV A) but set them to 
opposing modulation depths (one fully clockwise, one fully anti-clockwise)

Take the two Out signals to the DC Mixer and combine them with one inverted

Tweak the Initial dials to minimise carrier and modulator bleed-through

There are no internal adjustment parameters for this module.

Summary of Contents for Synth Voice

Page 1: ...ntroller Powered Frame The system exoskeleton with internal power distribution Patching within the system is free flowing due to the use of stackable 4mm banana cables and standardised signal amplitud...

Page 2: ...bus to individual MTA100 power headers to which the module power cables are connected These system power voltages can be considered as boundaries for signals within the system with the 0 Volt being t...

Page 3: ...the setting of the main Frequency control dial to determine the operating Cutoff Frequency You can think of a Control signal as being an automated knob twiddler and these can work at sub audio or aud...

Page 4: ...ial with positive voltages adding to the main sum and negative voltages subtracting As such A bipolar 5V signal will add and subtract from the master control setting For full control sweep set the mai...

Page 5: ...ds detailed below ensuring that it was externally brought up to suitable 10V P to P amplitude Interfacing with External Systems The Synth Voice can easily talk with other systems or external control d...

Page 6: ...cay phase changes the envelope back into attack phase without resetting to 0V Loop The output continuously oscillates between 0V and 10V Any gate inputs behave like in Triggered mode ignored during at...

Page 7: ...modulation patch the Wave output back into the EFM CV input Waveforms are skewed as positive or inverted modulation is brought in Tri Saw produce Log Exp shapes while Sqr produces different pulse widt...

Page 8: ...P to P 12 k Hz 8V P to P The Sub mode on the left hand section switches in extra filter capacitors to shift the range into sub audio frequencies Low pass corresponds to integration and functions like...

Page 9: ...source can be made by patching the Out to In A and turning the Initial dial up to near full The right hand unit has only one Main Path input again DC coupled but the response can be swept between Line...

Page 10: ...lly be used for audio signals The Output Mixer has three DC coupled inputs which feed two separate summing buses via individual Level controls Both 1 4 outputs are AC coupled and are Impedance Balance...

Page 11: ...tall 3 rack unit and a maximum of 1 65 deep Module Fixing M3 x 10mm Bolt The Frame Chassis and PCB Panels are all connected to Chassis 0V which joins the System 0V by the DCDC converter Thanks to Pal...

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