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7

XENYX 1204FX/1204 User Manual

Routing switch, solo and channel fader

2.1.4  

PAN

The 

PAN

 control determines the position of the channel 

signal within the stereo image. This control features a 
constant-power characteristic, which means the signal 
is always maintained at a constant level, irrespective of 
position in the stereo panorama.

MUTE/ALT 3-4

You can use the 

MUTE/ALT 3-4

 switch to divert the 

channel from the main mix bus to the Alt 3-4 bus. 
This mutes the channel from the main mix.

MUTE-LED

The 

MUTE

 LED indicates that the relevant channel is 

diverted to the submix (Alt 3-4 bus).

CLIP-LED

The 

CLIP

 LED lights up when the input signal is driven 

too high. In this case, turn down the GAIN control and, 
if necessary, check the setting of the channel EQ.

SOLO

The 

SOLO

 switch (1204FX only) is used to route the channel signal to the solo bus 

(Solo In Place) or to the PFL bus (Pre Fader Listen). This enables you to monitor a 
channel signal without affecting the main output signal. The signal you hear is 
sourced either before (PFL, mono) or after (solo, stereo) both the pan control and 
the channel fader (see chapter 2.3.6 “Level meters and monitoring”).

The channel fader determines the level of the channel signal in the main mix 
(or submix).

Stereo channels

2.2  

Channel inputs

2.2.1  

Each stereo channel has two balanced line level inputs 
on ¼" connectors for left and right channels. If only the 
connector marked “L” is used, the channel operates in 
mono. Stereo channels are designed to handle typical 
line level signals.

Both inputs can also be used with unbalanced jacks.

LEVEL

For level matching, the stereo inputs feature a 

LEVEL

 switch which selects 

b4 dBu and -10 dBV. At -10 dBV (home-recording level), the input is 
more sensitive than at +4 dBu (studio level).

Equalizer stereo channels

2.2.2  

The equalizer of the stereo channels is, of course, stereo. The filter characteristics 
and crossover frequencies are the same as those of the mono channels. A stereo 
equalizer is always preferable to two mono equalizers if frequency correction of a 
stereo signal is needed. There is often a discrepancy between the settings of the 
left and the right channels when using separate equalizers.

Aux sends stereo channels

2.2.3  

In principle, the aux sends of the stereo channels function in just the same way as 
those of the mono channels. As aux send paths are always mono, the signal on a 
stereo channel is first summed to mono before it reaches the aux bus.

Fig. 2.4: Panorama and 
routing controls 

Fig. 2.5: Stereo channel 
inputs and LEVEL switch

Routing switch, solo and channel fader

2.2.4  

BAL

The function of the 

BAL

(ANCE) control corresponds to the PAN control in the 

mono channels.

The balance control determines the relative proportion between the left and 
right input signals before both signals are routed to the main stereo mix bus.

The MUTE/ALT 3-4 switch, the MUTE-LED, the CLIP-LED, the SOLO switch and the 
channel fader function in the same way as the mono channels.

Connector panel and main section

2.3  

Whereas it was useful to trace the signal flow from top to bottom in order to gain 
an understanding of the channel strips, we now look at the mixing console from 
left to right. The signals are, so to speak, collected from the same point on each of 
the channel strips and then routed to the main section all together.

Aux sends 1 and 2 

2.3.1  

A channel signal is routed to aux send bus 1 if the AUX 1 
control is turned up on the corresponding channel.

AUX SEND 1 (MON)

The AUX SEND control 

MON

 acts as master control for 

aux send 1 and determines the level of the summed 
signal. In the 1204FX, the MON control is called 
AUX SEND 1.

AUX SEND 2 (FX)

Similarly, the 

FX

 control (AUX SEND 2) determines the level for aux send 2.

SOLO

You can use the SOLO switch (1204FX only) to separately monitor the aux sends 
via the CONTROL ROOM/PHONES outputs and check these with the level meters.

If you want to monitor the signal of just one AUX bus, none of the other 

◊ 

SOLO SWITCHES should be pressed and the MODE switch must be in the 
SOLO position (not pressed down).

Aux send connectors 1 and 2

2.3.2  

AUX SEND 1

If you use aux send 1 pre-fader, you would usually 
connect the 

AUX SEND 1

 

connector to monitors via a 

power amp (or an active monitor system). If you use 
aux send 1 post-fader, proceed as described under 
aux send 2.

AUX SEND 2

The

 

AUX SEND 2

 connector outputs the signal you 

picked up from the individual channels using the FX control. You can connect this 
to the input of an effects device in order to  process the FX bus signal. Once an 
effects mix is created, the processed signal can then be routed from the effects 
device output back into the STEREO AUX RETURN connectors.

Fig. 2.6: AUX SEND controls 
of the main section

Fig. 2.7: Aux send 
connectors

Summary of Contents for XENYX 1204

Page 1: ...User Manual XENYX 1204FX 1204 Premium 12 Input 2 2 Bus Mixer with Xenyx Mic Preamps British EQs 1204FX 24 Bit Multi FX Processor and USB Audio Interface...

Page 2: ...Shipment 5 1 3 2 Initial operation 5 1 3 3 Online registration 6 2 Control Elements and Connectors 6 2 1 Mono channels 6 2 1 1 Microphone and line inputs 6 2 1 2 Equalizer 6 2 1 3 Aux sends 6 2 1 4 Ro...

Page 3: ...ability for any loss which may be suffered by any person who relies either wholly or in part upon any description photograph or statement contained herein Colors and specifications may vary slightly f...

Page 4: ...p Anyrepairoropeningoftheunitcarriedoutby 7 unauthorizedpersonnel userincluded willvoidthe limitedwarranty IfaninspectionoftheproductbyMUSICGroup 8 showsthatthedefectinquestionisnotcoveredbythe limite...

Page 5: ...tment mixing of effects frequency equalization Signal distribution Summing of signals to the aux sends for effects processing and monitor mix distribution to one or several recording tracks power amp...

Page 6: ...no input channels include a 3 band equalizer All bands provide boost or cut of up to 15 dB In the central position the equalizer is inactive The circuitry of the British EQs is based on the technology...

Page 7: ...ion in just the same way as those of the mono channels As aux send paths are always mono the signal on a stereo channel is first summed to mono before it reaches the aux bus Fig 2 4 Panorama and routi...

Page 8: ...of the effects signal routed to the monitor mix You can easily use the headphones distribution amplifier BEHRINGER POWERPLAY PRO HA4600 HA4700 HA8000 to provide you with four or eight with the HA8000...

Page 9: ...re fader and assigned to the mono PFL bus In the PFL setting only the left side of the peak meter operates Drive the individual channels to the 0 dB mark of the VU meter Solo When the MODE switch is n...

Page 10: ...s to the mixer or the stagebox wallbox Connect the microphones before you switch phantom power on In addition the monitor PA loudspeakers should be muted before activating the phantom power supply Aft...

Page 11: ...ge number of cables for the various connections to and from the console The illustrations below show the wiring of these cables Be sure to use only high grade cables strain relief clamp sleeve ring ti...

Page 12: ...A weighted 150 source resistance 129 dB 130 5 dB A weighted Frequency response 10 Hz 150 kHz 1 dB 10 Hz 200 kHz 3 dB Gain range 10 to 60 dB Max input level 12 dBu 10 dB gain Impedance approx 2 6 k bal...

Page 13: ...el fader Main mix 0 dB 95 dB 97 dB A weighted Channel fader Main Mix 0 dB 82 5 dB 85 dB A weighted Channel fader 0 dB Power supply Mains voltage 100 240 V 50 60 Hz Power consumption 40 W Fuse 100 240...

Page 14: ...that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off a...

Page 15: ...15 XENYX 1204FX 1204 User Manual...

Page 16: ......

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