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10

XENYX 1204FX/1204 User Manual

MAIN OUTPUTS

The 

MAIN

 outputs carry the MAIN MIX signal and are on balanced XLR connectors 

with a nominal level of +4 dBu.

ALT 3-4 OUTPUTS

The 

ALT 3-4

 outputs are unbalanced and carry the signals of the channels that 

you have assigned to this group using the MUTE switch. This can be used to route 
a subgroup to a further mixing console for example, or or it could be used as a 
recording output working in tandem with the main output. This means you could 
record to four tracks simultaneously. The icing on the cake, so to speak, is that 
you could connect Y-cables to these four outputs and then connect your 8-track 
recorder in such a way that you have 2 x 4 tracks (e.g. channel 1 feeds track 1 and 
track 2, etc.). In the first recording pass, you record on tracks 1, 3, 5 and 7 and in 
the second pass, on tracks 2, 4, 6 and 8.

CONTROL ROOM OUTPUTS

The control room output is normally connected to the monitor system in the 
control room and provides the stereo mix or, when required, the solo signal.

Voltage supply, phantom power and fuse

2.4.2  

Fig. 2.15: Voltage supply and fuse

FUSE HOLDER

The console is connected to the mains via the cable supplied which meets the 
required safety standards. Blown fuses must only be replaced by fuses of the 
same type and rating.

IEC MAINS RECEPTACLE

The mains connection is via a cable with IEC mains connector. An appropriate 
mains cable is supplied with the equipment.

POWER 

Use the 

POWER

 switch to power up the mixing console.

PHANTOM

The 

PHANTOM 

switch activates the phantom power supply for the XLR 

connectors of the mono channels which is required to operate condenser 
microphones. The red 

+48 V

 LED lights up when phantom power is on. As a 

rule, dynamic  microphones can still be used with phantom power switched 
on, provided that they are wired in a balanced configuration. In case of doubt, 
contact  the microphone manufacturer!

After the phantom power supply has been switched on, do not connect 

◊ 

microphones to the mixer (or the stagebox/wallbox). Connect the 
microphones before you switch phantom power on. In addition, 
the monitor/PA loudspeakers should be muted before activating the 
phantom power supply. After switching on, wait approx. one minute to 
allow the system to stabilize.

Caution! You must never use unbalanced XLR connectors (PIN 1 and 3 

◊ 

connected) on the MIC input connectors if you want to use the phantom 
power supply.

SERIAL NUMBER

Please note the important information on the serial number given in 
chapter 1.3.3.

Digital Effects Processor

3.  

Fig. 3.1: Digital effects module (only 1204FX)

24-BIT MULTI-EFFECTS PROCESSOR

Here you can find a list of all presets stored in the multi-effects processor. 
This built-in effects module produces high-grade standard effects such as 
reverb, chorus, flanger, delay and various combination effects. The integrated 
effects module has the advantage of requiring no wiring. This way, the danger 
of creating ground loops or uneven signal levels is eliminated at the outset, 
completely simplifying the handling.

These effect presets are designed to be added to dry signals. If you move the 
FX TO MAIN control, you mix the channel signal (dry) and the effect signal.

This also goes for mixing effects signals with the monitor mix. The main 
difference is that the mix ratio is adjusted using the FX TO MON control. Of course, 
a signal has to be fed into the effects processor via the FX control in the channel 
strip for both applications.

On the following page, you will find an illustration showing how to 

◊ 

connect your foot switch correctly.

LEVEL

The LED level meter on the effects module should display a sufficiently high 
level. Take care to ensure that the clip LED only lights up at peak levels. If it is 
lit constantly, you are overloading the effects processor and this could cause 
unpleasant distortion. The FX control (AUX SEND 2) determines the level that 
reaches the effects module.

PROGRAM

You can select the effect preset by turning the 

PROGRAM

 control. The display 

flashes the number of the current preset. To recall the selected preset, press the 
button; the flashing stops. You can also recall the selected preset with the 
foot switch.

Summary of Contents for XENYX 1204

Page 1: ...User Manual XENYX 1204FX 1204 Premium 12 Input 2 2 Bus Mixer with Xenyx Mic Preamps British EQs 1204FX 24 Bit Multi FX Processor and USB Audio Interface...

Page 2: ...Shipment 5 1 3 2 Initial operation 5 1 3 3 Online registration 6 2 Control Elements and Connectors 6 2 1 Mono channels 6 2 1 1 Microphone and line inputs 6 2 1 2 Equalizer 6 2 1 3 Aux sends 6 2 1 4 Ro...

Page 3: ...ability for any loss which may be suffered by any person who relies either wholly or in part upon any description photograph or statement contained herein Colors and specifications may vary slightly f...

Page 4: ...p Anyrepairoropeningoftheunitcarriedoutby 7 unauthorizedpersonnel userincluded willvoidthe limitedwarranty IfaninspectionoftheproductbyMUSICGroup 8 showsthatthedefectinquestionisnotcoveredbythe limite...

Page 5: ...tment mixing of effects frequency equalization Signal distribution Summing of signals to the aux sends for effects processing and monitor mix distribution to one or several recording tracks power amp...

Page 6: ...no input channels include a 3 band equalizer All bands provide boost or cut of up to 15 dB In the central position the equalizer is inactive The circuitry of the British EQs is based on the technology...

Page 7: ...ion in just the same way as those of the mono channels As aux send paths are always mono the signal on a stereo channel is first summed to mono before it reaches the aux bus Fig 2 4 Panorama and routi...

Page 8: ...of the effects signal routed to the monitor mix You can easily use the headphones distribution amplifier BEHRINGER POWERPLAY PRO HA4600 HA4700 HA8000 to provide you with four or eight with the HA8000...

Page 9: ...re fader and assigned to the mono PFL bus In the PFL setting only the left side of the peak meter operates Drive the individual channels to the 0 dB mark of the VU meter Solo When the MODE switch is n...

Page 10: ...s to the mixer or the stagebox wallbox Connect the microphones before you switch phantom power on In addition the monitor PA loudspeakers should be muted before activating the phantom power supply Aft...

Page 11: ...ge number of cables for the various connections to and from the console The illustrations below show the wiring of these cables Be sure to use only high grade cables strain relief clamp sleeve ring ti...

Page 12: ...A weighted 150 source resistance 129 dB 130 5 dB A weighted Frequency response 10 Hz 150 kHz 1 dB 10 Hz 200 kHz 3 dB Gain range 10 to 60 dB Max input level 12 dBu 10 dB gain Impedance approx 2 6 k bal...

Page 13: ...el fader Main mix 0 dB 95 dB 97 dB A weighted Channel fader Main Mix 0 dB 82 5 dB 85 dB A weighted Channel fader 0 dB Power supply Mains voltage 100 240 V 50 60 Hz Power consumption 40 W Fuse 100 240...

Page 14: ...that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off a...

Page 15: ...15 XENYX 1204FX 1204 User Manual...

Page 16: ......

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