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12

XENYX 1204FX/1204 User Manual

strain relief clamp

sleeve

ring

tip

sleeve

ground/shield

For connection of balanced and unbalanced plugs,
ring and sleeve have to be bridged at the stereo plug.

Balanced ¼" TRS connector

ring

cold (-ve)

tip

hot (+ve)

Fig. 4.4: ¼" TRS connector

strain relief clamp

sleeve

ring

tip

sleeve

ground/shield

¼" TRS headphones connector

ring

right signal

tip

left signal

Fig. 4.5: ¼" TRS connector for headphones

Specifications

5.  

Mono Inputs

Microphone inputs (XENYX Mic Preamp)

Type 

XLR, electronically balanced,  
discrete input circuit

Mic E.I.N. (20 Hz - 20 kHz)

@ 0 Ω source resistance 

-134 dB / 135.7 dB A-weighted

@ 50 Ω source resistance  -131 dB / 133.3 dB A-weighted

@ 150 Ω source resistance  -129 dB / 130.5 dB A-weighted

Frequency response 

<10 Hz - 150 kHz (-1 dB), 
<10 Hz - 200 kHz (-3 dB)

Gain range 

+10 to +60 dB

Max. input level 

+12 dBu @ +10 dB gain

Impedance 

approx. 2.6 kΩ balanced

Signal-to-noise ratio 

110 dB / 112 dB A-weighted  
(0 dBu In @ +22 dB gain)

Distortion (THD+N)

 

0.005% / 0.004% A-weighted

Line input

Type 

¼

" TRS connector electronically balanced

Impedance 

approx. 20 kΩ balanced 
10 kΩ unbalanced

Gain range 

-10 to +40 dB

Max. input level 

30 dBu 

Fade-out attenuation

1

 

(Crosstalk attenuation)

Main fader closed 

90 dB

Channel muted 

89.5 dB

Channel fader closed 

89 dB

Frequency Response

Microphone input to main out

<10 Hz - 90 kHz 

+0 dB / -1 dB

<10 Hz - 160 kHz 

+0 dB / -3 dB

Stereo inputs

Type 

¼

" TRS connector, electronically balanced

Impedance 

approx. 20 kΩ 

Max. input level 

+22 dBu 

EQ mono channels

Low 

80 Hz / ±15 dB

Mid 

2.5 kHz / ±15 dB

High 

12 kHz / ±15 dB

Summary of Contents for XENYX 1204

Page 1: ...User Manual XENYX 1204FX 1204 Premium 12 Input 2 2 Bus Mixer with Xenyx Mic Preamps British EQs 1204FX 24 Bit Multi FX Processor and USB Audio Interface...

Page 2: ...Shipment 5 1 3 2 Initial operation 5 1 3 3 Online registration 6 2 Control Elements and Connectors 6 2 1 Mono channels 6 2 1 1 Microphone and line inputs 6 2 1 2 Equalizer 6 2 1 3 Aux sends 6 2 1 4 Ro...

Page 3: ...ability for any loss which may be suffered by any person who relies either wholly or in part upon any description photograph or statement contained herein Colors and specifications may vary slightly f...

Page 4: ...p Anyrepairoropeningoftheunitcarriedoutby 7 unauthorizedpersonnel userincluded willvoidthe limitedwarranty IfaninspectionoftheproductbyMUSICGroup 8 showsthatthedefectinquestionisnotcoveredbythe limite...

Page 5: ...tment mixing of effects frequency equalization Signal distribution Summing of signals to the aux sends for effects processing and monitor mix distribution to one or several recording tracks power amp...

Page 6: ...no input channels include a 3 band equalizer All bands provide boost or cut of up to 15 dB In the central position the equalizer is inactive The circuitry of the British EQs is based on the technology...

Page 7: ...ion in just the same way as those of the mono channels As aux send paths are always mono the signal on a stereo channel is first summed to mono before it reaches the aux bus Fig 2 4 Panorama and routi...

Page 8: ...of the effects signal routed to the monitor mix You can easily use the headphones distribution amplifier BEHRINGER POWERPLAY PRO HA4600 HA4700 HA8000 to provide you with four or eight with the HA8000...

Page 9: ...re fader and assigned to the mono PFL bus In the PFL setting only the left side of the peak meter operates Drive the individual channels to the 0 dB mark of the VU meter Solo When the MODE switch is n...

Page 10: ...s to the mixer or the stagebox wallbox Connect the microphones before you switch phantom power on In addition the monitor PA loudspeakers should be muted before activating the phantom power supply Aft...

Page 11: ...ge number of cables for the various connections to and from the console The illustrations below show the wiring of these cables Be sure to use only high grade cables strain relief clamp sleeve ring ti...

Page 12: ...A weighted 150 source resistance 129 dB 130 5 dB A weighted Frequency response 10 Hz 150 kHz 1 dB 10 Hz 200 kHz 3 dB Gain range 10 to 60 dB Max input level 12 dBu 10 dB gain Impedance approx 2 6 k bal...

Page 13: ...el fader Main mix 0 dB 95 dB 97 dB A weighted Channel fader Main Mix 0 dB 82 5 dB 85 dB A weighted Channel fader 0 dB Power supply Mains voltage 100 240 V 50 60 Hz Power consumption 40 W Fuse 100 240...

Page 14: ...that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off a...

Page 15: ...15 XENYX 1204FX 1204 User Manual...

Page 16: ......

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