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15

INTELLIGATE XR2000

THRESHOLD control

Now adjust the THRESHOLD control anticlockwise, until the softest hit on the percussion instrument triggers
the Expander so that the desired signal will pass unaffected. Triggering of the Expander will be monitored by
the flash of the ABOVE LED. If you have correctly adjusted the unit, you will hear the instrument clearly stand
out from the programme material.

ATTACK control

Most instruments are characterized by their typical initial profile. For example, instruments like piano, guitar,
cymbals etc. are recognized by their short attack and particulary long release time.

Increasing the attack time changes the envelope, especially on percussive instruments, whereby hard sounds
generally become softer.

Special attention should be paid to fast attack times! Especially with low frequency signals, such as bass
drum and bass guitar etc. Extreme fast attack times can lead to switching noise (“clicks”). This effect will not
be produced by the control feedthrough of the INTELLIGATE, but by the abrupt cut into the signal’s waveform
above or below the zero crossing point. A slight prolongation of the attack time or a decrease in the ratio will
help you to avoid this side effect.

HOLD control

Programme material (e.g. speech or vocal recordings) often contains short pauses which can lead to continuous
triggering of the expander. The hold function prevents premature shutdown which is a problem with conventional
gates, by delaying the release process. The result is, that the expander remains active during these short
pauses. After the period of the adjusted hold time, the expander closes the audio channel dependent on the
release function.

RELEASE control

Most percussion instruments have a longer decay time (e.g. the decay of cymbals). By adjusting the release
time, this function offers the ability to follow the fade out of the instrument, in order to maintain the entire
character of the sound. In this way you can prevent a too short release time from affecting the natural decay
and the additional ambient sound of the instrument.

For signals with long durations or signals with heavy ambience, it is advantageous, to choose long release
times. You will find, that a fast release time is more preferable for accustic separation of most percussive
sounds, whilst cymbals and tom toms normally benefit from slower release times.

If the controls are set correctly, the drum sounds will be “dry”, “sharp” and clearly defined.

RANGE control

The RANGE control defines the amount of maximum attenuation of the audio signal. For instruments with
longer decay times, it is advantageous to adjust the RANGE control to a mid position, in order not to cut off the
signal completely. Although the INTELLIGATE allows for a maximum attenuation of 100 dB, generally it is not
useful to attenuate a signal by this value. With noisy signals in particular, it is recommended to limit the
attenuation by a value of 10 to 20 dB, in order not to let the onset of the expander become too noticeable.

3.1.2 The EXPANDER function

In contrast to the gate function, the expander function is based on gradual attenuation, as soon as the signal
falls below the threshold level.

RATIO control

With this control, you determine whether the INTELLIGATE functions as a gate or an expander. If for instance,
a music programme has been heavily compressed during recording, the lost dynamics can be subsequently
restored by a complimentary expansion. With some “finger-tip-feeling”, the following controls can be adjusted
by ear, so that original dynamics can be restored.

It is recommended to adjust the RATIO control to values of about 1.2:1 to 1.6:1 in order to achieve a gentle
expansion and to adjust the THRESHOLD control, so, that the entire dynamic range of the music lies below
the threshold. Adjust the THRESHOLD control in this manner, so that only the loudest passages exceed the
threshold. This can be monitored by the flashing ABOVE LED. This will now result in a downward expansion,
which is only restricted by the adjustment of the RANGE control. It is recommended to adjust the RANGE
control to values of about 20 to 30 dB.

3. APPLICATIONS

Summary of Contents for Intelligate XR2000

Page 1: ...Version 1 2 January 2001 INTELLIGATE XR2000 www behringer com User s Manual ENGLISH...

Page 2: ...w of air through the ventilation openings Heat The appliance should be situated away from heat sources such as radiators heat registers stoves or other appliances including amplifiers that produce hea...

Page 3: ...ost important member of the BEHRINGER team With your highly competent suggestions for new products you ve greatly contributed to shaping our company and making it successful In return we guarantee you...

Page 4: ...uation control in Gate mode V Independent hold release controls for any envelope shaping V Key listen facility for monitoring the filter section V High performance Class A VCA s V Ultra low noise 4580...

Page 5: ...Controlling leakage in the studio 16 3 4 2 Reducing leakage in stage mics 17 3 4 3 Reducing feedback in stage mics 17 3 4 4 Noise reduction on effects paths 17 3 5 Using the INTELLIGATE to change the...

Page 6: ...o fade noise out of complex programme material the unit would inadvertently create undesirable side effects To eliminate this problem one would use an additional expander which would create a continuo...

Page 7: ...disable the ground connector of the unit or of the AC power cable As standard the BEHRINGER INTELLIGATE is installed with electronically servo balanced inputs and outputs The new circuit design featur...

Page 8: ...the time taken for the gain to be reduced to a value set by the RANGE control When in the Ducker mode this control adjusts the rate of recovery to unity gain after the hold cycle is complete The cont...

Page 9: ...ve channel is disabled When this function is active a visual indication will be provided by the switches LED 16 When activated the KEY EXT switch severes the connection between the audio input and the...

Page 10: ...rve so that the signal continually fades Noice gates however can be seen as a special type of expander They normally work with a more exaggerated ratio and radically attenuate the signal if it falls b...

Page 11: ...extremely quick attack time is necessary for very fast transients e g for handclaps or percussive instruments so that the expander does not loose the initial transients and affect the sound The new UT...

Page 12: ...GATE The ratio curve characteristic automatically adapts itself dependent on programme material At lower ratios with reducing expansion the transition is gentle whereas higher ratios and increasing ex...

Page 13: ...d right signals vary When the COUPLE switch is engaged the INTELLIGATE functions in stereo mode whereby the left channel takes over the control of both channels so that the control voltage in channel...

Page 14: ...the function of each control is understood you will find your own applications 3 1 1 The gating function Gating is a so called high ratio expander function and is the simplest function of the BEHRING...

Page 15: ...ort release time from affecting the natural decay and the additional ambient sound of the instrument For signals with long durations or signals with heavy ambience it is advantageous to choose long re...

Page 16: ...uency selective expansion Sometimes it is necessary to prevent the expander from responding to low frequencies rumbles etc especially if a singer is moving the microphone around on a mic stand Besides...

Page 17: ...The aim is to set up the expander and to position the group mics so that each strike on an instrument opens a specific mic and only that instrument is recorded whilst the other mics remain muted 3 4...

Page 18: ...levels which can sometimes cause an otherwise normal and undistorted voice to sound very harsh shrill and sometimes unintelligible In order to reduce the problem associated with sibilance a ducker can...

Page 19: ...vious chapter This will result in ducking of the selected frequencies and thus a decrease in the gain of the programme material 4 2 2 Suppressing instruments during recording Another function of the B...

Page 20: ...ed to the KEY SEND output and the KEY RETURN input now receives the new control signal which is derived from an inserted effects processor 5 2 Using an equalizer in the sidechain path It is very commo...

Page 21: ...c signal has reached its normal level 6 Adjust the RANGE control of channel 1 about mid position With this control you adjust the range of the voice over function We recommend a starting point of abou...

Page 22: ...expansion using the INTELLIGATE 5 5 Triggering additional sounds from a rhythm track This technique is used to give a rhythm track more punch For this purpose the Expander section of the INTELLIGATE i...

Page 23: ...ly to export models exclusively designed e g for 115 V operation Please use the enclosed power cord to connect the unit to the mains The cord complies with all applicable safety standards 6 2 Audio co...

Page 24: ...DC de coupled unbalanced input Impedance 20 kOhms Max Input Level 20 dBu KEY OUTPUT Type DC de coupled unbalanced output Impedance 150 Ohms Max Output Level 20 dBu KEY FILTER SECTION Low Cut variable...

Page 25: ...V 50 Hz General Export Model 100 120 V 200 240 V 50 60 Hz Power Consumption max 15 Watts Fuse 100 120 V T 320 mA H 200 240 V T 160 mA H Mains Connection Standard IEC receptacle PHYSICAL Dimensions ap...

Page 26: ...days of receipt of the product at BEHRINGER 2 If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a national or local level in any countr...

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