Glossary
GLOSSARY
The process of transferring 24-frames/sec film format into video by repeating each frame (used for PAL DVD’s) as two video fields.
( AD )
Method used to map the 24 fps of film onto the 30 fps (60 fields) or 25 fps (50 fields), so that one film frame occupies three video
fields, the next two, etc. It means the two fields of every other video frame come from different film frames making operations
such as rotoscoping impossible, and requiring care in editing. Some sophisticated equipment can unravel the 3:2 sequence to
allow frame-by-frame treatment and subsequently re-compose 3:2. The 3:2 sequence repeats every five video frames and four film
frames, the latter identified as A-D. Only film frame A is fully on a video frame and so exists at one time code only, making it the
editable point of the video sequence.
Automatic Gain Control: allows an automatic amplitude (gain) control of the incoming video signal
ANSI 73.11
American power plug to connect the power cord to the wall outlet.
Undesirable elements or defects in a video picture. These may occur naturally in the video process and must be eliminated in
order to achieve a high-quality picture. Most common in analog are cross color and cross luminance. Most common in digital are
macroblocks, which resemble pixelation of the video image.
CEE7
European power plug to connect the power cord to the wall outlet.
The color component of a video signal that includes information about tint and saturation.
A color space is a mathematical representation for a color. For example, the RGB color space is based on a Cartesian coordinate
system.
In Component Video the term component describes a number of elements that are needed to make up the video picture, these
components are PR/Y/PB. A composite video signal on the other hand contains all the information needed for the color picture in a
single channel of information
The digital video connectivity standard that was developed by DDWG (Digital Display Work Group). This connection standard offers
two different connectors: one with 24 pins that handles digital video signals only, and one with 29 pins that handles both digital
and analog video. This standard uses TMDS (Transition Minimized Differential Signal) from Silicon Image and DDC (Display Data
Channel) from VESA (Video Electronics Standards Association).
DVI can be single or dual link.
The component of a video signal that includes information about its brightness.
R5976697 CINEVERSUM™ 110 12/05/2004
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Summary of Contents for CineVERSUM 110
Page 1: ...CineVERSUM 110 Owner s Manual R9010120 R5976697 01 12 05 2004 ...
Page 4: ......
Page 8: ...Table of contents 4 R5976697 CINEVERSUM 110 12 05 2004 ...
Page 23: ...2 Installation Guidelines Image 2 11 Battery removal R5976697 CINEVERSUM 110 12 05 2004 19 ...
Page 24: ...2 Installation Guidelines 20 R5976697 CINEVERSUM 110 12 05 2004 ...
Page 36: ...3 Connections 32 R5976697 CINEVERSUM 110 12 05 2004 ...
Page 48: ...4 Getting Started 44 R5976697 CINEVERSUM 110 12 05 2004 ...
Page 52: ...5 Getting used with the Menu structure 48 R5976697 CINEVERSUM 110 12 05 2004 ...
Page 58: ...6 Source Selection 54 R5976697 CINEVERSUM 110 12 05 2004 ...
Page 62: ...7 General Menu 58 R5976697 CINEVERSUM 110 12 05 2004 ...
Page 88: ...8 Image Menu 84 R5976697 CINEVERSUM 110 12 05 2004 ...
Page 98: ...9 Tools Menu 94 R5976697 CINEVERSUM 110 12 05 2004 ...
Page 116: ...12 Image Files Menu 112 R5976697 CINEVERSUM 110 12 05 2004 ...
Page 124: ...13 Display Setup 120 R5976697 CINEVERSUM 110 12 05 2004 ...
Page 133: ...14 Installation menu Image 14 21 R5976697 CINEVERSUM 110 12 05 2004 129 ...
Page 134: ...14 Installation menu 130 R5976697 CINEVERSUM 110 12 05 2004 ...
Page 146: ...A Standard Image Files 142 R5976697 CINEVERSUM 110 12 05 2004 ...
Page 152: ...Index 148 R5976697 CINEVERSUM 110 12 05 2004 ...