The preset area of banks 0 – 3 contains the same patches as A – d.
ZNR for some patches is "OFF" at the artist's request.
We recommend you to adjust the Noise Reduction parameter according
to your guitars, amps and recording or performance situation.
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•
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Manufacturer names and product names mentioned in this patch list are trademarks or
registeredtrademarks of their respective owners and do not indicate any affiliation with
ZOOM CORPORATION. Allproduct and artist names are intended only to illustrate sonic
characteristics that were used as referencein the development of this product.
www.myspace.com/michaelamott
www.archenemy.net
www.myspace.com/archenemy
www.myspace.com/spiritualbeggars
www.myspace.com/carcass
PATCH LIST
PATCH LIST
Crystal clean sound based on Z CLEAN with chorus and delay. Good for arpeggio
playing.
ZOOM's original hard overdrive sound. Overdrive boost with compression.
A combination of ADA MP1 and Marshall JCM800.
ZOOM's original high gain sound. Rich depth in the mids and lows. Great for 80's
metal.
ZOOM's original high gain sound. Great for 7 strings or drop tuned guitar. Great
progressive metal sound.
Well balanced tuning of ZOOM's original high gain sound. Sharp and cutting.
Modified VOX AC30 crunch sound. Responds well to the guitar's volume knob.
ZOOM's classic lead sound with strong mid-boost and long sustain.
Super saturated distortion sound. Full and smooth.
Acoustic guitar simulator. Sounds best with single coil pickups in the neck position.
FdComp
FullVx
TexasMan
BgLead
HwClean
McCrunch
MdRhythm
PvRhythm
DzRhythm
BdRhythm
0
1
2
3
4
5
6
7
8
9
FatOd
TsDrive
GvDrive
dist+
DS1
RAT
FatFace
MuffDrv
M World
HOT DRV
0
1
2
3
4
5
6
7
8
9
Z CLEAN
Z WILD
Z MP1
Z BOTTOM
Z DREAM
Z SCREAM
Z NEOS
LEAD
EXT DS
ACOSIM
0
1
2
3
4
5
6
7
8
9
0
1
2
3
4
5
6
7
8
9
PATCH NAME
COMMENT
E
F
C
G
PATCH NAME
COMMENT
H
I
G1u-PatchList-E-1
Comprs
Auto Wah
Booster
Tremolo
Ring Mod
Slow
PDLWah 1
PDLWah 2
Octave
Chorus
0
1
2
3
4
5
6
7
8
9
Ensemble
Flanger
Step
PitchSFT
MN Pitch
H.P.S
Vibrato
PitchBND
Air
Phaser
0
1
2
3
4
5
6
7
8
9
Delay
TapeEcho
AnalgDLY
PP Delay
Reverse
Hall
Room
Spring
Arena
TileRoom
0
1
2
3
4
5
6
7
8
9
Fender Twin Reverb and compressor. Great for clean funk rhythm playing.
Overdriven Vox AC30 with room reverb. The reverb adds a unique closed back like
sound.
Texas blues sound of a Fender Bassman on 10. The sound responds to the guitar's
volume knob. Great for blues.
MESA/BOOGIE MKIII drive sound. Great for sustained leads.
Fat clean sound of HIWATT CUSTOM 100. Great rock clean sound.
Marshall 1959 classic crunch sound.
Marshall JCM2000 rhythm sound. Heavy, but still classic Marshall sound.
Peavey 5150 rhythm sound. Great for metal rhythm.
Diezel Herbert heavy rhythm sound. Great for tuned down guitars.
MESA/BOOGIE Rectifier rhythm sound. Great for the progressive metal.
Adjustable delay.
Echo effect that simulates tape delay.
Simulated analog delay.
Ping Pong delay. Stereo output switches delay between left and right.
Reverse delay creating a backwards effect.
Concert hall reverb. Size controlled by Decay.
Room reverb. Natural sounding of a large room.
Spring reverb. Simulation of reverbs built into guitar amplifiers.
Huge reverb creating a large concert hall or arena effect.
Tiled wall reverb. Loud with lots of decay.
Chorus ensemble. Natural and transparent great for clean arpeggios.
Short feedback delay, sweeping flanger pedal.
Adjustable step phaser. Effective with or without distortion.
Pitch shifter up or down to create 12 string guitar effect.
Mono pitch shifter for single note playing.
Harmonized pitch shifter set to the key of C major.
Automatic Vibrato sound.
Pitch bend. Use the optional FP02 expression pedal to control the amount of bend.
Reverb creating an light spatial open effect.
Versatile phaser with four types to choose from.
Natural overdriven sound using OD-1 and EQ. Great for both lead and rhythm.
Tube Screamer overdriven sound. Great for blues to rock.
Guv'nor pedal hard rock sound.
MXR dis drive sound.
DS-1 pedal sound modded with some extra low end.
RAT pedal long sustained lead sound.
FUZZ FACE with added some low end.
BIG MUFF high gain sound.
Classic Metal Zone shred sound.
Mild drive sound made by a tube saturation feel. Even though it is hard driving but
still has a strong core in the sound.
J
Single knob compressor. Turn up the sensitivity for that pumping effect.
Auto Wah. Set sensitivity to work with rhythm or lead lines.
Bright booster with punch and edge.
Rich versatile tremolo for all styles.
Ring Modulator highlighting various harmonics.
Slow Attack creating the effect of using a volume pedal. Works well with full chords
or lead.
Vox Wah. Use the optional FP02 expression pedal to control.
Cry Wah. Use the optional FP02 expression pedal to control.
Octave divider. Produces original note and one octave lower simultaneously.
Chorus. Warm, rich and appropriate for all styles.
Day Tripper intro style sound. VOX sound works with both single coil or humbuck-
ing pickups.
The "Jimi" style fuzz sound. The pitch shifter adds an octave up to emulate an
Octavia.
Early Page "Zep style" recording sound. Bright and crunchy.
"Layla" style sound. Fender crunch, great with single coil pickups.
"Paranoid" style sound.
"Machine Head" style sound.
Uses the Z NEOS drive to make a May, "Queen" style sound.
"Led Boots" intro style sound. Nice, warm echoes.
"Room 335" style sound. Sustained lead sound with a little bit of delay.
Early "EVH" style sound using Marshall 1959. Sounds best with humbucking
pickups.
LiverPL
JimiFuzz
ZepStd
EC LEAD
Iomizm
RitchStd
BrianDrv
JB Boots
335 Solo
EVH1959
0
1
2
3
4
5
6
7
8
9
