Yamaha CS1X Скачать руководство пользователя страница 8

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used for Performance layers. Now try to find a voice that
works with the sound just set for Layer 1. You have just found
the basis for your first sound creation!

The more alert readers among you may have noticed the

mention of bank Pre 12 in the last X-PERIMENT. This little
riddle is easily solved by looking at the DATA LIST on page
14. Here you will find a further 6 Material Voices as  drum
kits
, which can be found in Performances 128 to 128. These
drum sounds are discussed in detail in section “Techno/
Dance Productions with the CS1x

”.

All the Voices shown in the DATA LIST (pages 12 – 14) can

also be used for Multi Parts 5-16 in the Performance mode
(in addition to the XG voices and drum kits). There they can
be selected using Bank/Program changes. More about this in
chapter “Song Production – the Basics”, which also looks at
the somewhat neglected XG Voices in greater detail.

Performance Storage 
and Management

You can transfer single Performances or complete Perfor-

mance Banks from the CS1x to any computer, be it a PC,
Atari or MAC, and vice versa with the aid of a Bulk Dump.
This allows you to save this sound data to floppy or hard disk.
The same thing can be achieved with MIDI Data Recorders
(as described in the manual) like. the MDF2. If desired you
can keep an archive of CS1x Performances. If you have little
or no experience in this field, we recommend you read this
section carefully. First we would like to take a look at trans-
ferring all USER Performances and UTILITY settings
 to
the computer and then back to the CS1x.

PERIMENT:

Call up UTILITY – BULK DUMP and dial-up function “Bulk

Dump All”. The following sequencer settings are required:
MIDI Thru off, SysEx on, a slow tempo (around 80 bpm).
Now start recording, wait for the count-in to finish and then
start the transmission by choosing YES at the CS1x. Stop
the sequencer as soon as it finishes receiving data, and save
the newly recorded track, which now contains a long list of
Sys-Ex blocks, to a floppy or a hard disk.

Transmitting the data back is just as easy. Warning: don‘t

let yourself be irritated by the note about “Bulk Dump
Receive
” in the manual (page 42). This function, or one like
it, simply isn‘t available on your CS1x! Data transmission is
instead achieved simply by playing back the recorded
sequencer track. You are not even required to set anything up
on the CS1x. By the way, the display should confirm the
incoming data with a “Receiving” message.

If you want to continue with the X-PERIMENT, load files

TUTORIAL.MID

 (from the TUTORIAL DISK), CSUSER.MID,

and CSEXTRA.MID (from the “BLUE X-TRA” disk”) and send
the respective banks to the CS1x.

Now that you have transferred various banks to the CS1x,

you may wonder how Performances based on different banks
can be combined. Simple: use the UTILITY function “Bulk
Dump 1 Perf
”!

PERIMENT:

Let‘s say you want to copy Performance 001 “Pf Wurlitza”

from the Extra bank to the User bank. First of all send the
Extra bank as described above (“CSEXTRA.MID”) complete
from the sequencer to the CS1x. Select memory location
USER 001. Now call up UTILITY – BULK DUMP – “1 Perf”,

start recording a new sequencer track (set this up as in the
previous X-PERIMENT) and press YES. Follow this by send-
ing the complete USER bank (“CSUSER.MID”) to the CS1x.
Finally, play back the earlier recorded Bulk Dump for the
Extra Performance “Pf. Wurlitza”. The sound is now initially
held in the working memory of the CS1x, and can now be
saved to the USER memory of your choice using STORE.

It should now be clear how single Performances are man-

aged. As a rule of thumb however you will want to transmit
one bank‘s several Performances into another. For this we
would recommend you first send all the required Perfor-
mances separately to the sequencer (1 track per sound!).
Next transfer the target bank; now you can finally transmit
the required Performances back to the CS1x, one by one.
Remember however to STORE each Performance as it
arrives, otherwise each transmitted Performance would
simply overwrite the last held in the temporary work space of
the CS1x. And it goes without saying of course that when
finished you should send your newly created bank com-
pletely to the sequencer using “Bulk Dump All”, and there
save it to floppy or hard disk.

Содержание CS1X

Страница 1: ......

Страница 2: ...ed to help fully exploit all the possibilities the CS1x has to offer We would also like to thank YAMAHA Corporation Japan SY Division for their support in realising the BLUE BOOK We are convinced that...

Страница 3: ...ider the BLUE BOOK as a guide to your practical work It is possible to learn about the underlying foundations of CS1x sound and song programming from the ground up so to speak We have prepared many ex...

Страница 4: ...ces 25 Pulling out all the Stops 26 Song Production An Easy Start Songs in Performance Mode Six steps to success 27 The traditional approach Multi settings at the machine 28 Song Production The Basics...

Страница 5: ......

Страница 6: ...g sounds don t panic here too the CS1x is at home After all it contains all the GM XG sounds If you have not yet come across these sounds why not press the MULTI key You can now try out the most impor...

Страница 7: ...a SMF EXTRAPF MID and then transfer it to the CS1x see Sound Overview in the Appendix If necessary consult section Performance Bulk Dump A Performance is made up of four Layers You can assign two ent...

Страница 8: ...back is just as easy Warning don t let yourself be irritated by the note about Bulk Dump Receive in the manual page 42 This function or one like it simply isn t available on your CS1x Data transmissi...

Страница 9: ...8...

Страница 10: ...ting in a some what fl at sound Now change the fi rst VCOs Detune setting to a negative value and the second to a positive one say 2 00 and 2 00 Feel free to experiment with other values Notice how th...

Страница 11: ...here where fi ltering can affect the perceived stability of your sound Of course you may also use resonance with the fi lter wide open The following exam ple will illustrate how and when resonance may...

Страница 12: ...n this particular kingdom a synthesizer rules alone Therefore feel free to sculpt your amplitude envelopes any which way you want Occasionally all that s required is to soften a sound s initial attack...

Страница 13: ...y uses beyond the obvious lead sounds or imaginative sound collages An LFO with a square waveform can also be used to generate little sequencer like phrases such as fi fth or whole octave pitch jumps...

Страница 14: ...0 will dem onstrate this nicely Pay particular attention to the Porta mento differences in the Poly and Mono modes Try varying the Portamento speed and observe how the CS1x reacts A little time and ef...

Страница 15: ...a great help especially with the Multi mode s tricky effect assign ment E The next example will show just how and when the Amplitude LFO can be applied it doesn t always have to involve synth sounds...

Страница 16: ...ynamics or rhythm The second function is all about tempo If you want to use the Arpeggiator with a drum machine or sequencer and wish to be able to react to any tempo changes or drifting set this to M...

Страница 17: ...s been reached all the other Arpeggio types in the last X PERIMENT did This results in an unwanted shifting i e the Arpeggio s root note doesn t always fall exactly on the correct beat The following N...

Страница 18: ...s during the fi rst four beats then drops during the second half at the same rate This is due to the Arpeggio Type Techno A The CS1x however boasts a second type SweepLine here too the Arpeggio automa...

Страница 19: ...t So why not use the Arpeggiator to create an unusual effect A M P L E The following fi ve Performances really should convince you that this subject is seriously worth looking into So dial up the fi r...

Страница 20: ...The Performances TP083 084 are really quite traditional With the fi rst you will hear a two bar Clavinet sequence You should keep your triggering chords held down for at least four beats on account o...

Страница 21: ...note one after the other and listen to the gradual build up of a com plete drum kit groove We actually use this rhythm for the fi rst Arpeggiator Demo Trying out several variations should pay off too...

Страница 22: ...e ASSIGN CTRL NO and press one of the Scene switches Now use the Up Down knob to fi nd the Foot Ctrl setting and you re done So what can be done with this Well let s say you have programmed a high Res...

Страница 23: ...following example might give a pos sible answer to this question A M P L E You have selected Performance TP097 This is a classic lead sound which thanks to Scene morphing can be played very expressive...

Страница 24: ...ve to carefully choose delay times that match the song tempo In practice you will end up having to re eval uate the Delay times constantly This little formula makes the process a lot easier This resul...

Страница 25: ...course you can also use this effect simply as an additional LFO G Rotary Speaker The Rotary Speaker Leslie effect is based on the Doppler effect It is primarily used to liven up organ sounds through t...

Страница 26: ...keyboard a pad for your left and another sound for your right hand A little tip always stick to the same split point e g middle C C3 If you do need to use dif ferent keyboard splits once in a while yo...

Страница 27: ...0 5 2 2 3 19 7 6 2 24 12 7 1 3 5 28 16 8 1 1 3 31 19 9 1 36 24 Step 1 Layering sinewaves and determining Positions To begin with we have settled on four positions and chosen an appropriate Material vo...

Страница 28: ...ttings are the same ones you can usually fi nd in other synthesizer s Multi Setup or Song Multi The setup bar precedes the actual song information You can of course alter all these settings in your se...

Страница 29: ...eters but all Part parameters which can be set using System Exclusive messages or the Controllers see the following section and DATA LIST page 23 The following example will show how you can transfer t...

Страница 30: ...g the relevant parameter handy If you are using only a few sequencer tracks for your com position you can use single Part Requests to get the Part data REQPART 1 16 This method has two advantages For...

Страница 31: ...30...

Страница 32: ...M P L E You have recorded the foundations of a song on your CS1x and now wish to pass on this embryonic composition to another musician so that he can develop your ideas or add further tracks Without...

Страница 33: ...ver to make Multi settings an inte gral part of your song This is done by preceding the song information with one or two bars of Setup Data To some users this may seem a little unusual but once put in...

Страница 34: ...Changes for Material Voice Banks 00 12 All Material voices can be used as indepen dent sounds for Performance Parts 5 16 and then called up using the above Bank Changes Section About the CS1x Sound St...

Страница 35: ...e a particular Con troller data block as Setup Data for each track in each song There are two fi les on the Tutorial disk to demonstrate how SETUPPF Performance mode Setup Data Ch 1 5 16 SETUPXG Multi...

Страница 36: ...r event i e the data stream will be signifi cantly smaller than with Sys Ex messages You will fi nd a complete list of NRPN and RPN in the Appendix of your manual You may notice that some of the param...

Страница 37: ...RUM DECAY RATE with NRPN A value of between 80 and 100 will lend a punchy percussive edge to your snare By the way both Decay 1 and Decay 2 are controlled simultaneously this way A M P L E Drum Decay...

Страница 38: ...a is that all values are given in hexadecimal Some sequencers insist on using decimal notation for Sys Ex input so some kind of conversion is necessary To this end you can utilise the table DATA LIST...

Страница 39: ...H 64 looks like this F0 43 10 4C 08 00 1B 40 F7 hexadecimal 240 67 16 76 8 0 27 64 247 decimal By the way this Sys Ex message would have exactly the same effect on MIDI channels 5 16 in Performance mo...

Страница 40: ...The CS1x effects have already been covered in detail Still we would like to take another look specifi cally at the use of effects in song production The effect possibilities are essentially the same f...

Страница 41: ...Parts with Controller or Sys Ex messages A M P L E The Pan Seq parameter in the Performance used in Parts 7 8 contains these fi ne tune offset values Detune Layer 1 00 3 Layer 2 00 3 You will need the...

Страница 42: ...Attention should however be paid to the Parts Receive channels which usually correspond to the Part number It may occasionally be useful to deviate from this when a single sequencer track is to contr...

Страница 43: ...s available in all of the CS1x s modes with Performance Layers set the Pan parameter to Rndm one step below 63 with the Multi Parts use the following Sys Ex message F0 43 10 4C 08 nn 0E 00 F7 Substitu...

Страница 44: ...up Data It is quite possible as in the above illustration that your sequencer doesn t show the Sys Ex messages in their entirety In this case you will need to right click the data block The 1 01 000 p...

Страница 45: ...to be set up to send MIDI clock signals otherwise the all important Performance part will remain silent as the Arpeggiator uselessly waits for external timing signals You also should always take care...

Страница 46: ...ll demonstrate Use of the Distortion Effect Real Time knob Control Fade Out using Master Volume Please load the Tutorial Disk song BLUE FUZZ MID Arrangement Blue Fuzz Chord Sequence MIDI Ch 1 This sou...

Страница 47: ...sound image Fade Out As in the fi rst example the fade out is achieved with Sys Ex Master Volume messages The following applies here to play the sequence right through the end so that Master Volume is...

Страница 48: ...Tempo 164 bpm TUTORPFM MID Bulk Dump ALL for 128 Tutorial Performances TUTRDEMO MID Analogue Workshop Demo sequence Load fi le TUTORPFM MID before playback SETUPPF MID Performance Mode Setup File SETU...

Страница 49: ...Bank Additions No Cat Perf Name Ele No Cat Perf Name Ele 1 Pf Wurlitza 2 65 Fx Goldlox 3 2 Pf Radio 1 66 Fx Washout 4 3 Pf Dance Pn 1 67 Fx Chillin 2 4 Cp Air Hitz 2 68 Fx Scavenge 1 5 Cp The Bigg 2 6...

Страница 50: ...the way there are differ ent ways of restoring the default settings you can set them manually transmit them via the KNOBPERR MID fi le Tuto rial Disk RESET or load a Performance bank that contains th...

Страница 51: ...50...

Страница 52: ...Off 27 Local off 41 M M Gain 24 M Width 24 Material Voices 6 31 40 Mickey Mouse 18 MIDI Clock 15 MIDI messages 32 MIDI Thru 41 MIDI Thru function 27 Mono Poly 13 morphing 22 Multi 28 32 Multi settings...

Страница 53: ...ate Milano Italy YAMAHA Hazen Electronica Musical S A Jorge Juan 30 28001 Madrid Spain YAMAHA Music Belgium Keiberg Imperiastraat 8 B 1930 Zaventem Belgium YAMAHA Music Nederland Kanaalweg 18G NL 3526...

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