13
Tutorial
• Channel 2: Snare
DYNAMICS Comp
EQ (ATT –8 dB)
■
Channels 3/4: Drum overhead
mics
These tracks contain the cymbals and toms. By adding
a 3.5 dB boost to the HIGH 14.2 kHz region we will
clarify the metallic edge. By lowering the H-MID
157 Hz region by 6.5 dB we give a light touch to the
snare sound that is also recorded on these tracks.
1
Press the channel 3 [SEL] key to select the
overhead mic channel.
2
Press the MIXER section [DYN] key to
access the dynamics parameters.
3
In the TYPE area, “Compander-Soft”
should be selected (the default setting).
Move the cursor to “ON/OFF” and turn
dynamics “ON” for the selected channel.
4
Use the CURSOR keys and the [DATA/JOG]
dial to make the following dynamics set-
tings for the overhead mic channels. (Since
channels 3 and 4 are paired, adjusting the
EQ on track 3 will automatically make the
same setting on track 4.)
• Channels 3 and 4: Drum overhead and
tom
Compander-Soft
EQ (ATT –7 dB)
Threshold Ratio Out Gain Attack Release Knee
–18dB
2.5:1
3.0dB
19ms
87ms
2
LOW
L-MID
H-MID
HIGH
Q
L.SHLF
0.70
0.70
H.SHLF
F
187 Hz
1.00 kHz
2.11 kHz
10.0 kHz
G
–4.5 dB
0.0 dB
+2.0 dB
5.5 dB
Threshold Ratio Out Gain Attack Release Width
–10 dB
5:1
–3.5 dB
0 ms
139 ms
21 dB
LOW
L-MID
H-MID
HIGH
Q
L.SHLF
0.70
9.0
H.SHLF
F
125 Hz
1.00 kHz
157 Hz
14.2 kHz
G
0.0 dB
0.0 dB
–6.5 dB
3.5 dB
