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Mixdown

10

Tutorial

Step 2. Setting up a rough mix

The rough mix is just a starting point for the final mix, 
and does not need to be perfect. The purpose of creat-
ing a rough mix by adjusting only level and pan is to 
have a reference point from which you can make 
more detailed adjustments, and apply effects and 
automation, so don’t spend too much time on this. Of 
course if the fader or pan settings bother you in a way 
that would affect your judgment during the remainder 
of the mixing process, go ahead and make the neces-
sary adjustments. Mixing is a process of trial and error, 
so you will keep making adjustments as many times 
as necessary until you are satisfied.

• The preset rough mix
If you do not want to set up your own rough mix, or if 
you would like to listen to the existing rough mix, 
recall scene number 02 “STEP2 MIX.” Press the 
[SCENE] key, and use the [DATA/JOG] dial to select 
scene number 02 “STEP2 MIX.” Next, move the cur-
sor to “RECALL” and press the [ENTER] key. When the 
confirmation message appears, select “OK” and press 
the [ENTER] key. To return to the VIEW screen, press 
the MIXER section [VIEW] key.
If you want to leave the VIEW screen displayed while 
doing this, use the SCENE MEMORY section [

]/

[

] keys to select the scene that you want to recall. 

(The scene number and title will be displayed in the 
upper right of the screen.) Next press the [RECALL] 
key, and when the confirmation message appears, 
select “OK” and press the [ENTER] key.
You can make settings so that the entire song or a por-
tion of it continues looping while you set up the rough 
mix. This will make it easier to adjust level and pan.
Use MARK A and B to specify the beginning and end 
of the loop, and press the [REPEAT] key make the 
playback repeat. (For details refer to the AW2816 
“Owner’s Manual.”)

Start with the kick and snare

Use the channel [ON] keys to turn off all tracks except 
for the kick and snare (tracks 1 and 2). Leave the STE-
REO channel on. The kick and snare are recorded on 
tracks 1 and 2 respectively.

Adding the drum overhead tracks

Use the following procedure to pair the monitor chan-
nels.

1

Hold down the channel 3 [SEL] key and 
press the channel 4 [SEL] key.

2

When the CHANNEL PAIRING window 
appears, select “MONITOR 3

4” and 

press the [ENTER] key.

This will pair the two channels so that operating 
the fader of one channel will cause the other 
fader to move in the same way. The MIXER VIEW 
screen will display the pan and routing controls 
for both channels.

Next we will pan the stereo drum tracks to left and 
right to create a stereo image. Use the following pro-
cedure to adjust the pan settings of channels 3 and 4.

1

Use the [SEL] key to select the channel 
whose pan you want to adjust. (Since the 
channels are paired, selecting a channel 
will cause the [SEL] key of the other chan-
nel to blink.)

2

While you watch the pan control in the 
screen, use the [PAN] control in the upper 
right of the screen to make adjustments.

Adding the hi-hat

Turn channel 5 “ON,” and listen. This will sound bet-
ter with the pan adjusted toward the right. If the hi-hat 
is a bit obtrusive when the kick and snare track faders 
and the overhead track faders are all at nominal level, 
you can use fader 5 to lower the hi-hat level about 
5 dB (the fader screen will indicate –5.0).

Adding the acoustic bass

Turn channel 6 “ON” and listen. There’s no need to 
adjust the pan, since the bass is normally placed in 
the center, but if the bass is too loud relative to the 
drums when the drum track faders are at nominal 
level, use fader 6 to lower the bass level about 5 dB 
(the fader screen will indicate –5.0).

Adding the percussion

Turn channel 7 “ON” and listen. If the percussion 
(handclaps) is too loud for the drum set and acoustic 
bass, use fader 7 to lower the percussion level about 
5 dB (the fader screen will indicate –5.0).

Adding the acoustic guitar

Turn channel 8 “ON”. If the guitar is too loud for the 
other tracks, use fader 8 to lower the level about 
10 dB.

Adding the piano

Turn channel 9 “ON”. If the piano is too loud for the 
other tracks, use fader 9 to lower the level about 5 dB.

Содержание AW2816

Страница 1: ...PROFESSIONAL AUDIO WORKSTATION PROFESSIONAL AUDIO WORKSTATION E Tutorial Tutorial...

Страница 2: ...you already have experience using a digital mixing console or digital recorder operating the AW2816 will soon feel completely natural to you and you will quickly be amazed at the astounding amount of...

Страница 3: ...c guitar 11 Adding the lead vocal 11 Adding the chorus 11 Listening to the rough mix 11 Saving the song 11 Saving the scene 11 Step 3 Assembling the mix for each part 12 Channels 1 2 Bass drum and sna...

Страница 4: ...rding the bass at an early point in the process will clarify the chord pro gression of the song and will make it easier for you to perform overdubbing later Parts that contribute to the rhythmic feel...

Страница 5: ...so adjust the fader and check whether sound is being input from each mic into the AW2816 You will be able to record with the best quality sound if the level is adjusted as high as possible without al...

Страница 6: ...and set OUT THRU to OUT For each of these move the cursor to the setting and press ENTER to change the setting Then use a MIDI cable to connect the AW2816 s MIDI OUT connector to the MIDI IN connecto...

Страница 7: ...of the screen slightly toward the right side For this example we will assume that you have selected 01 Press the STORE key of the SCENE MEMORY section You will be asked to input a name for the scene...

Страница 8: ...orded it will be impossible to make any changes in that effect afterward In particular applying equal izer EQ or spatial type effects during recording may limit your freedom during mixdown In some cas...

Страница 9: ...tray and load the CD 5 The demo song Can you feel it will appear in the on screen list Move the cursor to the RESTORE SONG area and press the ENTER key The RESTORE SONG but ton will change from DISAB...

Страница 10: ...nt space Narrow and tight Distant Nearby Are there any instruments that share a similar fre quency range and might conflict with each other Distorted electric guitar and organ are good exam ples of th...

Страница 11: ...l on The kick and snare are recorded on tracks 1 and 2 respectively Adding the drum overhead tracks Use the following procedure to pair the monitor chan nels 1 Hold down the channel 3 SEL key and pres...

Страница 12: ...n to a section of the song where the lead vocal is heard together with the chorus and adjust the level of the chorus section Turn on channels 13 14 15 and raise the fader levels to a point where they...

Страница 13: ...FTER PAN At this stage of the mixdown you need to hear the tracks with the EQ dynamics and other effects applied Normally when you use the Solo function to monitor you will hear only the dry sound of...

Страница 14: ...Move the cursor to ON OFF and turn dynamics ON for the selected channel 4 Use the CURSOR keys and the DATA JOG dial to make the following dynamics set tings for the overhead mic channels Since channe...

Страница 15: ...to make the following dynamics set tings DYNAMICS Comp Channel 6 Acoustic bass We will lower the LOW 35 Hz region by 7 5 dB to add warmth to the sound By lowering the L MID 111 Hz region by 2 5 dB we...

Страница 16: ...DYNAMICS Expander Channel 7 Percussion For the percussion channel we will cut the 125 Hz region by 8 0 dB to reduce the weight of the low range making the sound a bit lighter In the dynamics section...

Страница 17: ...ness EQ ATT 11 dB Type Compander Soft Channel 9 Piano Since this has an overall familiar tone we will leave it essentially unchanged A slight boost in the 500 Hz region will bring out the core of the...

Страница 18: ...hard compander Type Compander Hard EQ ATT 7 dB Channel 11 Organ We will boost the mid range that adds a distinctive character to the organ sound DYNAMICS OFF EQ ATT 7 dB Threshold Ratio Out Gain Atta...

Страница 19: ...te level and panning adjustments to create a good mix with the chorus 3 middle monaural of channel 15 So that it does not interfere with the lead vocal we will emphasize part of the mid range so that...

Страница 20: ...der level as appropriate Since the level is also affected when you adjust EQ or dynamics you will find it necessary to adjust it as well Saving the song To save the song press the WORK NAVIGATE sectio...

Страница 21: ...se Preset scene By recalling the preset scene number 04 STEP4 MIX you can hear the reverb and other settings that will be explained below By now you probably know how to recall a scene but if you are...

Страница 22: ...in from applying reverb to the synthesizer Instead we will use Symphonic for effect 2 This effect is used mainly to add depth a sense of speed and a stereo feeling horizontal spread to synthesizer sou...

Страница 23: ...ts and the reasons for the change Turn auto mix on and watch how the faders and channel ON keys change as the song progresses Use the following procedure to turn automix on 1 In the AUTOMATION section...

Страница 24: ...empha size the backing in the lower register 4 Synth Approximately 1 30 into the song the fader will be turned ON Then at about 2 25 the fader will be lowered creating silence during the break At abo...

Страница 25: ...ng back at someone else s home The ideal mastering environment is one with as little reverberation as possible and in which the recorded sound and effects are reproduced as faithfully as pos sible the...

Страница 26: ...ding the song to the stereo track On the AW2816 you must first record the mixed song onto the stereo track and then write that stereo track to the CD Once you are satisfied with the master EQ and comp...

Страница 27: ...and mixdown functions that we were not able to introduce in these pages We hope you will make full use of these capabilities and even develop tech niques that are not mentioned in the AW2816 s Owner s...

Страница 28: ...otal of 28 channels includ ing the recorder playback and the outputs of the two effects Chase A state in which the AW2816 is receiving MTC see entry from an external device and running in syn chroniza...

Страница 29: ...top and Record Monitor The headphones or speakers used to reproduce the sound that is output from the AW2816 Also used to refer to the act of listening to the playback from the headphones or speakers...

Страница 30: ...eing performed each second If this number is higher a broader frequency range of sound can be captured as data Scene memory A function that collectively saves the parameter set tings of the AW2816 s m...

Страница 31: ...YAMAHA CORPORATION V766850 R1 1 IP 32 Pro Audio Digital Musical Instrument Division P O Box 3 Hamamatsu 430 8651 Japan 01 08 3500 AP Printed in Japan...

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