Vox Tonelab EX, Руководство пользователя

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11.TALK MOD
This is an envelope controlled talking modulator. The vocal
character will change according to the input from your guitar.
If you assign “SENS” to the expression pedal, you can use
your foot to control the vowel.
Knob/Switch Parameter
EDIT SENS*
Adjusts the sensitivity to the guitar's volume.
I f th i s pa r a m e t e r i s a s s i g n e d t o t h e
e x p r e s s i o n p e d a l , t h e v o w e l w i l l b e
controlled by the expression pedal, meaning
that the vocal character will not be affected
by the input from the guitar.
TAP TYPE
Specifies the vocal character type 1 or 2. If
type 2 is selected, the TAP switch LED will
light-up.
TAP+EDIT RESONANCE* Adjusts the amount of resonance.
Delay types
The ToneLab EX provides four types of delay effects.
Depending on the knob position, you can switch the reverb
type among ANALOG DELAY, TAPE ECHO, SDD DELAY,
and MULTI DELAY, and set the delay mix amount. The TIME
parameter of delay ‐ type effects can easily be adjusted in the
range from 40 to 1480ms by pressing the TAP switch twice.
HINT:
To set a precise time that matches the tempo of a song,
press the TAP switch several times in rhythm with the
song.
Knob/Switch Parameter
DELAY LEVEL*
Adjusts the mix amount of the delay sound.

If this parameter is assigned to the expression
pedal, the input level to the delay will be
controlled by the expression pedal.
TAP TIME
Specifies the delay time in a range of 40–1480
ms.
TAP+DELAY FEEDBACK* Adjusts the amount of feedback.
1. ANALOG DELAY
This models an analog delay that uses a Bucket Brigade
Device (BBD). Its audio quality is lo ‐ fi, but is popular for its
warm sound
2. TAPE ECHO
This models an acclaimed analog tape echo. Originally, echo
was created by a playback head, and the delay time was spec ‐
ified by changing the speed of the motor.
3. SDD DELAY
This models the KORG SDD ‐ 3000 Digital Delay.
The SDD ‐ 3000 is known
for its crisp clean echoes
and ability to modulate
the pitch of the delayed
signal. The SDD ‐ 3000 used high and low filters, waveforms,
and phase cancellation to produce some of the most sought
after delay sounds in rock history.