6
BRIGHT Channel
6. BRIGHT Channel LED –
When the Bright channel is selected, green indicates Bright Mode and orange
indicates Thick Mode.
7. GAIN Control –
Use this to achieve chimey cleans when set before 12 o’clock, to crunchy blues tones!
And of course everything in between!
8. TREBLE Control –
This controls the treble (high) frequencies in your sound - from soft and round
when turned down (counter-clockwise) to bright and cutting when cranked (clockwise) and all points in
between.
9. MIDDLE Control –
This controls the middle (mid range) frequencies in your sound. From scooped when
turned down (counter-clockwise) to full and rich when cranked (clockwise) and all points in between.
10. “THICK” Mode Switch –
This switch is used to adjust the front end pre-amp of the amplifier.
“THICK” – Use this to boost your gain to awesome levels! (NOTE: when this is on, the tone controls
aren’t!). Set to “THICK off” when using the optional VFS2A footswitch.
11. BASS Control –
This controls the bass (low) frequencies in your sound - from warm and light when
turned down (counter-clockwise) to dark and heavy when cranked (clockwise) and all points in between.
GIRTH Channel
12. GIRTH Channel LED –
When the Girth channel is selected the indicator will turn red.
13. GAIN Control –
Use this to achieve Rock tones when set before 12 o’clock, to ear bleeding lead tones!
And of course everything in between!
14. TREBLE Control –
This controls the treble (high) frequencies in your sound - from soft and round
when turned down (counter-clockwise) to bright and cutting when cranked (clockwise) and all points in
between.
15. MIDDLE Control –
This controls the middle (mid range) frequencies in your sound. From scooped when
turned down (counter-clockwise) to full and rich when cranked (clockwise) and all points in between.
16. BASS Control –
This controls the bass (low) frequencies in your sound - from warm and light when
turned down (counter-clockwise) to dark and heavy when cranked (clockwise) and all points in between.
17. VOLUME Control –
This affects the overall output level of the Girth channel, use this to control the
overall volume whilst retaining all the tonal characteristics. (Hey, who are we kidding here... overdrive!)
MASTER Section
18. TONECUT Control –
This controls the overall high frequencies of the amplifier, when turned clockwise,
the high frequencies are rolled off.
19. “TIGHT” Mode Switch –
This acts as a global bass cut, tightening the bottom end.
20. MASTER VOLUME Control –
This affects the overall output level of the preamp stage, use this to
control the overall volume of the amplifier whilst retaining all the tonal characteristics.
