16
PATCH BAY
MIC/LINE (CH 1-4)
The MIC/LINE inputs are for connecting microphones,
instruments, or line-level output signals. Once the devices
are connected, the signals can be customized using the
individual channel strips, and further controlled using the
DSP, EQ and main system controls. For each of the channels
1-4, it is important to note that if you connect a device to
BOTH the ¼” and XLR jacks simultaneously, turning one of
them off will turn them both off. This is due to how the jacks
are wired internally.
9. ¼” MIC/LINE INPUT
– These jacks are for connecting
devices with microphone/line-level signals. Both balanced or
unbalanced ¼” cables are suitable for connecting to these
jacks. If you are connecting a microphone that requires
phantom power to these jacks, remember that you need
a balanced cable, and that you need to set the +48V
phantom power switch to ON. When connecting to these
jacks, remember to ensure that the MIC PAD and SOURCE
SELECT switches are set correctly. Refer to above text for
details on them.
10. XLR INPUT
– These XLR jacks are for connecting
devices with balanced microphone/line-level signals. Use
balanced XLR cables for connecting to these jacks. If you
are connecting a microphone that requires phantom power
to these jacks, remember to set phantom power switch to
ON. When connecting to these jacks, remember to ensure
that the MIC PAD and SOURCE SELECT switches are set
correctly. Refer to above text for details on them.
1/8”, RCA, 1/4” STEREO (CH 5-8)
These input jacks are for connecting devices with stereo
output. The 1/8” jack is labeled MP3/LAPTOP but can be
used to connect any line-level device with an 1/8” plug. L/R
RCA jacks provide connectivity for devices that utilize line-
level RCA output. The ¼” jacks can be connected in both a
stereo (in tandem) and mono (separate) confi guration. Note
that devices can be connected to all three sets of jacks
per channel simultaneously, however, there is no way to
individually mix the audio levels from each device. Effects can
be applied to the stereo channels using the ¼” INSERT jacks
(ST CH EFFECT LOOP).
11. MP3/LAPTOP
– These 1/8” jacks are for connecting
source audio devices. The signal can be either mono or
stereo. If connecting a mono signal, use a 1/8” TS cable.
If connecting a stereo signal, use an 1/8” TRS cable.
Devices that have line-level outputs other than 1/8” can be
connected to these jacks using an appropriate adapter/
cable.
12. RCA L/R
– These jacks are for connecting source
audio devices with line-level, unbalanced output, such as
CD+G player, iPod docks, tape decks etc. Devices that have
line-level outputs other than L/R RCA can be connected
to these jacks using an appropriate adapter/cable. Note
that you cannot directly connect phono-level outputs from a
turntable; a phono pre-amp is required.
13. ¼” L(MONO)/RIGHT
– These ¼” jacks are for
connecting source audio devices with ¼” line-level output.
Use ¼” TS cables to make the connections. If you are
connecting stereo output, connect the L channel to the
L(MONO) jack, and connect the right channel to the RIGHT
jack. If you are connecting a single mono signal and only
require one connection, connect to the L(MONO) jack.
Connecting a single mono line to only the RIGHT jack will
result in no sound.
Front Panel Features
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Содержание PA-PRO 900
Страница 1: ...o w n e r s m a n u a l PA PRO 900 PRO 900 900W PROFESSIONAL P A 900W PROFESSIONAL P A MIXER MIXER...
Страница 8: ...8 Hookup Diagrams...
Страница 10: ...10 Hookup Diagrams...
Страница 12: ...12 Hookup Diagrams...
Страница 30: ...30 Notes...
Страница 32: ...PA PRO 900 Owner s Manual VocoPro 2010 v1 1008 www vocopro com...