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5-BAND PAGE

Introduction

Multi-band processing can be used for evening 

out spectral differences between programs, 

optimizing levels and/or assisting the loudness 

correction when changes in loudness occur 

suddenly. Make your settings on the 5-band 

pages according to the task at hand.

The 5-band processor in DB2 may be used 

simultaneously with all other processing 

modules. The section may be switched to four, 

three or two bands or to “DXP” mode, which 

lifts low-level signals instead of performing 

regular multi-band compression.

Pressing Threshold, Range, Ratio, Attack and 

Release buttons will immediately assign Lo, 

Mid, Hi and All values for these parameters to 

Faders 1 to 6.

The “All” parameter offers a relative adjustment 

of all bands. Its value reflects that of the Mid 

band.

Threshold 

Range: -25 dB to +20 dB

Use this parameter to set the threshold for each 

frequency band in the compressor. Values are 

relative to the Reference Level parameter on 

the Main page.

Gain

Range: 0.0 to 18 dB in 0.1 dB steps.

Use this parameter to apply make-up gain to 

each frequency band. The gain is reflected on 

the 5-band meter on the Icon remote, thereby 

giving an idea of the frequency response of 

DB2 when levels are below the threshold of 

compression.

Ratio

Range: Off to Infinity

Use this parameter to set the ratio for each 

frequency band in the compressor.

Attack 

Range: 0.3 to 250 ms

Use this parameter to set the attack time for 

each band of the compressor.

Release 

Range: 20 ms to 7 sec.

Use this parameter to set the time it takes for 

each compressor band to recover to unity gain.

Bypass Comp.

Click to this button to bypass the 5-band com-

pressor.

Xovers

Click this button to access the four cross-over 

points between the five bands. The parameters 

are automatically assigned to faders 1 to 4.

Parameter Range:

Xover 1: 

Off to 1.6 kHz

Xover 2: 

Off to 4 kHz

Xover 3: 

100 Hz to Off

Xover 4: 

250 Hz to Off

Defeat Thresh

Range: -3 to -30 dB

This is a unique control which defeats gain 

from the multiband compressor below a certain 

threshold. No matter what spectral shaping is 

applied from the multiband system: Below the 

Defeat Threshold, the frequency response is 

flat and gain is unity.

Defeat Threshold is relative to Compressor 

Threshold, which is relative to Reference Level.

Defeat Ratio

Range: Off to Infinity

Controls how close to the Defeat Threshold the 

make-up gain of the compressor is counter-

acted. At high ratios, the signal only has to be 

slightly below the Defeat Threshold before the 

compressor gain is fully defeated.

5-BAND PAGE

DXP Mode – Introduction

The 5-band section works either in normal com-

pression mode or in DXP (“Detail Expansion”) 

mode. Instead of attenuating signals above a 

certain threshold, DXP mode lifts up signals 

that are below the Threshold; thereby bringing 

out details rather than squashing the loud parts. 

DXP mode therefore is capable of adding intel-

ligibility and air to speech, lifting harmonics, 

or emphasizing ambience without increasing 

overall peak level.

As shown in the illustration, gain is positive 

below threshold, unity at Threshold, and the 

effect decreases above Threshold. In DXP 

mode, Ratio becomes Steer. Steer can be 

regarded as an adaptive Ratio that gradually 

approaches 1:1 above the threshold.

Multiband DXP

DXP mode can be used with any number of 

bands (up to five). Multiband DXP is particularly 

effective in bringing out air and clarity.

The processor can act as an automatic EQ that 

removes a boost when it’s not needed: at very 

low levels (where noise is dominant) and at 

loud levels (where sibilance would become a 

problem). Apart from being effective on speech, 

DXP mode can also be used in mastering to 

bring up low levels – e.g. when preparing film 

or concerts for domestic or noisy environment 

listening.

Try setting the Steer and/or Threshold param-

eters differently in the bands to hear the effect. 

High Steer values add more detail gain than 

low values, but remember that Threshold has to 

be negative to add detail gain at all.

DXP Threshold relates to the Reference Level 

set on the Main page.

To disable DXP detail gain at very low 

levels, use the Defeat Threshold and 

Defeat Ratio controls. Defeat threshold 

relates to the DXP threshold, and allows 

for a certain level-window, inside which detail 

gain is applied. Defeat Ratio determines the 

slope at which DXP detail gain is defeated.

Содержание DB2

Страница 1: ...DB2 LOUDNESS CONSISTENCY PROCESSOR USER S MANUAL...

Страница 2: ...as been dropped This equipment should be installed near the socket outlet and disconnection of the device should be easily accessible To completely disconnect from AC mains disconnect the power supply...

Страница 3: ...ent lighting control apparatus for professional use Part 1 Emission EN 55103 2 Product family standard for audio video audio visual and entertainment lighting control apparatus for professional use Pa...

Страница 4: ...Step by Step With the launch of DB2 TC Electronic also introduces a new commitment to buyers of any DB processor Within two years of the original purchase users may upgrade DB2 to DB4 or DB8 and DB4 t...

Страница 5: ...e DB2 s card slot Go to the TC Icon System Card page Decide whether you wish to exclude the System Preset that hold overall Clock settings Analog Trim levels Dither Status Bit settings and GPI setting...

Страница 6: ...rently recalled preset has been edited but not stored GAIN Meter Indicates the current Loudness correction gain as per ITU R BS 1770 or ITU R BS 1770 2 OPTIMIZE Meters Indicates gain reduction in the...

Страница 7: ...2 9 pin Sub D BNC Sync In GPI IN RS232 For connecting to a PC RS232 port use a standard 9 pin Sub D cable Supplied For connecting to a PC USB port use the supplied RS232 to USB connector Note max reco...

Страница 8: ...tart the installation of the TC Icon Software Editor will proceed Follow the instructions A TC Icon shortcut will appear both on the desktop and in the Start menu The MS installer is a small installat...

Страница 9: ...nly subjects relevant for usage with the DB2 will be discussed DB2 is connected to your computer via a serial COM port RS232 or via the supplied RS232 to USB converter Please note that RS232 can be us...

Страница 10: ...page User Presets The User banks U1 to U8 can hold up to eight presets each Factory Presets DB2 comes loaded from the factory with a collection of general purpose factory presets organized in banks F...

Страница 11: ...ital SRC is selected on the Engine I O page Analog Trim Input Trim L Input Trim R Range 1 00 to 1 00 dB in 0 05 dB increments Level trim for analog inputs Output Trim L Output Trim R Range 1 00 to 1 0...

Страница 12: ...as a fraction of Vs and as a guideline typical voltages when Vs 5 000 V If the supply voltage is e g 5 015 V the table should be corrected by multiplying these values by 5 015 5 GPI Implementation Thr...

Страница 13: ...or the two yellow digits on the In Out meters SYSTEM NET PAGE ICON VIEWS The upper part of this page holds information on the current software versions and the serial number of the accessed unit Netwo...

Страница 14: ...the set Analog Scale Output level MAIN PAGE Input In Gain Range 0 dB to Off There are separate level controls for the left and right Input A and B Phase Inv L R Range Normal Inverted Click to invert t...

Страница 15: ...l is relative to Reference Level on the Main Page Add Target Level to Reference Level to calculate the target loudness level When Loudness Measure is set to BS 1770 2 the calculation will have the uni...

Страница 16: ...s adjustments EQ PAGE Introduction DB2 features a digital three band parametric EQ with high pass and low pass filters switch able between Notch Parametric Shelving and Cut types The needle sharp notc...

Страница 17: ...Mid Gain 12 dB to 12 dB Hi Gain 12 dB to 12 dB Range for the Notch filter Lo Gain 100 dB to 0 dB Mid Gain 100 dB to 0 dB Hi Gain 100 dB to 0 dB EQ PAGE Type Click TYPE and use Faders 1 to 3 to set the...

Страница 18: ...pplied from the multiband system Below the Defeat Threshold the frequency response is flat and gain is unity Defeat Threshold is relative to Compressor Threshold which is relative to Reference Level D...

Страница 19: ...h between emphasis Off HD and normal DTV broadcast 50 microsec 75 microsec and J17 NICAM emphasis Note When pro nounced Emphasis Limiting is required it is normally advisable to link the limiters to a...

Страница 20: ...r BNC AES3 id 75 ohm RCA Phono S PDIF AES3 id 24 bit S PDIF 24 bit EIAJ CP 340 IEC 958 HPF TPDF dither 8 to 24 bit BNC 75 ohm 0 6 to 10 Vpp 32 kHz 44 1 kHz 48 kHz 0 5 ms 48 kHz 0 to 1000 ms 24 bit at...

Страница 21: ...higher For AC3 transmission however the Limit Threshold should not go much above 6 dBFS to avoid distortion in consumer devices If DB2 is processing for a low dynamic range platform such as IPTV or Mo...

Страница 22: ...cable The Input meters will show 0 dB The symbol will indicate that the test is positive The symbol will indicate that there is a problem with the input or the output Test 4 RS232 remote I O Test Con...

Страница 23: ......

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