3.8.6 Delay
A delay effect produces a series of echoes. The dura-
tion of the echoes is always locked to the host tempo
in order to guarantee a musically useful result. Two
different delay types are available.
TYPE
•
Simple
creates a series of echoes centered in the
stereo field.
•
Ping-Pong
creates echoes alternating between
the left and right channels.
RATE L/R
The delay time can be specified independently for the
left and right channels.
It is always locked to the
host tempo and is thus specified in quarters, eights,
sixteenths etc., optionally in triplet (T) or dotted (*)
form. Examples:
•
1/4 specifies an echo duration of a quarter note.
•
1/8+ sets the duration to a dotted eighth note.
•
1/16T sets the duration to a sixteenth triplet.
•
1/1 sets the duration to span an entire bar.
COLOR
The echoes can be processed by a 6 dB/oct lowpass or
highpass filter, making each subsequent echo darker or
brighter than the previous one. Negative values cor-
respond to darker echoes, positive values to brighter
echoes, at zero the echo timbre remains identical.
FEEDBACK
The feedback parameter allows you to adjust how of-
ten the echoes are repeated. The percentage specifies
the level change from one echo to the next, so 100%
creates an infinite series of echoes, 50% cuts the level
of each subsequent echo in half etc.
MOD-RATE
The L/R delay times can be modulated, to obtain a
full lush stereo sound. This knob sets the rate of mod-
ulation in Hz.
MOD-AMT
The amount of delay line modulation. Set this knob
to zero to turn off modulation entirely.
DRY/WET
Blends between the dry and processed signal.
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