HI GAIN
This EQ is a high shelf filter, centered around 12 kHz.
The knob controls the cut or boost amount in decibels.
At center position, there is no effect.
3.8.2 Bass
The bass effect is part of the EQ section. It models
a unique circuit found in some vintage analog synthe-
sizers, which yields a particular frequency response in
the low and low-mid regions. Using the bass effect will
help emulate the sound character of such synthesizers.
BS FREQ
Sets the center frequency of operation in the circuit.
The default setting yields the classic vintage sound,
but feel free to experiment with other settings. Note
that towards higher frequencies, the effect will gradu-
ally vanish and become less pronounced.
BS AMT
Adjusts the magnitude of the bass effect. When set to
zero, it is completely bypassed.
DRY/WET
Blends between the dry and processed signal. Note
this includes both the EQ and Bass section.
3.8.3 Distortion
A distortion effect changes the signal in a nonlin-
ear fashion, thereby introducing additional overtones.
This results in a rather harsh sound, especially at ex-
treme settings using high amplification factors.
TYPE
Three different distortion modes are available in An-
tidote, Overdrive, Grunge, and Rate Crush.
The
first two modes are emulations of classic guitar stomp
boxes. The third mode, Rate Crush, reduces the sam-
pling rate of the signal by employing a sample-and-
hold circuit.
DRIVE
Adjusts the gain applied to the signal when entering
the nonlinear distortion stage. Higher settings cause
more distortion.
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Antidote User’s Manual
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