sound4 SOUND4 BIG VOICE2 Base, Инструкция по эксплуатации

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and low bands and a cut in the mid band.
M - Hit tone
This preset combination between M - Punchy and M - Hot Tone. The Fidelity section is enabled
so that a very slight pull back of the multiband in the mid and low bands to keep it from getting
too muddy or aggressive could be guaranteed. The Sound Impact System is also enabled but set
for more action than in M - Punchy. Drive in all three bands is a bit increased (1.2 dB), with the
thresholds set for more activity in mid and high bands. The attack and release times set in all three
bands is quite fast, with the even faster release in the mid band. The frequencies of the low and
high bands are set to 80 Hz and 1.3 kHz. The M-Hit tone preset has a pretty substantial boost in
the low end with a 5.8 dB increase in that band set on the output, while the mid band has a slightly
smaller increase (1.6 dB). The high band actually has a very small cut (-0.2 dB). As a finale, this
preset leans slightly on the final brick wall limiter with the added 1.6 dB of drive for extra loudness.
M - Big Voice
Fairly balanced preset, perfect for boss jock sound, with a bit of added drive in all 3 bands (1.6
dB) and thresholds set for more action in the high and midrange bands. The Sound Impact System
is enabled so that an extra punch could be added. The attack and release times are moderate, and
the output from the 3 bands is set to give a nice boost in the high and low end. The low and high
frequencies are set to 90 Hz and 2.11 kHz.
F - Structured tone
Low and high band frequencies are set to 80 Hz and 1.3 kHz making the preset perfect for
female voices. The compressor ratio in the multiband section across all 3 bands is less aggressive.
Both the Fidelity and Sound Impact System are enabled with a bit of activity in the mid and high
bands of the Sound Impact System section. The high band has a considerable boost in the drive
(4.8 dB) with slightly less drive increase in the mid and low bands (1.2 dB). The attack time across
all three bands is fairly fast. The release times are slowed down, with the slowest release in the
high and mid bands. The final output from the multiband section has a slight boost in the high band
(a 2 dB cut in the mid band), and a 3.4 dB boost on the low band. The brick wall limiter has an
added 1.4 dB of drive to maintain loudness at the end.
F - Hit tone
This preset has a more aggressive ratio than the F-Structured tone. The Sound Impact System
is set for equal activity in all 3 bands, an equal 1.2 dB boost in drive to all 3 bands, and a slightly
lower threshold for the high band. This preset also features less cut in the mid band (-0.8 dB
instead of -2 dB). Attack and release times, as well as the final limiter settings, are identical to the
ones set in F - Structured Tone. The end result is a bit more of a high and midrange presence than
the F - Structured Tone.
F - High Mid
The accent in this preset is on the high mid frequencies of the female voice. The low frequency
is centered at 200 Hz, with the high frequency at 1.3 kH, and the ratio is quite aggressive compared
to the other presets. The Sound Impact System is enabled and set to 4.4 dB in all 3 bands. The drive
is substantially increased to 7.2 dB with lowered thresholds in the high and mid bands. Attack
and release times are both fairly slow, with the exception of a much faster release in the high
band, along with a considerable (5.2 dB) boost in that band’s output. In the final brick wall limiter
section, the drive is reduced by 1.4 dB to compensate for the increased high band output from the
multiband section and keep things from getting too harsh.
BY-PASS
This setting will bypass all processing on the channel. When a channel is not licensed for
processing, this is the only available option.