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SETTING UP THE S 2-way USING A REAL TIME ANALYZER  

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SETTING UP THE S•2-way USING A REAL TIME ANALYZER

A REAL TIME ANALYZER (RTA) is an especially useful tool for setting up your crossover, as it will enable you
to set parameters like DELAY and LEVEL more accurately. Some Audio Engineers can use their ears to tune a
loudspeaker system. Some will even use the crossover to create the over-all system curve by using the
crossover like an equalizer.  For the rest of us, an accurately set crossover with a flat response is the best way
to start and using a RTA, like the Samson D1500, is the best way to get there. 

Using the RTA to Set DELAY Time

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In the real world, no single or multiple speaker system is perfect. If there were such a perfect system, it would
more than likely be comprised of a single transducer that alone could faithfully reproduce the entire frequency
spectrum.  Because no such system exists, we have to deal with the problems associated with multiple trans-
ducers. The first problem that you will encounter, whether you know it or not, is time travel.  That’s when the S
2-way’s delay circuit becomes especially useful.

Ideally, the sound reproduced by each driver in the  loudspeaker system would be traveling through the air ulti-
mately reaching the listeners at the same time. To accomplish this in a system using multiple drivers or enclo-
sures, the voice coils of all the drivers would have to be lined up on the same vertical axis.   This is very difficult
to achieve in many cases because of the physical size of the different components, and the position of the dri-
vers in their enclosures. It is not uncommon to have a physical distance of 2” to 24" or more between the low
and high frequency drivers.  For example, front loaded low frequency drivers and compression drivers mounted
on a large horn. With no correction, the low frequency signal can be traveling through the air 2" to 24" in front of
the high frequencies and thereby reaching the listeners at different times.  Although the delay time between the
low and high frequency signal may be relatively small, the negative effects can be substantial. The problem is
that both drivers are reproducing frequencies at and around the crossover point, which arrive at the listeners at
different times. Typically, the resulting problem is comb filtering or cancellations at the crossover frequencies.
Using delay greatly helps to improve phasing problems (especially with low frequency drivers) and will help you
achieve a tighter, punchy low end response. 

The S  2-way  features a DELAY control allowing you to dial up to 2 milliseconds of delay.   By using an RTA
and the S 2-way’s DELAY, you can time align the drivers in your system and minimize the possibilities of comb
filtering. Now follow these steps, separately, for both the left and rights sides of your loudspeaker: 

Set the crossover to the desired frequencies and press all the Mute switches to the ON position, turning
all of the S 2-ways outputs off.  Position your measurement microphone approximately 15 feet from
your loudspeaker array, halfway between the low and high frequency drivers.  Now turn all the GAIN
controls to the fully counter clockwise position.

Play a sine wave tuned to the crossover frequency, or connect a pink noise generator to your loud-
speaker system either from your mixer or in the S 2-way’s input. Now turn off the Low Frequency Mute
switch and adjust the S 2-way’s INPUT GAIN to "0”.  Adjust the LOW GAIN control so that the signal is
playing at a loud, but not too painful level. Make sure you only hear sound from the low frequency dri-
ver.

Adjust the level control of the RTA until it reads OdB at the crossover frequency.  Now press the LOW
MUTE switch turning off the low frequency output.

Содержание S Class

Страница 1: ...S C l a s s S i g n a l P r o c e s s o r s STEREO MONO CROSSOVER...

Страница 2: ...objects have fallen into the unit the unit has been exposed to rain or moisture does not operate normally or has been dropped PRECAUCION Para reducir el riesgo de incendios o descargas no permita que...

Страница 3: ...on 7 8 S 2 way Controls 9 S 2 Way System Set Ups Mono 3 way Operation 10 SETTING UP THE S 2 way USING A REAL TIME ANALYZER 11 12 S 2 way Connections 13 Block Diagram 14 Specifications 15 Notes 16 Copy...

Страница 4: ...electronic crossover solution which will give you precise control and superior sound from your loudspeaker system In these pages you ll find a detailed description of the features of the S 2 way elect...

Страница 5: ...ows to adjust frequency range of the filter allowing you to change from mid band to high band The four segment LED Input Gain meter allows you to monitor the signal level and make easy gain adjustment...

Страница 6: ...hannel 2 low frequency output This control has no effect when oper ating in stereo 3 way mode 15 LOW GAIN CONTROL CH 2 Adjusts the output level of the LOW frequency band for right in stereo 2 way mode...

Страница 7: ...utput G CHANNEL 1 INPUT MONO INPUT XLR bal anced line input A AC INLET IEC standard ac power cable connec tor with external fuse B CHANNEL 2 HIGH OUTPUT MONO HIGH OUT PUT XLR balanced line output C CH...

Страница 8: ...band that the control The 3 way parameters for these switches and control knobs are indicated by the outlined box MONO 3 WAY INDICATORS Because the S 2 way can be configured to operate in either ster...

Страница 9: ...m other gear in your system and help prevent unnecessary pops that can sometimes cause speaker damage Connect both sets of inputs and outputs to the designated connectors on the rear panel For a detai...

Страница 10: ...raise the output faders until you see the Input Meter LED s begin to light Slowly raise the S 2 way s Input Gains until the Input Meters read 0dB Now raise your power amps to their normal operating le...

Страница 11: ...ing speaker stacks S 2 way Controls HIGH PASS FILTER The S 2 way incorporates a HPF High Pass Filter which when engaged activates a low frequency roll off at 25 Hz By using the HPF you elimi nate the...

Страница 12: ...g the mid and high by using Channel 2 s crossover FREQ control Now adjust the first gain control on Channel 1 to set the level of the LOW frequency output Next adjust the second gain control on Channe...

Страница 13: ...nd compression drivers mounted on a large horn With no correction the low frequency signal can be traveling through the air 2 to 24 in front of the high frequencies and thereby reaching the listeners...

Страница 14: ...wave tuned to the crossover frequency or connect the signal from a pink noise generator to your loudspeaker system either from your mixer or directly in the S 2 way s input Now turn off the Low Frequ...

Страница 15: ...13 Connections Unbalanced 1 4 Connector Balanced TRS 1 4 Connector XLR Balanced Wiring Guide...

Страница 16: ...14 Block Diagram...

Страница 17: ...Type Linkwitz Riley 24 dB Octave Crossover 1 Channel 1 35 to 800Hz 350 to 8kHz with 10X multiplier Crossover 1 Channel 2 35 to 800Hz 350 to 8kHz with 10X multiplier Function Switches Front Panel High...

Страница 18: ...Notes 16...

Страница 19: ......

Страница 20: ...Samson Technologies Corp 575 Underhill Blvd P O Box 9031 Syosset NY 11791 9031 Phone 1 800 3 SAMSON 1 800 372 6766 Fax 516 364 3888 www samsontech com...

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