10
40 01 38
00 00 01
00-07
CHORUS MACRO
00: Chorus 1
02
Chorus 3
01: Chorus 2
02: Chorus 3
03: Chorus 4
04: Feedback Chorus
05: Flanger
06: Short Delay
07: Short Delay (FB)
40 01 39
00 00 01
00-07
CHORUS PRE-LPF
0-7
00
0
40 01 3A
00 00 01
00-7F
CHORUS LEVEL
0-127
40
64
40 01 3B
00 00 01
00-7F
CHORUS FEEDBACK
0-127
08
8
40 01 3C
00 00 01
00-7F
CHORUS DELAY
0-127
50
80
40 01 3D
00 00 01
00-7F
CHORUS RATE
0-127
03
3
40 01 3E
00 00 01
00-7F
CHORUS DEPTH
0-127
13
19
40 01 3F
00 00 01
00-7F
CHORUS SEND LEVEL TO REVERB
0-127
00
0
*
CHORUS MACRO is a macro parameter that allows global setting of chorus parameters. When you use CHORUS MACRO to select the chorus type, each chorus parameter will be set to the
most suitable value.
●
Part Parameters
HP-337 has 16 parts. Parameters that can be set individually for each Part are called Part parameters.
If you use exclusive messages to set Part parameters, specify the address by Block number rather than Part Number (normally the same number as the MIDI channel). The Block number can be
specified as one of 16 blocks, from 0 (H) to F (H).
The relation between Part number and Block number is as follows.
x...BLOCK NUMBER (0-F),
Part 1 (MIDI ch = 1) x = 1
Part 2 (MIDI ch = 2) x = 2
: : :
Part 9 (MIDI ch = 9) x = 9
Part10 (MIDI ch = 10) x = 0
Part11 (MIDI ch = 11) x = A
Part12 (MIDI ch = 12) x = B
: : :
Part16 (MIDI ch = 16) x = F
Address (H)
Size (H)
Data (H)
Parameter
Description
Default Value (H)
Description
40 1x 00
00 00 02
00-7F
TONE NUMBER
CC#00 VALUE 0-127
00
0
40 1x 01#
00-7F
P.C. VALUE 1-128
00
1
40 1x 02
00 00 01
00-10
Rx. CHANNEL
1-16, OFF
Same as the Part Number
40 1x 03
00 00 01
00-01
Rx. PITCH BEND
OFF/ON
01
ON
40 1x 04
00 00 01
00-01
Rx. CH PRESSURE (CAf)
OFF/ON
01
ON
40 1x 05
00 00 01
00-01
Rx. PROGRAM CHANGE
OFF/ON
01
ON
40 1x 06
00 00 01
00-01
Rx. CONTROL CHANGE
OFF/ON
01
ON
40 1x 07
00 00 01
00-01
Rx. POLY PRESSURE (PAf)
OFF/ON
01
ON
40 1x 08
00 00 01
00-01
Rx. NOTE MESSAGE
OFF/ON
01
ON
40 1x 09
00 00 01
00-01
Rx. RPN
OFF/ON
01
ON
40 1x 0A
00 00 01
00-01
Rx. NRPN
OFF/ON
00 (01*)
OFF (ON*)
*
When "GM1 System On" and "GM2 System On" are received, Rx. NRPN will be set OFF. When "GS Reset" is received, it will be set ON.
40 1x 0B
00 00 01
00-01
Rx. MODULATION
OFF/ON
01
ON
40 1x 0C
00 00 01
00-01
Rx. VOLUME
OFF/ON
01
ON
40 1x 0D
00 00 01
00-01
Rx. PANPOT
OFF/ON
01
ON
40 1x 0E
00 00 01
00-01
Rx. EXPRESSION
OFF/ON
01
ON
40 1x 0F
00 00 01
00-01
Rx. HOLD1
OFF/ON
01
ON
40 1x 10
00 00 01
00-01
Rx. PORTAMENTO
OFF/ON
01
ON
40 1x 11
00 00 01
00-01
Rx. SOSTENUTO
OFF/ON
01
ON
40 1x 12
00 00 01
00-01
Rx. SOFT
OFF/ON
01
ON
40 1x 13
00 00 01
00-01
MONO/POLY MODE
Mono/Poly
01
Poly
(= CC# 126 01 / CC# 127 00)
40 1x 14
00 00 01
00-02
ASSIGN MODE
0 = SINGLE
00 at x = 0
SINGLE at x = 0
1 = LIMITED-MULTI
01 at x
≠
0
LIMITED-MULTI at x
≠
0
2 = FULL-MULTI
*
ASSIGN MODE is the parameter that determines how voice assignment will be handled when sounds overlap on identical note numbers in the same channel (i.e., repeatedly struck notes).
This is initialized to a mode suitable for each Part, so for general purposes there is no need to change this.
40 1x 15
00 00 01
00-02
USE FOR RHYTHM PART
0 = OFF
00 at x
≠
0
OFF at x
≠
0
1 = MAP1
01 at x = 0
MAP1 at x
≠
0
2 = MAP2
*
This parameter sets the Drum Map of the Part used as the Drum Part. HP-337 can simultaneously (in different Parts) use up to two Drum Maps (MAP1, MAP2). With the initial settings, Part10
(MIDI CH = 10, x = 0) is set to MAP1 (1), and other Parts are set to normal instrumental Parts (OFF (0)).
40 1x 16
00 00 01
28-58
PITCH KEY SHIFT
-24 - +24 [semitones]
40
0 [semitones]
40 1x 17
00 00 02
08-F8
PITCH OFFSET FINE
-12.0 - +12.0 [Hz]
08 00
0 [Hz]
40 1x 18#
Use nibblized data.
*
PITCH OFFSET FINE allows you to alter, by a specified frequency amount, the pitch at which notes will sound. This parameter differs from the conventional Fine Tuning (RPN #1) parameter
in that the amount of frequency alteration (in Hertz) will be identical no matter which note is played. When a multiple number of Parts, each of which has been given a different setting for
PITCH OFFSET FINE, are sounded by means of an identical note number, you can obtain a Celeste effect.
