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3    Once each sub has been carefully tuned, attach the cables for both subs. At this point, the output 

achieved will be too loud and will require re-setting the volume/gain control of each G1 lower. This is 
normal as the combined output is likely to be at least 3 db louder with both subs now being used. Using 
the supplied remote, carefully turn down each sub until perfect balance is achieved. While turning the 
left or right sub gain down, it is helpful to turn slightly and even lean slightly toward the side that is being 
adjusted to better achieve focus and a balanced sound level more quickly. 
 
Note: RELs use massive power supplies that can require 3-4 days to fully charge. During this time, 
your G1 Mk II sub will begin to play louder. This is normal. It may require the user to lower the volume 
slightly during this period.
 
 
G1 Mk II is designed to allow multiple units to be used in conjunction either as stereo pairs, or the  
ultimate: vertical tower stacks of stereo subs. Stacked towers extend and strengthen the performance. 

Connectivity for Towers of G1 Mk II, Multiple Sub-Bass Systems 
To render connectivity simple, G1 Mk II provides both inputs and outputs for all connections. Thus, a stack 
of G1 Mk II can be connected using only one high-level main cable from power amp to REL stack. In a .1 
film sound configuration each channel will require a single main .1 cable as well, but additional units’ .1/LFE 
connections in a tower may be daisy chained to minimize clutter. Stacked G1 Mk II subs have the ability to 
effortlessly energize even the largest of salons with huge wavefronts of air, from the most delicate cello  
pizzicato to the most crushing of pipe organs played at triple forte, G1 Mk II possesses the ability to convey 
the musical event or film sound spectacularly and with ease.

This connectivity allows for the same amplifier output signal to easily feed multiple Sub-Bass Systems. 

Simply use the optional cable (Speakon-to-Speakon) to connect from the “HIGH-LEVEL OUTPUT” of the first 
sub-bass system to the “HIGH-LEVEL INPUT” of the second unit. 

When “daisy chained” each Sub-Bass System retains its autonomy and each will need to have its output 
level, crossover point, phase, etc. adjusted individually.

For multi-channel home cinema systems, the same procedure is followed except a RCA-to-RCA cable is also 
used to connect the first sub-bass system “.1/LFE OUTPUT” to the “.1/LFE INPUT” of the second unit. As is 
typical for REL, both high-level and .1/LFE inputs can be used together and adjusted independently offering 
the ability to blend both signals to your taste.

Содержание G1 Mk II

Страница 1: ......

Страница 2: ...Operating Instructions for the G1 Mk II Sub Bass System...

Страница 3: ...n insulated dangerous voltage within the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons The exclamation point within an equilateral triangle...

Страница 4: ...at plugs convenience receptacles and the point where they exit from the apparatus 11 Only use attachments accessories specified by the manufacturer 12 Use only with a cart stand tripod bracket or tab...

Страница 5: ...completely disconnected from the power input the mains plug of the apparatus shall me disconnected from the mains An appliance with a protective earth terminal should be connected to a mains outlet wi...

Страница 6: ...sol e tension dangereuse l int rieur de l enceinte du produit qui peut tre d une ampleur suffisante pour constituer un risque d lectrocution pour les personnes Le point d exclamation dans un triangle...

Страница 7: ...au des fiches des prises de courant et le point de sortie de l appareil 11 Utilisez uniquement des fixations accessoires sp cifi s par le fabricant 12 Utilisez seulement avec un chariot stand tr pied...

Страница 8: ...15 of the FCC Rules Operation is subject to the following two conditions 1 This device may not cause harmful interference and 2 This device must accept any interference received including interference...

Страница 9: ...he speed clarity and deep bass of the original and adds significant improvements in sheer output scale richness and the dynamic ability to track large scale pieces with greater tactility and ease We i...

Страница 10: ...k Speakon Used to connect to the main front amplifier speaker terminals 8 High Level Output Neutrik Speakon Used to connect or daisy chain another REL G1 Mk II in tandem 9 Power On Off Switch Use to t...

Страница 11: ...10 8 9 10 1 2 3 4 5 6 7 1 2 3 4 5...

Страница 12: ...only the required 120Hz fourth order filter Low Level Input The RCA inputs allow for conventional connection from a preamplifier and should be used in the rare event that a high level connection prov...

Страница 13: ...it by setting the SECURITY switch to UNLOCK and turning one of the knobs If the batteries are installed properly you will see one of the red LEDs on the remote control s front panel illuminate Replace...

Страница 14: ...rried forward into the Sub Bass System This is a very important point and together with REL s Natural RollOff circuitry ensures far superior system integration of the Sub Bass System with the main sys...

Страница 15: ...ings Before You Begin 1 It is helpful to know that you will almost always connect the REL to the input on the rear panel labeled HIGH LEVEL INPUT This connection is made using the supplied 32 10 10 me...

Страница 16: ...000 ohms in effect producing NO additional load on the rest of your system The standard high level hook up procedure is attach the red wire to the amplifier s right positive speaker output terminal a...

Страница 17: ...your dealer should there be any questions concerning this or any other hookup procedure NOTE G1 Mk II models are equipped with internal circuitry to allow connection to many Class D digital amplifiers...

Страница 18: ...e positive speaker terminal of the corresponding amplifier channel In some instances this will result in exceptionally high gain output from the RELs If it seems simply too high in gain please remove...

Страница 19: ...ed cable red yellow paired together to the positive centre channel speaker terminal If connecting a REL as a dedicated rear channel sub connect the black wire of the REL to either the left rear or rig...

Страница 20: ...he longest therefore lowest frequency bass waves 1a Stereo Set Up of G1 Mk II see page 20 through 23 for Stereo Set Up procedure When this step has been completed proceed to Number 2 immediately below...

Страница 21: ...s Step May be Omitted The next step is to determine precisely how far from the corner the sub should be placed to achieve the most efficient output as well as the lowest frequency extension With the R...

Страница 22: ...proper crossover point and volume setting will increase overall dynamics allow for extended bass frequencies and improve soundstage properties Note volume adjustments may need to be made to offset th...

Страница 23: ...corners of the room carefully toed in and placed per normal guidance in this manual Connect each sub to the speaker terminal outputs based on the following diagrams for standard stereo amp non balance...

Страница 24: ...unfamiliar with standard REL set up procedure for gain phase and crossover settings see page 14 thruogh 18 for Standard Set Up procedure 2 Carefully fine tune the position of the sub in its recommend...

Страница 25: ...Thus a stack of G1 Mk II can be connected using only one high level main cable from power amp to REL stack In a 1 film sound configuration each channel will require a single main 1 cable as well but a...

Страница 26: ...locked mode this switch can be rotated using a small slotted screwdriver to select one of sixteen possible address positions 0 through F Once a selection has been made replace the back cover and turn...

Страница 27: ...even greater sense of space and impact a second REL connected in parallel to the centre channel will prove to be a dramatic improvement as well And if that is not enough a rear REL both to support the...

Страница 28: ...coupled to avoid phase shifts and compromises in its low end performance It is inherently stable and will retain its characteristics over very long periods of time important in a unit designed for an...

Страница 29: ...ould be reduced to a safe level Although everything possible has been done to minimize risk of thermal overload failure there can be no defense against those individuals who deliberately abuse the dev...

Страница 30: ...C Fault Yes Output Short Yes Mains Input Voltage 220 240 volts 110 120 volts for certain markets Fuses 5 Amp semi delay 230 volts operation 10 Amp semi delay 115 volts operation Dimensions WHD Includ...

Страница 31: ...REL Acoustics Limited North Road Bridgend industrial Estate Bridgend CF31 3TP United Kingdom Telephone 44 0 1 656 768 777 Fax 44 0 1 656 766 093 Web www rel net...

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