Redback A 5360 Скачать руководство пользователя страница 6

clip

 excursions above the 

set

 Peak level and are reduced in amplitude. If the Peak 

LE

ASTER Section

 

n and LED: 

 stereo and dual mono operation. Press the STEREO COUPLE button In for stereo 

ope

 unit functions as two separate mono compressor/gates, each with its own 

ind

PLE LED indicates that the A 5360 is stereo-coupled. 

Rear Panel 

 

P

 jack and XLR-type jack are wired in parallel; either INPUT will accept an audio signal for 

pro

 (-) 

Only one input jack should be used at a time, except for “splitter” applications where one input jack is used as an input 

ted 

PERATING LEVEL Switch

 a -10dBV and +4dBu nominal operating level. When the switch is in the in position, a 

-10

unp

UTPUT (BALANCED) Jacks: 

ck and XLR-type jack are wired in parallel; either OUTPUT will send an audio signal to a 

loa

 or 

ote:

 

A given pair of channel output jacks (e.g., Channel 1 XLR OUTPUT and Channel 1 1/4” OUTPUT) are internally connected (TIP = Pin 2, RING = Pin 

ping is much preferable to a power amp’s or analog-to-digital converter’s. Peak rounds the corners of a peak rather 

than cutting it off sharply. By making a signal’s leading and trailing edges curved instead of sharply angled, it reduces th
amount of higher odd-order, offensive-sounding harmonics that conventional hard clipping causes. 

The level at which PEAK is activated is adjustable from +0dBu to +20dBu. Note that small signal

 value of PEAK are possible, to allow the rounding to occur. Therefore, for applications where you must not exceed a 

given ceiling, set the PEAK control 1dB to 2dB below the ceiling. 

The PEAK LED illuminates whenever peaks attempt to exceed

D illuminates when the PEAK LEVEL control is set to +20dBu, the headroom capabilities of the A 5360 are being 

exceeded and hard clipping is occurring. 

 
M

STEREO COUPLE Butto

This button toggles the unit between

ration where Channel 1 becomes the master controller for both channels. All of Channel 2’s controls, buttons, and 

LEDs will be disabled (except for Channel 2’s BYPASS, SIDECHAIN ENABLE, and CONTOUR buttons, and its GAIN 
REDUCTION LEDs), since Channel 2 is the “slave.” Note that the detection circuitry senses the true RMS levels of the 
combined signal, so it is unaffected by phase shifts (or other discrepancies) between the channels. This ensures stereo 
compression without loss of imaging stability. 

With the STEREO COUPLE button Out, the

ependent controls. 

The STEREO COU

 

 

 

IN UT (BALANCED) Jacks: 

The Tip/Ring/Sleeve phone

cessing by the A 5360. The phone jack accepts a standard TRS 1/4” phone plug for a balanced input source, or a 

2-circuit(Tip/Sleeve) 1/4” phone plug for an unbalanced source. The XLR-type jack is wired pin 2 HOT (+), pin 3 COLD
and pin 1 GROUND. 

Note: 

and the other input jack is used as an output (see “Using the SIDECHAIN INSERT” section on page 16). Since a given pair of 

channel input jacks (e.g., Channel 1 XLR INPUT and Channel 1 1/4” INPUT) are internally connected (TIP = Pin 2, RING = 

Pin 3, SLEEVE = Pin 1), if one of the jacks is unbalanced, then the other jack will be unbalanced. For example, if a 1/4” 

INPUT jack is used with a mono cable, and is therefore unbalanced, the XLR INPUT jack will also be unbalanced (Pin 3 shor

to ground). 

 
O

This switch selects between

dBV operating level is selected. When it is in the out po4dBu is selected. A -10dBV operating level should b

selected when interfacing with “semi-pro” or low level equipment, while a +4dBu level should be selected when interfacin
with “pro” equipment. The switch simultaneously changes the operating levels for both the input and output circuits.   

Note that the switch is slightly recessed to prevent accidental switching of operating levels while plugging in or 

lugging cables. 

 

O

The Tip/Ring/Sleeve phone ja

d. The phone jack accepts a standard TRS 1/4” phone plug for a balanced output load, or a 2-circuit (Tip/Sleeve) 1/4” 

phone plug for an unbalanced load. The XLR-type jack is wired pin 2 HOT(+), pin 3 COLD (-) and pin 1 GROUND. For 
proper unbalanced operation, the unused pin (either pin 2 or 3) must be grounded. Nominal output signal level is +4dBu
-10dBV into 600

, and typical maximum output level is +20dBu into 600

 (+20dBm).   

 
N

3, SLEEVE = Pin 1) and can simultaneously deliver the same signal to two separate loads, but if one of the jacks is unbalanced, then the other jack will be 

unbalanced. For example, if a 1/4” OUTPUT jack is used with a mono cable, and is therefore unbalanced, the XLR OUTPUT jack will also be unbalanced 

(Pin 3 shorted to ground). If using both outputs of a given pair simultaneously, the total parallel load on the output should be 600

minimum.

 

 

 

Содержание A 5360

Страница 1: ...A 5360 COMPRESSOR...

Страница 2: ...1...

Страница 3: ...of the parameter controls Instead a DC v functions this eliminates any possibility of potentiometer noise developing over time O EXPANDER GATE Section and LEDs BELOW ABOVE llow the signal at the inpu...

Страница 4: ...pressor THRESHOLD Control Adjust this knob to set the threshold of compressio mpressor THRESHOLD control to 20dB will prevent all but the highest level peaks from being compressed Se the Compressor R...

Страница 5: ...ng detecting compressor limiter The RELEASE control sets how fast the compression circ m FAST where compression follows the envelope of the program material very tightly to SLOW for very smooth compre...

Страница 6: ...unaffected by phase shifts or other discrepancies between the channels This ensures stereo compression without loss of imaging stability With the STEREO COUPLE button Out the ependent controls The ST...

Страница 7: ...sound Note Fast gating of sustained low frequency signals can result in chatt RELEASE time is longer than one full cycle of the gated signal s fundamental frequency To eliminate any chattering simply...

Страница 8: ...gain reduction Compression lessens the loudness variations among the strings and increases the bass inherent sustain Other instruments such as horns vary loudness depending on the note being played an...

Страница 9: ...damaged see Multi way speaker systems For maximum sound pressure levels large sound reinforcement systems frequently use a separate compressor on each output of the electronic crossover s For a ster...

Страница 10: ...kHz 6kHz region This pre emphasizes the already hissy vocal input to the Sidechain Used in conjunction with a moderate to high THRESHOLD and RATIO and a fast Attack and Release setting this arrangemen...

Страница 11: ...echain applications include keyed gating frequency sensitive gating and frequency weighted compression These topics are covered in detail in the previous pages of this manual Certain Sidechain applica...

Страница 12: ...may be connected to a patch bay to allow it to be used anywhere in the studio system If your studio is not fully balanced you must ground the unused balanced output conductor XLR pin either pin 2 or 3...

Страница 13: ...source avoid common grounding at the A 5360 s input and output Most balanced 3 conductor cables have the shield connected at both ends This can result in ground loops which cause hum If hum is a probl...

Страница 14: ...13...

Страница 15: ...rd Knee Variable 1 1 to Infinity 1 60dB Maximum Compression Variable program dependent 3ms to 340ms for 15dB gain reduction Variable program dependent 200dB Sec to 3dB Sec Threshold Range Threshold Ch...

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