Redback A 5360 Скачать руководство пользователя страница 13

Output Cable Considerations 

The model A 5360’s outputs are wired in parallel: either the XLR-type OUTPUT jack or the 1/4” stereo phone jack are 

capable of driving a 600

 load. The phone jack TIP (+) connection is internally wired to the XLR pin 2, the RING (-) is wired 

to pin 3, and the SLEEVE (shield) is wired to pin 1. 

 

Figure 4: Signal Flow (Balanced Connection) 

 
Grounding 

For maximum hum rejection with a balanced source, avoid common grounding at the A 5360’s input and output. Most 

balanced (3-conductor) cables have the shield connected at both ends. This can result in ground loops which cause hum. 
If hum is a problem, try disconnecting the shield on one or more of your cables, preferably at the input of a device, not at 
the output: Ground the shield of the input cable at the source device (leaving it unconnected at the A 5360’s INPUT) and 
ground the shield of the output cable to the ground terminal of the A 5360 (leaving it unconnected at the receiving device). 
The shield is pin 1 on the XLR, SLEEVE on a 1/4” TRS.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

12 

Содержание A 5360

Страница 1: ...A 5360 COMPRESSOR...

Страница 2: ...1...

Страница 3: ...of the parameter controls Instead a DC v functions this eliminates any possibility of potentiometer noise developing over time O EXPANDER GATE Section and LEDs BELOW ABOVE llow the signal at the inpu...

Страница 4: ...pressor THRESHOLD Control Adjust this knob to set the threshold of compressio mpressor THRESHOLD control to 20dB will prevent all but the highest level peaks from being compressed Se the Compressor R...

Страница 5: ...ng detecting compressor limiter The RELEASE control sets how fast the compression circ m FAST where compression follows the envelope of the program material very tightly to SLOW for very smooth compre...

Страница 6: ...unaffected by phase shifts or other discrepancies between the channels This ensures stereo compression without loss of imaging stability With the STEREO COUPLE button Out the ependent controls The ST...

Страница 7: ...sound Note Fast gating of sustained low frequency signals can result in chatt RELEASE time is longer than one full cycle of the gated signal s fundamental frequency To eliminate any chattering simply...

Страница 8: ...gain reduction Compression lessens the loudness variations among the strings and increases the bass inherent sustain Other instruments such as horns vary loudness depending on the note being played an...

Страница 9: ...damaged see Multi way speaker systems For maximum sound pressure levels large sound reinforcement systems frequently use a separate compressor on each output of the electronic crossover s For a ster...

Страница 10: ...kHz 6kHz region This pre emphasizes the already hissy vocal input to the Sidechain Used in conjunction with a moderate to high THRESHOLD and RATIO and a fast Attack and Release setting this arrangemen...

Страница 11: ...echain applications include keyed gating frequency sensitive gating and frequency weighted compression These topics are covered in detail in the previous pages of this manual Certain Sidechain applica...

Страница 12: ...may be connected to a patch bay to allow it to be used anywhere in the studio system If your studio is not fully balanced you must ground the unused balanced output conductor XLR pin either pin 2 or 3...

Страница 13: ...source avoid common grounding at the A 5360 s input and output Most balanced 3 conductor cables have the shield connected at both ends This can result in ground loops which cause hum If hum is a probl...

Страница 14: ...13...

Страница 15: ...rd Knee Variable 1 1 to Infinity 1 60dB Maximum Compression Variable program dependent 3ms to 340ms for 15dB gain reduction Variable program dependent 200dB Sec to 3dB Sec Threshold Range Threshold Ch...

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