Redback A 5360 Скачать руководство пользователя страница 5

When an inpu

ines the number of 

dec

 

ompressor ATTACK and RELEASE Control: 

 takes the A 5360 to begin compressing a signal once the detector has 

sen

uit returns the input to its original level. The RELEASE rate is 

fro

solute 

right 

way to set the ATTACK and RELEASE controls. However, in general, you will want them set 

slo

:

 ATTACK and RELEASE controls operate together and in conjunction with the RATIO control. Changing one control may necessitate changing another setting. 

 

UTO Switch and LED

oth the ATTACK and RELEASE controls and enables preset program-dependent attack and 

rele

 

UTPUT GAIN Control: 

ry the amount of fixed gain (up to ±20dB) in the A 5360’s output amplifier stage. The OUTPUT 

GA

for the RMS level decrease which results from the A 

536

l to 

in can be added at the A 5360 output, it is possible to cause clipping even when the input level is within the specified range. 

tput 

 

YPASS Button and LED: 

rd-wire bypass” the A 5360’s circuitry,(i.e., unaltered input signal will pass through the unit 

eve

directly to the output, bypassing the A 5360’s processing and controls and presenting 

una

ass mode if the A 5360 is being provided with AC power. 

 

d LED: 

e maximum peak output level of the A 5360 regardless of any other control. Peak 

com

 

ill 

o the gentleness of compression; its 

t signal is above the THRESHOLD reference level, the setting of this control determ

ibels (dB) by which the input signal must change in level to produce a 1dB increase in the signal level at the output of 

the A 5360. A setting of 2:1 indicates an input:output ratio wherein a 2dB increase in signal (above threshold) will produce
a 1dB increase in output signal. A setting of 

:1 indicates that an infinite increase in input level would be required to raise 

the output level by 1dB. In other words, the output level stays constant when the input signal rises above threshold. 
 

C

The ATTACK control sets the amount of time it

sed a signal above threshold. The ATTACK range is from FAST (for a tighter and more noticeable compression effect 

with very little overshoot) to SLOW (for more delayed, gradual compression). A very fast ATTACK setting will cause the A 
5360 to act like a peak limiter even though RMS detection circuitry is used. Slower ATTACK settings cause the A 5360 to 
act like an RMS or averaging detecting compressor/limiter. 

The RELEASE control sets how fast the compression circ

m FAST (where compression follows the envelope of the program material very tightly) to SLOW (for very smooth 

compression).  

There is no ab

w enough to avoid pumping or breathing sounds caused when background sounds are audibly modulated by the 

dominant signal energy, yet the release must be fast enough to avoid suppression of the desired signal after a sudde
transient or loud note has decayed. For low frequency tones (e.g., bass guitar), set RELEASE and ATTACK to 2:00 or 
slower. 

Note

A

This switch overrides b

ase times. These times are derived from the input signal and continuously change to match its dynamics. The switch

lights indicating the attack and release times are being automatically adjusted in a program-dependent fashion. 

 

O

Adjust this control to va

IN control does not interact with the threshold of compression. 

The OUTPUT GAIN control is especially useful to compensate 

0’s dynamic processing effects. After you adjust the A 5360’s controls for the desired amount of compression (and 

gating), set the OUTPUT GAIN to add the same amount of gain that is shown on the GAIN REDUCTION meters. For 
example, if the average amount of gain reduction shown on the meters is 10dB, then setting the OUTPUT GAIN contro
10dB will compensate for the 10dB average level reduction at the output. Note that the OUTPUT GAIN control comes 
before the Peak circuit. 

Note:

 

B20dB of ga

For example, when the COMPRESSION RATIO is set at a low number, extreme clockwise rotation of the OUTPUT GAIN may cause the A 5360 ou

stage to clip program peaks. 

B

Depress this button to “ha

n if it is unplugged). Note that BYPASS works independently for each channel, even when the unit is stereo-coupled 

(via the STEREO COUPLE button). 

In Bypass mode, the input is sent 

ltered input signal at the A 5360’s OUTPUT. Bypass mode is especially useful for making comparisons between 

processed and unprocessed signals. 

The BYPASS LED turns On in Byp

LIMITER Section 

PEAK LEVEL Control an

This control allows you to set th

es after the compression, gating and output gain circuitry; this provides for an absolute limit to be put on the peak

excursions at the output. Peak works instantaneously; you can apply moderate amounts of A 5360 compression and st
be protected from large transients, other short-term overloads and overmodulation. 

Peak is a smooth well-controlled soft clipper whose behavior is sonically similar t

 

Содержание A 5360

Страница 1: ...A 5360 COMPRESSOR...

Страница 2: ...1...

Страница 3: ...of the parameter controls Instead a DC v functions this eliminates any possibility of potentiometer noise developing over time O EXPANDER GATE Section and LEDs BELOW ABOVE llow the signal at the inpu...

Страница 4: ...pressor THRESHOLD Control Adjust this knob to set the threshold of compressio mpressor THRESHOLD control to 20dB will prevent all but the highest level peaks from being compressed Se the Compressor R...

Страница 5: ...ng detecting compressor limiter The RELEASE control sets how fast the compression circ m FAST where compression follows the envelope of the program material very tightly to SLOW for very smooth compre...

Страница 6: ...unaffected by phase shifts or other discrepancies between the channels This ensures stereo compression without loss of imaging stability With the STEREO COUPLE button Out the ependent controls The ST...

Страница 7: ...sound Note Fast gating of sustained low frequency signals can result in chatt RELEASE time is longer than one full cycle of the gated signal s fundamental frequency To eliminate any chattering simply...

Страница 8: ...gain reduction Compression lessens the loudness variations among the strings and increases the bass inherent sustain Other instruments such as horns vary loudness depending on the note being played an...

Страница 9: ...damaged see Multi way speaker systems For maximum sound pressure levels large sound reinforcement systems frequently use a separate compressor on each output of the electronic crossover s For a ster...

Страница 10: ...kHz 6kHz region This pre emphasizes the already hissy vocal input to the Sidechain Used in conjunction with a moderate to high THRESHOLD and RATIO and a fast Attack and Release setting this arrangemen...

Страница 11: ...echain applications include keyed gating frequency sensitive gating and frequency weighted compression These topics are covered in detail in the previous pages of this manual Certain Sidechain applica...

Страница 12: ...may be connected to a patch bay to allow it to be used anywhere in the studio system If your studio is not fully balanced you must ground the unused balanced output conductor XLR pin either pin 2 or 3...

Страница 13: ...source avoid common grounding at the A 5360 s input and output Most balanced 3 conductor cables have the shield connected at both ends This can result in ground loops which cause hum If hum is a probl...

Страница 14: ...13...

Страница 15: ...rd Knee Variable 1 1 to Infinity 1 60dB Maximum Compression Variable program dependent 3ms to 340ms for 15dB gain reduction Variable program dependent 200dB Sec to 3dB Sec Threshold Range Threshold Ch...

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