Rane SIXTY-EIGHT, Руководство оператора

Страница: 53 / 60

Mounting Bracket Accessories
When installing a Sixty-Eight mixer in a
coffin case, it is important to leave 3.9
inches (10 cm) in front and in back of the
mixer to allow room for cables and access
to controls. The rubber feet provided
on the chassis for table top use should
remain in place when installing the mixer
in a coffin case. When in operation, the
coffin case setup must provide 0.39
inches (1 cm) clearance on each side of
the mixer and above the controls on the
face of the mixer.
Two mounting bracket kits are available
for the Sixty-Eight Mixer. Brackets install
easily with three screws on each side.
These are powder-coated .075" steel,
matching the paint of the mixer.
14" EARS bring the total width of the
mixer to 13.3" (33.78 cm) for coffin
mounting. These measure 14" x .75" x 3"
(35.8 x 1.9 x 7.7 cm). Shipping weight is 3
pounds (1.36 kg).
19" EARS bring the total width of the
mixer to 19" (48.26 cm) for rack mounting.
These measure 14" x 3.6" x 3" (35.8 x 9.2
x 7.7 cm). Shipping weight is 5 pounds
(2.27 kg).
If you live in the U.S.A, you may buy
these ears in the Rane Factory Store at
dj.rane.com . Outside the U.S.A, contact
your international representative, contact
information is at at
dj.rane.com .
CASE4 ROAD CASE
The model CASE4 is designed to fit the
Sixty-Eight Mixer. This case is made
from high impact NK-7 resin designed
to absorb the shocks of transport. While
being watertight, it is equipped with
an automatic pressure release valve to
equalize pressure inside the case. There’s
added space beneath the mixer for
cables, phono cartridges and other small
items. The case measures 7.5" x 16" x
19.75" (19 x 41 x 50 cm). Shipping weight
is 17 pounds (7.72 kg), unboxed and
empty is 10 pounds (4.53 kg).
In the U.S.A, you may buy the CASE4
in the Rane Factory Store at
rane.
com . Outside the U.S.A, contact your
representative, their info is at at rane.com .
OL
+6
+3
0
-3
-12
-6
-18
10 0
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8
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10 0
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RIGHT LEFT
+6 OFF
+6 OFF
+6 OFF
HIGH LOW
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+6 OFF
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HIGH LOW
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HIGH LOW
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+6 OFF
+6 OFF
RIGHT LEFT
MAIN CUE MAX MIN
HIGH LOW
+6 OFF
+6 OFF
10 0
2
4
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RIGHT LEFT
+6 OFF
+6 OFF
10 0
2
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+3
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RIGHT LEFT
+6 OFF
+6 OFF
+6 OFF
HIGH LOW
10 0
2
4
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+6 OFF
+6 OFF
+6 OFF
HIGH LOW
10 0
2
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+6 OFF
+6 OFF
+6 OFF
HIGH LOW
10 0
2
4
8
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10 0
2
4
8
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+6 OFF
+6 OFF
+6 OFF
RIGHT LEFT
MAIN CUE MAX MIN
HIGH LOW
+6 OFF
+6 OFF
10 0
2
4
8
6
RIGHT LEFT
+6 OFF
+6 OFF
10 0
2
4
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B
B
A
A
HEADPHONES
BOOTH
SESSION OUT
SESSION IN
BALANCE
PAN
LEVEL
LEVEL / DEPTH
SPLIT CUE
MAIN LEVEL
A B
CUE
LEVEL
MID
HIGH
LOW
LEVEL
HIGH
PAN
LOW
LEVEL
HIGH
PAN
LOW
FILTER
FLEXFX
CROSSFADER
BEAT
CUE
EXT. INSERT 5 INSERT
FILTER
FLEXFX
BEAT
TIME
TAP
MIC 2
MONO
LOOPS
SELECT
SAVE
4
3
2
1
CUE POINTS
5
ROLL
AUTO
MANUAL
IN
LOOP
OUT
LOOP
DELETE
MIC 1
PHASER
FLEXFX FLEXFX
FLANGER
ROBOT ECHO REVERB
POST
SCROLL
LOAD A
LAYER / SHIFT
BACK
LOOPS
SELECT
SAVE
4
3
2
1
CUE POINTS
SIXTY-EIGHT
5
ROLL
AUTO
MANUAL
IN
LOOP
OUT
LOOP
DELETE
SCROLL
LOAD B
CONTROL POINT
BACK
FLEXFX ON
A B
CUE
LEVEL
MID
HIGH
LOW
FILTER
FLEXFX
CROSSFADER
POST
A B
CUE
LEVEL
MID
HIGH
LOW
FILTER
FLEXFX
CROSSFADER
POST
A B
CUE
LEVEL
MID
HIGH
LOW
FILTER
FLEXFX
CROSSFADER
POST
A B
PGM 4 PGM 3 PGM 2 PGM 1
HEADPHONES
BOOTH
SESSION OUT
SESSION IN
BALANCE
PAN
LEVEL
LEVEL / DEPTH
SPLIT CUE
MAIN LEVEL
A B
CUE
LEVEL
MID
HIGH
LOW
LEVEL
HIGH
PAN
LOW
LEVEL
HIGH
PAN
LOW
FILTER
FLEXFX
CROSSFADER
BEAT
CUE
EXT. INSERT 5 INSERT
FILTER
FLEXFX
BEAT
TIME
TAP
MIC 2
MONO
LOOPS
SELECT
SAVE
4
3
2
1
CUE POINTS
5
ROLL
AUTO
MANUAL
IN
LOOP
OUT
LOOP
DELETE
MIC 1
PHASER
FLEXFX FLEXFX
FLANGER
ROBOT ECHO REVERB
POST
SCROLL
LOAD A
LAYER / SHIFT
BACK
LOOPS
SELECT
SAVE
4
3
2
1
CUE POINTS
SIXTY-EIGHT
5
ROLL
AUTO
MANUAL
IN
LOOP
OUT
LOOP
DELETE
SCROLL
LOAD B
CONTROL POINT
BACK
FLEXFX ON
A B
CUE
LEVEL
MID
HIGH
LOW
FILTER
FLEXFX
CROSSFADER
POST
A B
CUE
LEVEL
MID
HIGH
LOW
FILTER
FLEXFX
CROSSFADER
POST
A B
CUE
LEVEL
MID
HIGH
LOW
FILTER
FLEXFX
CROSSFADER
POST
A B
PGM 4 PGM 3 PGM 2 PGM 1
PH/CD AUX
PGM 1 SOURCE
2 1
2 1
1 2
PH/CD AUX
PGM 2 SOURCE
2 1
2 1
1 2
PH/CD AUX
PGM 3 SOURCE
4 3
4 3
3 4
PH/CD AUX
PGM 4 SOURCE
4 3
4 3
3 4
PH/CD AUX
PGM 1 SOURCE
2 1
2 1
1 2
PH/CD AUX
PGM 2 SOURCE
2 1
2 1
1 2
PH/CD AUX
PGM 3 SOURCE
4 3
4 3
3 4
PH/CD AUX
PGM 4 SOURCE
4 3
4 3
3 4
WHEN RACKMOUNTING, ADD AT LEAST TWO RACK SPACES ABOVE FOR CABLE CLEARANCE
19" (48.26 cm) TOTAL WIDTH WITH MODEL “19" EARS”
WHEN RACKMOUNTING, ADD TWO RACK SPACES BELOW FOR HEADPHONE PLUG CLEARANCE.
11.8" (30 cm)
.65" (1.6 cm) PROJECTION FOR POSTS
.6" (1.5 cm) MAX PROJECTION FOR KNOBS.
14.2"
(36 cm)
14.08"
(35.8 cm)
EARS
.75"
(1.9
cm)
13.3" (33.78 cm) TOTAL WIDTH WITH MODEL “14" EARS”
RACK HOLE
HEIGHT FROM
THE BOTTOM
5.6”
(14.2 cm)
8.6”
(21.8 cm)
12.6”
(32 cm)
1.6”
(4 cm)
11.8" (30 cm)
.65" (1.6 cm) PROJECTION FOR POSTS
.6" (1.5 cm) MAX PROJECTION FOR KNOBS.
14.2"
(36 cm)
RACK HOLE HEIGHT
FROM THE BOTTOM
5.6”
(14.2 cm)
8.6”
(21.8 cm)
12.6”
(32 cm)
1.6”
(4 cm)
14.08"
(35.8 cm)
RANE SIXTY-EIGHT MIXER FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.4.4 53