Positive Grid BIAS MODULATION, Руководство по эксплуатации продукта

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SIGNAL PATH
The signal path shows you how the signal is being processed. Each module in the signal path
provides different functionalities and a different control interface. This section will show you how
to work with these modules and how to get the tone you want.
Custom Panel
The Custom Panel shows how the pedal looks. You can custom-design the look of your pedal
by editing the options listed immediately below.
1. PHOTO
Load a photo from your iPad or computer to
use as the background image for the
pedal. You can alo adjust the image size
and its position on the pedal.
2. RENAME
Name or rename your pedal at any time.
3. BOX
Select the type of box. Different boxes
come with different knob placements and
numbers.
4. COLOR
Select the background color.
5. KNOB
Select the knob design.
Module 1 (Time-based modulation)
Module 1 allows you to design your own time-based modulation effect.
1. Topology
Select the type of effect you want, using the
knob on the far left. The units used for
parameter values, or the actual parameters
themselves, may differ for each control
depending on the type of effect you select, as
explained below.
2. Time Sync Display Panel
When the BPM switch is on, the Time Sync
panel will display the value of the Rate knob
as a time division corresponding to the global
BPM set in BIAS Pedal software. When the
BPM switch is off, the Time Sync panel
displays the value of the Rate knob in Hz
(Hertz, or cycles per second).
3. BPM Sync Switch
This switch alternately sets the Rate knob to
adjust Hz or the time division corresponding
to the global BPM.
4. Intensity
Adjusts the dry/wet mix. When the Intensity
knob is set to its maximum value (all the way to
the right), the signal is 100% wet and you are
only hearing the processed (effect) signal.
5. Tone
Controls a “tilt” filter (bipolar shelving filter).
Turning the Tone control clockwise from its
noon position attenuates low frequencies while
simultaneously boosting highs. Turning the
Tone control anti-clockwise has the opposite
effect, boosting low frequencies while
simultaneously cutting highs.
6. Low Cut
Rolls off low frequencies in the wet signal to
clean out muddiness when needed.