ANAMORPHIC 1.3
8K Full Format
8K 16:9 (HD)
7.5K Full Format
7.5K 16:9 (HD)
7K Full Format
7K 16:9 (HD)
6.5K Full Format
6.5K 16:9 (HD)
6K Full Format
6K 16:9 (HD)
5K Full Format
5K 16:9 (HD)
4K Full Format
4K 16:9 (HD)
3K Full Format
2K Full Format
ANAMORPHIC 1.25
8K Full Format
6K Full Format
LOOK AROUND
When Look Around is enabled, the Frame Guide and recording area are scaled down on the display so that you can see what
images will enter the recording area.
To assign a Shading overlay to the Look Around area (the area outside of the recording area), go to
"Frame Lines" on
page 60
.
Look Around limits the available frame rates. At high resolutions, the recording area on the display shows the full sensor area
or full sensor height, so there is no extra room for Look Around.
REDCODE
Select the target REDCODE compression ratio for your project.
If the camera is able to achieve the target compression ratio, the compression ratio displays in white. If the camera is unable
to achieve the target compression ratio, the compression ratio displays in yellow, and the camera uses the next possible
compression ratio.
The current compression ratio is automatically recalculated when changes are made to the project resolution, aspect ratio,
anamorphic setting, frame rate, media, or the target REDCODE compression ratio.
The RECODE compression affects the overall quality of the footage. A lower compression (for example: 2:1) increases the
quality of the footage, while a higher compression (for example: 22:1) lowers the quality.
For more information, go to
"R3D File Format and REDCODE" on page 7
.
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