background image

15

OUTPUT:

Sets the overall output level of the channel. Adjust the VOLUME and OUTPUT

controls to achieve the desired combination of distortion and level.

BLEND:

This control lets you adjust the mix between the dry input signal (DRY) and the

overdriven signal created by the RevivalDRIVE (O.D.). From 100% O.D. when the control
is turned fully clockwise, you can progressively mix your original clean tone back in to add
more clarity and definition by turning the control counter-clockwise.

Please see notes on the DRY GAIN control and footswitchable BLEND OVERRIDE function
below for more on this control.

GHOST:

This control lets you introduce “ghost tones” by varying the amount of

capacitance in the pedal's virtual amp-style power supply. Turn clockwise to lower
capacitance and create more of the ghosting effect.

The GHOST control also affects power amp sag onset and recovery timing – how quickly
the output level drops and then returns to normal when hit with a loud note. This is more
noticeable when using the VALVE RECTIFIER channel. Turned fully clockwise (lower
capacitance), the transition in and out of sag is almost immediate. Turned fully counter-
clockwise (higher capacitance), the onset and recovery times are at their slowest.

In general, faster transition times will allow the pedal to sag in response to the individual
notes contained in a musical passage, as the power supply has time to recover in the
pauses between notes. However, too fast and you may struggle to hear the rapid onset of
sagging. Slower transition times will tend to sag across entire passages of notes, which
can also be less noticeable.

Setting the GHOST control between these two extremes

results in a “spongey” playing feel.

PREAMP:

The PREAMP switch offers three snapshots of classic amp tone-shaping.

•Centre position:

Based on a classic British tone shape – almost flat but with a subtle

treble lift. Overall, this position is warm and round.

•GB (switch left):

Modelled after a configuration widely used by those cranking early

Plexi Marshalls – treble and mid tone controls set full, with the bass set very low. This
equates to a tone rich in mids, with a tight, “mush-free” bass.

•US (switch right):

Applies the same "mush-free" approach to cranking, but to a

Blackface Fender amp for a glassier, brighter tone.

Содержание RevivalDRIVE

Страница 1: ...RevivalDRIVE Owner s Manual UNABRIDGED AMPLIFIER OVERDRIVE...

Страница 2: ...e parts inside When using an external power supply use only attachments accessories specified by Origin Effects Protect the power cord from being walked on or pinched particularly at plugs convenience...

Страница 3: ...r and its mains power supply the RevivalDRIVE puts incredible tone shaping power at your disposal At the same time the RevivalDRIVE incorporates a range of controls that will tailor its response to su...

Страница 4: ...ound that s too harsh or too muddy or you end up sacrificing the amp settings you d really like to use for your clean tone to accommodate the overdrive pedal We ve built a range of EQ adjustment featu...

Страница 5: ...haracteristics Variable negative feedback in the output stage lets you boost presence or fine tune dynamic response and clean to overdrive transitional characteristics Reactive load models the interac...

Страница 6: ...ngs GB and US via the BRIGHT CAP switch on each channel The capacitor values of the US setting are based on a Fender Twin Reverb for that bright glassy top end heard on many classic studio cuts from t...

Страница 7: ...evivalDRIVE s output so you can adapt it to perfectly fit the frequency response of your chosen amp LOW FREQUENCY DISTORTION Another crucial aspect of amplifier design is the treatment of low frequenc...

Страница 8: ...adroom but once you pass a certain threshold it will suddenly distort a lot With no negative feedback gain is increased and the amp will distort much sooner but the transition will be smooth and gradu...

Страница 9: ...wise reduces capacitance in the pedal s simulated power supply creating more of the ghosting effect We ve designed this control to offer a broad range of adjustment while never reaching the extremes w...

Страница 10: ...VE RECTIFIER channel to behave like a second SILICON RECTIFIER channel using the MODE DIP switch on the rear of the pedal RECTIFIERS SAG AND GHOST TONES Because both sag and ghosting are generated in...

Страница 11: ...arly old vintage amp with technically inferior capacitors to a modern amp boasting better quality components that offer a larger charge capacity Remember that regardless of which rectifier you use or...

Страница 12: ...DE DIP switch to the downward position No EQ is applied to the DRY signal or when the RevivalDRIVE is in bypass RE AMP EQ Select EQ1 for brighter sounding amps or EQ2 for darker sounding amps on the R...

Страница 13: ...filters Please note that a cabinet simulator will be required for DI applications where the signal is to be reproduced via a full range speaker system OPERATING THE PEDAL ON footswitch Toggles betwee...

Страница 14: ...eedback as you turn it clockwise from the centre position This has the effect of progressively boosting higher frequencies in vintage Marshall and Brownface Fender fashion MORE turn counter clockwise...

Страница 15: ...Turned fully clockwise lower capacitance the transition in and out of sag is almost immediate Turned fully counter clockwise higher capacitance the onset and recovery times are at their slowest In ge...

Страница 16: ...evel and centre frequency the MID BOOST can be applied to either channel or remotely activated using the optional footswitch MID ASSIGN This three way switch applies the MID BOOST to either the VALVE...

Страница 17: ...rvatively voiced treble boost cut control for making small adjustments to the high frequency component of your tone In particular it s designed to counteract Fender style treble tone controls This she...

Страница 18: ...Fender Marshall and Vox amps To make use of these additional controls set the RE AMP EQ switch on top of the pedal to the central EQ2 position EQ 2 This carefully voiced EQ combines shelving boost and...

Страница 19: ...MP switch on the currently active channel This means you can still take advantage of the RevivalDRIVE s classic amp style tone shaping even when not using the main overdrive circuit The pedal s two ch...

Страница 20: ...carefully adjusting the DRY GAIN trimmer you can control the change in volume up down or unity gain that occurs when engaging BLEND OVERRIDE For example as a contrast to the above you could set up you...

Страница 21: ...b on this sizzling track Note how the Blackface Twin employs a silicon rectifier more efficient power caps tighter bass LH channel We Are The Champions AC30 style brilliantly bright harmonically rich...

Страница 22: ...eminiscent of Black Sabbath Kick in the RevivalDRIVE s mid boost during solos to replicate Toni Iommi s Dallas Rangemaster LH channel Blue Sky My favourite Duane Allman tone replicated using a 61 Brow...

Страница 23: ...etween the equipment and receiver Connect the equipment into an outlet on a circuit different from that to which the receiver is connected Consult the dealer or an experienced radio TV technician for...

Страница 24: ...ained compressor were soon followed by the Compact Series for guitar and bass Widely recognised as the best pedal compressors ever made they have found favour with guitarists and bass players like Dav...

Отзывы: