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Interface

IV’s parameters are described below, followed by the
corresponding Desmodus Versio parameter in parentheses
for ease of use when reflashing.

Blend (Blend):

Wet/dry mix between the input signal and

the resulting delay.

Regen (Regen):

Feedback amount for the delay lines.

Turning this control past 3:00 ducks the delay line based on
the input, creating sidechain-type effects. Regen is a
sensitive control and while you are learning the module you
may have best results if you keep it relatively low.

Skew (Speed) [bipolar]:

Changes the relative timing of the

delay taps. In the center, the spacing between taps is equal.
To the left, the spacing starts fast and gets slower. To the
right, the spacing starts slow and gets faster. Useful for a
variety of effects like bouncing ball to the left and dying
clock to the right.

Angle (Tone) [bipolar]:

Imagine that the delay taps are

arranged in a circle in the L/R space. This control sets the
amount that each tap is offset in that circle relative to the
previous tap. For instance, at 1:00, the second tap will be
rotated slightly further right than the previous, and the tap
after that would be rotated even more, eventually looping
back to the left side of the circle. At extreme clockwise/

counterclockwise values, taps bounce around the stereo field wildly.

LFO (Index) [bipolar]:

Adds modulation and wide bandpass filtering to the delay line.

To the left the modulation is random, to the right it is triangular. Think of LFO as a
“warble” control with two flavors of warbliness.

Time (Size):

How much time there is before the first delay as a fraction of the Spread

setting.

Spread (Dense):

Base delay time. This sets the time from now until the last tap. When

using a tap or external clock, this acts as a clock divider/multiplier.

LIM/DST/SHM:

Delay mode that changes how the feedback path is processed: clean,

slightly distorted, and pitch-shifted shimmer.

>/=/< (BND/LRP/JMP):

Changes how the 12 delay taps behave. To the left, the taps

decrescendo. To the right, the taps crescendo. In the center, all taps are equal volume.

Tap (FSU):

Tap tempo. Output LEDs flash purple each time a clock pulse/tap is

received. Holding down the button for 2 seconds clears the tapped tempo (LEDs flash
orange) and the Size and Dense knobs then control timing entirely. Holding down the
button for 5 seconds clears the delay lines completely (LEDs flash white). The
corresponding jack acts as a clock input.

4

Содержание Imitor Versio

Страница 1: ...y taps and a slew of parameters designed to make the delay perform in unfathomable ways IV is perfect for creating unusual echoes experimenting with different delay shapes and patterns adding vintage flare to an atmosphere and more Ask your doctor if Imitor Versio is right for you Etymology Imitor from Latin Imitate Versio from Latin Versatile Versatile imitation Color code On boot the IV s LEDs w...

Страница 2: ...od to go if you followed these instructions Now go make some noise A final note Some modules have other headers they may have a different number of pins or may say NOT POWER In general unless a manual tells you otherwise DO NOT CONNECT THOSE TO POWER Warranty Noise Engineering backs all our products with a product warranty we guarantee our products to be free from manufacturing defects materials o...

Страница 3: ...12 00 Set both switches to the leftmost position Send a simple slow plucky sequence in to hear what the most basic form of delay sounds like Try changing the LIM DST SHM switch to hear the different delay types Try gently increasing Regen to increase the length of the delay effect Tap in a tempo to change the timing of the delay with the Tap button The rest of the parameters can be explored past t...

Страница 4: ...ous and the tap after that would be rotated even more eventually looping back to the left side of the circle At extreme clockwise counterclockwise values taps bounce around the stereo field wildly LFO Index bipolar Adds modulation and wide bandpass filtering to the delay line To the left the modulation is random to the right it is triangular Think of LFO as a warble control with two flavors of war...

Страница 5: ...tap delay could do on our new audio platform The final architecture was stereo 12 tap delay The taps are a stereo pair that simulates interaural time difference for a first order binaural effect Most of the focus of Imitor is on the spacing and timing of the taps Take care when you re using IV we re pretty sure it s cursed While testing it we ran into problem after problem after problem Then when ...

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