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MULTICAM
By default, each camera with
Auto Color
enabled is processed uniquely – without reference to
other sources. Often, though, even greater consistency can be achieved by treating sources in
similar illumination environments as a group. Enable
Multicam
for several cameras causes
Auto
Color
to evaluate and adjust these cameras in unison. You might, for example, enable
Multicam
for court-side cameras in an interior sports venue, while treating exterior or studio feeds
individually.
LISTEN ONLY
The
Listen
Only
switch allows you to include a source in the
Multicam
group without adding its
own feed to the group evaluation. Thus a camera trained on Fenway Park’s giant ‘Green
Monster’ left-field wall can be automatically corrected without disproportionately biasing the
group evaluation and consequent
Auto Color
correction. Alternatively, one might enable
Multicam
for a number of sources, turning
Listen Only
on for all but one camera – effectively
making that camera the color reference all other cameras in the group will follow.
Note: The Proc Amps, discussed next, are downstream of the new Auto Color system. This allows
you to can Proc Amps settings to apply further manual color adjustments to your individual
sources, whether for fine tuning or to achieve a specific “look”.
PROC AMP
Proc Amp
adjustments can be toggled on and off using the
Proc Amp
switch at upper left, or
reset by clicking the
Restore Defaults
button
Figure 86
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