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1/19/2018

Mutable Instruments | Yarns

https://mutable-instruments.net/modules/yarns/manual/

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TAP acts as a tap-tempo.

In addition:

In recording mode, START/STOP and TAP enter a tie step (extends the duration of the previous note onto this
step) or a rest (blank step) in the sequence.
Holding the START/STOP button for a few moments latches the arpeggiator (if it is running), or starts and hold a
note. More on that in the Latch and keyboard-free operation section!

YARNS’ ARCHITECTURE: VOICES, PARTS AND LAYOUTS

Three important concepts are used throughout this documentation: voicepart, and layout.

You can think of a voice as a group of CV and Gate outputs working together to convey information about a
single note of music. A traditional monophonic MIDI interface manages only one voice. In its simplest
expression, a voice would need only one CV output (to output the note frequency information), and one Gate
output (to output the note on/off status) - though additional CV and Gate signals can be produced, for
example an extra trigger or a velocity CV.

part is a group of voices responding to the same MIDI channel. Whenever a note is played on this MIDI
channel, it will be dispatched to one of the voices in the group.

Yarns can handle up to 4 parts, and there are enough CV/Gate outputs for 4 voices. This means that there
are many different ways of getting these to work together! Each of these configurations are called Layouts.

Yarns provides the following layouts:

1M. Monophonic. Yarns offers a single voice of CV/Gate conversion.
2M. Dual monophonic. Yarns provides two independent monophonic voices. The voices are independent in the
sense that they can play different sequences, respond to different MIDI channels, etc.
4M. Quad monophonic. Yarns provides four independent monophonic voices.
2P. Duophonic. Yarns provides a single part made of two voices. The incoming notes are dispatched to these
two voices.
4P. Quadraphonic. Yarns provides a single part made of four voices. The incoming notes are dispatched to these
four voices.
2>. Duophonic with polychaining. Yarns provides a single part made of two voices. However, only the first voice
is handled by Yarns’ CV/Gate outputs. The second voice is simply forwarded as MIDI Note on/off messages the
MIDI out. This allows “ping-pong” play between the modules connected to Yarns and another MIDI instrument.
This can also be used to chain several instances of Yarns to get more CV outputs.
4> and 8>. Quadraphonic and octophonic with polychaining. Yarns provides a single part made of 4 or 8 voices.
Only the first half of the voices are handled by Yarns’ CV/Gate outputs. Notes allocated to the other voices are
forwarded to the MIDI output.
4T. Quad trigger mode. This layout is optimized for controlling percussion patches (for example from MIDI drum
pads, or from a MIDI drum sequencer). It offers 4 parts, each of them listening to a single MIDI note. No control-
voltage is emitted - just a trigger, freeing some outputs to emit additional gate and clock signals.

The layout can be changed by selecting the LA(YOUT) setting, clicking the encoder, selecting a layout in the
list, and clicking the encoder to confirm.

CV/GATE OUTPUTS MAPPINGS

Yarns offers 4 CV outputs and 4 Gate outputs. What do they correspond to? It all depends on the selected
layout!

Single voice Layouts

Содержание Yarns

Страница 1: ...ide as the Red stripe marking on the printed circuit board CONTROLS At the right of Yarns display is an encoder which is used to increment decrement values and scroll through options The typical way o...

Страница 2: ...arns provides two independent monophonic voices The voices are independent in the sense that they can play different sequences respond to different MIDI channels etc 4M Quad monophonic Yarns provides...

Страница 3: ...s gate Quad triggers layout In the quad trigger layout 4T mode which is optimized for percussions patches the 4 CV outputs emit excitation pulses In their simplest form the excitation pulses are the...

Страница 4: ...ng Finally when set to AR P SEQ all the notes generated by this part s arpeggiator sequencer are sent to the MIDI OUT VO ICING Voice allocation method This option is shown when more than one voices ar...

Страница 5: ...in the order of seconds Other layouts do not offer trigger outputs T TRIGGER SCALING This setting available only with the 4T layout can scale the amplitude of the trigger output according to velocity...

Страница 6: ...rter tone will be on the note F instead This setting has no effect in equal temperament tuning For the ragas settings this is equivalent to moving the Sa up or down on the keyboard CLOCK AND TEMPO Bef...

Страница 7: ...g is called RP RHYTHMIC PATTERN when the 4T layout is selected E EUCLIDEAN LENGTH length of the euclidean pattern When set to 0 the euclidean generator is disabled and the AR ARP PATTERN setting is us...

Страница 8: ...step will be played with a long portamento In case an error is made during recording the encoder can be used to go back to a previously recorded step and re record it Recording notes without keyboard...

Страница 9: ...ti timbral setup is created for these channels 2M or 4M If adjacent notes such as B and C or F and F have been played a split is created at this point If all notes are received on channel 10 tradition...

Страница 10: ...packets some MIDI interfaces have rather small buffers and choke on large blocks of SysEx data We recommend Elektron s C6 tool available for both Windows and OS X or Snoize SysEx Librarian WARRANTY Th...

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