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5

Owner’s Manual

Owner’

s Manual

Getting Started

READ THIS PAGE!!

Even if you’re one of those people 
who never read manuals, all we ask 
is that you read this page now before 
you begin using the Onyx 4•Bus. 
You’ll be glad you did!

Zero the Controls

1.  Turn down the channel GAIN, AUX, and Fader con-

trols, and center the channel EQ and PAN controls.

2.  Set all push button switches to their “out” positions.

3.  In the Master section, turn all the rotary knobs 

“down,” the switches “out,” and the faders down.

4.  Turn the POWER switch off.

Connections

If you already know how you want to connect the Onyx 

4•Bus mixing console, go ahead and connect the inputs 
and outputs the way you want them. If you just want to 
get sound through the mixer, follow these steps:

1.  Plug a microphone or other signal source into chan-

nel 1’s MIC or LINE input [73/74]. 

2.  Plug in the detachable linecord, connect it to an AC 

outlet, and turn on the Onyx 4•Bus’ POWER switch 
[90].

3.  Connect cables from the Onyx 4•Bus’ MAIN OUTS 

[82] (XLR connectors or 1/4" TRS connectors on 
the rear panel) to your amplifier or active speakers.

4.  Hook up speakers to the amp and turn it on. If the 

amplifier has level controls, set them however the 
manufacturer recommends (usually all the way up).

Set the Levels

To set the channel GAIN controls, it’s not even neces-

sary to hear what you’re doing at the outputs of the 
mixer. If you want to listen while you work, plug head-
phones into the PHONES jack [46] on the front panel, 
then set the PHONES knob [47] about one-quarter of 
the way up and the SOLO LEVEL [49] about halfway up.

The following steps must be performed one channel at 

a time.

1.  Push in the channel’s PFL [18] solo switch.

2.  Play something into the selected input. This could 

be an instrument, a singing or speaking voice, or 
a line input such as a CD player or tape recorder 

output. Be sure that the volume of the input source 
is the same as it would be during normal use. If it 
isn’t, you might have to readjust these levels during 
the middle of the set.

3.  Adjust the channel’s GAIN [4] control so that the 

LEDs on the Left MAIN MIX meter stay around “0” 
and never go higher than “+10.”

4.  If you’d like to apply some EQ, do so now and return 

to step 3. Remember to push in the EQ IN/OUT 
[11] switch or the EQ controls won’t do anything.

5.  Disengage that channel’s PFL solo switch.

6.  Repeat for each channel.

Instant Mixing

1.  Leave the microphone plugged into channel 1 and 

connect a keyboard, guitar or other instrument to 
channel 2. Be sure to “Set the Levels” for channel 2 
as described above.

2.  To get sound out of the speakers, push in the MAIN 

MIX assign switch [17] next to the faders on chan-
nels 1 and 2, turn up channel 1 and 2 faders [15] to 
the “U” mark and slowly turn up the MAIN MIX [72] 
fader to a comfortable listening level.

3.  Sing and play. You’re a star! Adjust the faders for 

channels 1 and 2 to bring your voice and your 
instrument up and down to create your own mix.

Other Nuggets of Wisdom

•   For optimum sonic performance, the channel and 

MAIN MIX faders should be set near the “U” (unity 
gain) markings.

•   Always turn the MAIN MIX faders, GROUP faders, 

and MONITOR knob down before making connec-
tions to and from your Onyx 4•Bus.

•   When you shut down your equipment, turn off the 

amplifiers first. When powering up, turn on the 
amplifiers last.

•   Never listen to loud music for prolonged periods. 

Please see the Safety Instructions on page 2 for 
information on hearing protection.

•   Save the shipping box! You may need it someday, 

and you don’t want to have to pay for another one.

That’s it for the “Getting Started” section. Next comes 

the “Hookup” section that shows you some typical ways 
that you might use the Onyx 4•Bus in real applications. 
After that, take the grand tour of the mixer, with de-
scriptions of every knob, button, input, and output. We 
encourage you to take the time to read all of the feature 
descriptions, but at least you know it’s there if you have 
any questions.

Содержание ONYX 4-BUS

Страница 1: ...O W N E R S M A N U A L PREMIUM LIVE ANALOG MIXERS w PERKINS EQ ONYX MIC PREAMPS...

Страница 2: ...xposed to suf ciently intense noise for a period of time The U S Government s Occupational Safety and Health Administration OSHA has speci ed the permissible noise level exposures shown in the followi...

Страница 3: ...Levels 5 InstantMixing 5 HookupDiagrams 6 Onyx4 BusFeatures 10 MonoChannelStrips 10 StereoChannelStrips 13 Matrix Compressor andMeteringSection 15 Phones Monitor Solo Mono andTalkbackSection 17 Auxili...

Страница 4: ...uts HOW TO USE THIS MANUAL We know that many of you can t wait to get your new mixing console hooked up and you re probably not going to read the manual rst sigh So the next section is a Quick Start G...

Страница 5: ...e input source is the same as it would be during normal use If it isn t you might have to readjust these levels during the middle of the set 3 Adjust the channel s GAIN 4 control so that the LEDs on t...

Страница 6: ...ut In Out In Out In Stereo Guitar Effects Bass Guitar Bass Amp Guitar Amp MP3 Player Line Out Electric Guitar Electric Guitar DIBox Line Out DIBox DIBox DIBox Headphones Digital Multitrack Hard Disk R...

Страница 7: ...ass Guitar Bass Amp Guitar Amp Line Out Electric Guitar Electric Guitar DIBox Line Out DIBox DIBox DIBox Out In Mono Power Amplifier Mono Power Amplifier Mono Power Amplifier Stage Monitor Mono EQ Sta...

Страница 8: ...TS STEREO RETURNS MONO OUT PHONES OUT 3 1 2 1 2 3 MAIN OUT MONTIOR OUT MATRIX OUT MAIN OUT DIRECT OUT 9 16 DIRECT OUT 1 8 L R MAIN INSERTS L R DIRECT OUT 17 24 6 4 5 4 5 6 AUX SEND AUX SEND INSERTS 1...

Страница 9: ...uitar Electric Guitar DIBox Line Out DIBox DIBox DIBox Headphones Digital Multitrack Hard Disk Recorder SELECT SELECT SELECT SELECT Stereo Recorder Out In Out In Out In Mono Power Amplifier Stage Moni...

Страница 10: ...looks like in terms of frequency curves 3 48VPhantomPowerSwitch Most professional condenser mi crophones require phantom power which is a low current DC voltage delivered to the microphone on pins 2 a...

Страница 11: ...at no boost or cut at the center detent position This frequency represents the punch in bass drums bass guitar fat synth patches and some really serious male singers Note Used in conjunction with the...

Страница 12: ...Main Mix and Aux Send buses pre and post fader You can still solo the channel PFL when the MUTE switch is pushed in If the pre fader Aux Send s internal jumper is wired for pre Mute 56 the MUTE switch...

Страница 13: ...tput includ ing an Aux Send Matrix or Group PFL solo mode always overrides any AFL solo mode The Rude Solo LEDS 43 below the SOLO meters indi cate which solo mode is active Soloed channels are sent to...

Страница 14: ...d s internal jumper is wired for pre Mute 56 the MUTE switch will not affect the PRE Aux Send 28 StereoFader The fader controls the stereo channel s level from off to unity gain at the U marking on up...

Страница 15: ...switch on a mono or stereo channel the AFL solo is disconnected from the headphones and monitor outputs and replaced with the PFL signal The Rude Solo LEDS below the SOLO meters indicate which solo m...

Страница 16: ...you to see the input signal level to the compressor and the amount of gain reduction applied to the signal on the me ters This is useful when setting up the com pressor settings prior to actually enga...

Страница 17: ...nector 46 PHONESJack This is where you plug in your stereo headphones It is a 1 4 TRS stereo jack and provides the same signal that is routed to the MONITOR outputs 78 The volume is controlled with th...

Страница 18: ...nputs AUX SENDs tap signals off the channels via the AUX knobs 12 25 mix these signals together then send them out the AUX SEND jacks 87 These outputs are fed to the inputs of an external processor li...

Страница 19: ...d by a LOUD howl or screech through the sound system followed by howls of discontent from the audience Be careful with the Aux Sends on the Stereo Returns you are using the Aux send to go to an effect...

Страница 20: ...four group outs 85 66 PAN Note The Group PAN control works only when the MAIN MIX switch is en gaged 70 PAN adjusts the amount of signal sent to the left versus the right outputs With the PAN knob har...

Страница 21: ...tputs 46 78 When the fader is fully down the MAIN MIX is off The U marking indicates unity gain and fully up pro vides 10 dB of additional gain Typically this fader is set near the U label and left al...

Страница 22: ...ost GAIN post LOW CUT and pre EQ This is an unbal anced direct out in contrast to the DIRECT OUTS on the rear panel which are balanced direct outputs post GAIN post INSERT and pre EQ Here are three wa...

Страница 23: ...his represents the end of the mixer chain where your fully mixed stereo signal enters the real world Connect these to the inputs of your main power ampli ers powered speakers or serial effects process...

Страница 24: ...owerReceptacle This is a standard 3 prong IEC power connector Con nect the detachable linecord included in the box with your Onyx 4 Bus to the power receptacle and plug the other end of the linecord i...

Страница 25: ...light up some of the INPUT meter 16 29 LEDs next to the channel s fader Is the channel assigned to a bus GROUP ASSIGN or MAIN MIX button pushed in Is there something plugged into the CHANNEL INSERT j...

Страница 26: ...mber Service Request Number and a detailed description of the problem including how we can duplicate it 6 Write the Service Request Number in BIG PRINT on top of the box Units sent to us without the S...

Страница 27: ...connec tions are wired to each other and that the balanced signal low cold goes to the ground earth connection at the unbalanced input In most cases the balanced ground earth will also be connected t...

Страница 28: ...external unit is carried on the tip and the return from the unit to the mixer is on the ring from tip this plug connects to one of the mixer s Channel Insert jacks to ring tip ring sleeve SEND to pro...

Страница 29: ...CAM DTRS recorders which has become an industry standard for many professional audio manufacturers They are also the same pinout as the ana log cards for the Mackie D8B and hard disk recorders Several...

Страница 30: ...dB mono channels Phantom Power 48 VDC Equalization Mono Channel EQ High 15 dB 12 kHz High Mid 15 dB sweepable from 400 Hz to 8 kHz Low Mid 15 dB sweepable from 100 Hz to 2 kHz Low 15 dB 80 Hz Stereo C...

Страница 31: ...t 7 3 in 185 mm Width 31 2 in 792 mm Depth 21 9 in 555 mm Weight 39 5 lb 17 9 kg Onyx 32 4 Height 7 3 in 185 mm Width 39 8 in 1011 mm Depth 21 9 in 555 mm Weight 48 0 lb 21 8 kg LOUD Technologies Inc...

Страница 32: ...32 ONYX 4 Bus ONYX 4 Bus Onyx 4 Bus Block Diagram...

Страница 33: ...33 Owner s Manual Owner s Manual...

Страница 34: ...VEL 10 dB up 21 dBu max in 20 dB loss TRIM down 20 dB gain TRIM up LINE IN stereo channels 0 dB Insert Send Insert Return Insert Send Insert Return INSERT Send INSERT Return 6 dB 9 dB from L 6 dB From...

Страница 35: ...factory authorized service centers and deemed eligible for repair or replacement under the terms of this warranty will be repaired or replaced within thirty days of receipt LOUD Technologies and its a...

Страница 36: ...Road NE Woodinville WA 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail s...

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