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 ALPIN MASTER 128                                                                                               BANK 32         

Page 10

Janez Per   C   Baritone

LIMEX is delighted to have Janez Per of the “Alpenoberkrainer” play the second baritone for our product.
Janez Per is a class of his own, the talent behind the unique sound of the Alpenoberkrainer. Recordings of 

 

the baritone sounds are strongly influenced by the famous ALPSKI sounds of the ’80s and ’90s, and have 

 

been edited with equalizers and an exiter. 

Prg.

MS P Bemerkung

72

Janez

 - staccato

M

1 Velocity zones: 1-73 mf / 74-127 forte

73

Janez

 - staccato

M

1 forte

74

Janez

 - staccato

M

1 mezzoforte

75

Janez

 - staccato        C/Cis M

1 Velocity zones: 1-73 mf / 74-127 forte

76

Janez

 - staccato        C/Cis M

1 forte

77

Janez

 - staccato        C/Cis M

1 mezzoforte

78

Janez

 - marcato

M

1 Velocity zones: 1-73 mf / 74-127 forte

79

Janez

 - marcato

M

1 forte

80

Janez

 - marcato

M

1 mezzoforte

81

Janez

 - marcato        C/Cis M

1 Velocity zones: 1-73 mf / 74-127 forte

82

Janez

 - marcato        C/Cis M

1 forte

83

Janez

 - marcato        C/Cis M

1 mezzoforte

84

Janez

 - Pedal tones

M

1 only notes 24-36 are pedal tones for MIDI files

Soli Music Baritone

This sound, played by multi-talented Tyrolean musician Guenther Sponring, has been used in most recent German folk mu-

sic productions. Its neutral tone blends well and is very “flexible” material for sound technicians. The baritone sound in the 

winning title for the Grand Prix of German Folk Music 2008 is a good example of the sound’s quality.

85

Baritone

 - staccato

M

2 MOD parameter emphasizes the overtones

86

Baritone

 - staccato fast

M

2 fast attack - MOD parameter emphasizes the overtones

87

Baritone

 - staccato   C/Cis M

2 MOD parameter emphasizes the overtones

88

Baritone

 - stac. fast  C/Cis

M

2 fast attack - MOD parameter emphasizes the overtones

89

Baritone

 - staccato   C/Cis M

2 MOD = Spectral modulation and bass frequency modulation

90

Bariton

 - marcato

M

2 MOD parameter emphasizes the overtones

91

Bariton

 - marcato fast

M

2 fast attack - MOD parameter emphasizes the overtones

92

Bariton

 - marcato     C/Cis M

2 MOD parameter emphasizes the overtones

93

Bariton

 - marc. fast   C/Cis M

2 fast attack - MOD parameter emphasizes the overtones

94

Bariton

 - marcato     C/Cis M

2 MOD = Spectral modulation and bass frequency modulation

Kurt Ott  C   Alphorn

The alphorn specialist from Switzerland with unbelievable range.

106

Alphorn

 in Ges

M

1  

 

Tubas

107

Bb-Tuba

M

2                         

108

2 tuba mix

M

2 Velocity zones: 1-109 / 110-127                                  

Содержание ALPIN MASTER 128

Страница 1: ...LIMEX USER MANUAL SOUND BOARD ALPIN MASTER 128 ...

Страница 2: ...change MOD A special parameter of the LIMEX MIDI systems MPR3 M P not model L Push up the value on any instrument and listen to what this does for your sound Adz Velocity zones ranges in which various samples may be played ghost note A ghost note is created by muffling the bass strings as they are played so much that no clear tone is heard Use these samples to add a groove to your MIDI files Witho...

Страница 3: ...TER128 becomes a professional arranger INTEGRATION Here s how the sound boards can be integrated into your system Installation in the instrument accordion or diatonic harmonica that is equipped with a LIMEX MIDI system Installation in a LIMEX rack unit making four audio outputs available that can be sent separately to a mixer Installation in a LIMEX W3 wireless receiver TECHNICAL DETAILS Sound boa...

Страница 4: ...ed instrument The CE certification is available at www limexmusic com LIMEX MUSIC HANDELS GMBH A 6114 Kolsass Austria COPYRIGHT The recordings used in this device are protected by copyright LIMEX Music Handels GmbH alone has been given the right by all musicians involved to use this material Any duplication editing or any other copy by or given to a third party in any form audio sampling CD data s...

Страница 5: ...e all of your data on your instrument is first then Under the MIDI menu go to Load data Select the following Set 0 Set 1 Patch 0 199 Under the File menu select Save As name the file and click OK Switch to a different sound board Other Under the Unit menu select Sound Board At the top near Sound Board ALPINE MASTER 32 or AM16 etc select Other Under the MIDI menu select Write File Set 0 OK Save the ...

Страница 6: ...rdion 0 23 Harmonica 0 24 Diatonic accordion Bank Prg GUITAR 0 25 Nylon Guitar 3 25 Mandoline Tremolo 0 26 Steel Guitar 3 26 Steel Guitar Rhythm 0 27 Jazz Guitar 3 27 Jazz Guitar 3 0 28 Clean Guitar 0 29 Mute Guitar 0 30 Overdrive Guitar 3 30 Overdrive Guitar 3 stereo 0 31 Distortion Guitar 3 31 Distortion Guitar 3 4 31 Distortion Guitar 4 5 31 Distortion Guitar 5 0 32 Guitar Harmonics 3 32 Guitar...

Страница 7: ...ad 0 83 Calliope 0 84 Chiff 0 85 Charang 0 86 Solory 0 87 Fifths 0 88 Bass Lead 0 89 New Age 0 90 Warm Pad 0 91 Polysynth 0 92 Space 0 93 Bowed Bank Prg SYNTHESIZER 0 94 Metallic 3 94 Digitalic 4 94 Digi 4 0 95 Halo 0 96 Sweep 0 97 Rain 3 97 Sleigh Bells 0 98 Soundtrack 0 99 Crystal 3 99 Hyper Crystal 0 100 Atmosphere 0 101 Brightness 0 102 Goblins 0 103 Echoes 3 103 Echo Pan 0 104 Sci fi Star ETH...

Страница 8: ... 57 CLARINET 58 CLARINET vibrato 1 59 CLARINET vibrato 2 60 CLARINET staccato 61 SOPRANO SAX 63 ALT SAX vibrato 1 64 ALT SAX vibrato 2 65 ALT SAX without vibrato Prg 66 TENOR SAX vibrato 1 67 TENOR SAX vibrato 2 68 TENOR SAX 1 69 TENOR SAX 3 sharp 70 TRUMPET vibrato 1 71 TRUMPET vibrato 2 72 TRUMPET ENSEMBLE 73 FLUGELHORN 74 TENOR HORN 75 TENOR HORNS 76 TROMBONE 77 BASS TROMBONE 78 BARITON effects...

Страница 9: ...lay with velocity by pressing the key faster or slower Use the VEL value to select the samples in exactly the dynamic range that you want Use the bellows dynamic to play louder or softer In other words you can play piano samples loudly if you so choose E bass Prg MS P Discription 1 E bass 1 M 2 ideal in combination with a baritone to create a double bass foundation 2 E bass 1 C Cis M 2 3 E bass 1 ...

Страница 10: ...ti talented Tyrolean musician Guenther Sponring has been used in most recent German folk mu sic productions Its neutral tone blends well and is very flexible material for sound technicians The baritone sound in the winning title for the Grand Prix of German Folk Music 2008 is a good example of the sound s quality 85 Baritone staccato M 2 MOD parameter emphasizes the overtones 86 Baritone staccato ...

Страница 11: ...ng program 128 ensures that nothing will be played allowing you to turn a MIDI channel on or off without the danger of a stuck note Gerhard Renato C Guitar The following program is a combination of the TRADITION Exclusive programs 1 6 11 Castello AZ10 M 3 Velocity zones 1 95 mp 96 127 mf MOD combination The programs below are from the popular SOLI MUSIC Tradition XL series These guitar programs ar...

Страница 12: ...Tom Power Tom Elec Tom 808 Tom Brush Tom Timpani 46 Hi Hat Open 808 Hi H Op Timpani 47 Tom M Power Tom Power Tom Elec Tom 808 Tom Brush Tom Timpani C2 48 Tom H Power Tom Power Tom Elec Tom 808 Tom Brush Tom Timpani 49 Crash Cymbal 808 Cym Brush Crash Timpani D2 50 Tom HH Power Tom Power Tom Elec Tom 808 Tom Brush Tom Timpani 51 Ride Cymbal Brush Ride Timpani E2 52 China Cym Brush China Timpani F2 ...

Страница 13: ... programs perfectly A compact recorded chord always sounds more authentic than three individual strings played at the same time The only problem is its use on bass keys The chord guitar sounds perfect and powerful when played on the ground bass but when you play alternating bass there are problems with the chord 3 Chord conflict programs 1 16 on bass When you play a major chord of the bass on ever...

Страница 14: ...ments then the patch on the MIDI system is NOT set to the lowest C Set the lowest note to C CHORD GUITAR IN WRONG KEY If the WRONG chords are playing on a diatonic accordion the instrument has not been pro gramed to the specified octaves For all notes Accompanying chords small octave bass great octave In addition the part that is playing the accompanying chord must be set to 3 on the octave parame...

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