TABLE OF CONTENTS
Page
Welcome / Integrating sound boards
3
Safety precautions / Copyright & watermark
4
IMPORTANT! APPLICATION WITH LIMEX MIDI SYSTEM MPR3
5
Compatibility with Alpine Master 32
5
ALPIN MASTER 128 sound list
6 - 11
ALPIN MASTER 128 drum kits
12
All about chord guitars; key assignments
12 - 14
Troubleshooting /
MIDI IMPLEMENTATION
14
Page 2
LEGEND
MS
This column denotes whether the program is mono (M) or stereo (S).
P
The number in this column represents the required number of voices (OSC) per note.
HPF
High Pass Filter: Use the cutoff parameter to set the low frequency limit. When you do this, the sound will natu-
rally be brighter and thinner. A cutoff value over 64 usually needs to be selected just so you can hear the change.
MOD A special parameter of the LIMEX MIDI systems MPR3 M/P (not model L). Push up the value on any instrument
and listen to what this does for your sound.
Adz.
Velocity zones: ranges in which various samples may be played.
ghost
note
A “ghost note” is created by muffling the bass strings as they are played so much that no clear tone is heard. Use
these samples to add a groove to your MIDI files.
*
Without velocity in the usual sense.
These programs will not be louder or softer when played on an instrument with velocity. The value of velocity,
represented as VEL in the LIMEX patch editor, is used to select a zone of the program. If the trumpet or baritone
should be played softly, choose a VEL value in that range. For example, in program 64, SEPP 1-73mp / 74-97mf /
98-127 forte, the VEL value of 70 will play the mezzopiano sample; at value 74 the mezzoforte; and at VEL 120
the forte sample. Remember, all sounds are at the same volume.
