background image

A

UX RETURNS

A

UX 1

A

UX 2

A

UX 1

T

O

 MON

A

UX 2

TO

 M

O

N

3 kHz

HI-MID

3 kHz

HI-MID

3 kHz

HI-MID

3 kHz

HI-MID

2.5 kHz

2.5 kHz

2

.5 kHz

2.5 kHz

MID

M

ID

MID

M

ID

800 Hz

L

O-MID

800 Hz

L

O-MID

800 Hz

L

O-MID

800 Hz

L

O-MID

L

O

-CUT

L

O

-CUT

L

O

-CUT

L

O

-CUT

80 Hz

LO

W

80 Hz

LO

W

80 Hz

LO

W

80 Hz

LO

W

80 Hz

LO

W

80 Hz

LO

W

80 Hz

LO

W

80 Hz

LO

W

NORMAL

LE

VEL SET

PHANT

OM

PO

WER

SOL

O

 MODE

P

A

N

P

AN

P

A

N

P

AN

BAL

B

AL

BAL

B

AL

SOL

O

A

CTIVE

CR / PHONES

SOURCE

OUTPUT/SOL

O

LEVEL

MIX L&R

CR/PHONES

MONIT

OR

LEVEL

MIX B

T

APE IN

ROUTE t

o

 MIX

LEVEL

SET

CLIP

L

R

30

20

10

7

4

2

0

2

4

7

10

AFL

PFL

M

UTE

M

IX B

M

UTE

M

IX B

M

UTE

M

IX B

M

UTE

M

IX B

M

UTE

M

IX B

M

UTE

M

IX B

M

UTE

M

IX B

M

UTE

M

IX B

SOL

O

SOL

O

SOL

O

SOL

O

SOL

O

SOL

O

SOL

O

SOL

O

10

10

10

10

10

10

10

10

10

10

10

10

10

10

20

20

20

20

20

20

20

30

30

30

30

30

30

30

40

40

40

40

40

40

40

5

5

5

5

5

5

5

5

5

5

5

5

5

5

0

0

0

0

0

0

0

PRE-F

A

DER

MONIT

O

R

PRE-F

A

DER

MONIT

O

R

PRE-F

A

DER

MONIT

O

R

PRE-F

A

DER

MONIT

O

R

PRE-F

A

DER

MONIT

O

R

PRE-F

A

DER

MONIT

O

R

PRE-F

A

DER

MONIT

O

R

PRE-F

A

DER

MONIT

O

R

PRE-POST

PRE-POST

PRE-POST

PRE-POST

PRE-POST

PRE-POST

PRE-POST

PRE-POST

A

U

X

 1A

U

X

 1A

U

X

 1A

U

X

 1A

U

X

 1A

U

X

 1A

U

X

 1A

U

X

 1

POST-F

A

DER

POST-F

A

DER

POST-F

A

DER

POST-F

A

DER

POST-F

A

DER

POST-F

A

DER

POST-F

A

DER

POST-F

ADER

A

U

X

 2A

U

X

 2A

U

X

 2A

U

X

 2A

U

X

 2A

U

X

 2A

U

X

 2A

U

X

 2

12 kHz

HIGH

12 kHz

HIGH

12 kHz

HIGH

12 kHz

HIGH

12 kHz

HIGH

12 kHz

HIGH

12 kHz

HIGH

12 kHz

HIGH

GAIN

GAIN

GAIN

GAIN

MIC (MONO)

RIGHT

RIGHT

RIGHT

RIGHT

LEFT

LEFT

(MONO)

LEFT

(MONO)

LEFT

(MONO)

LEFT

LEFT (MONO)

RIGHT

RIGHT

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

10

10

10

10

10

10

10

10

00000000

10

10

10

10

10

10

10

10

00000000

10

10

10

10

10

10

10

10

00000000

10

0

10

0

10

0

10

0

RRRRRRRR

LLLLLLLL

-10dB

-10dB

-10dB

-10dB

MIC

M

IC

MIC

M

IC

LINE

LINE

LINE

LINE

+10dB

+10dB

+10dB

+10dB

-60dB

-60dB

-60dB

-60dB

0dB (LINE)

0dB (LINE)

0dB (LINE)

0dB (LINE)

-40dB

-40dB

-40dB

-40dB

LINE

LINE

LINE

LINE

HEADPHONES

MIC

MIC

MIC

MIC

A

U

X

SENDS

T

APE IN

T

APE OUT

MONIT

OR

OUT

A

U

X

RETURNS

MIC

LINE

MIC

LINE

MIC

LINE

MIC

LINE

MIC

LINE

STEREO

LINE

STEREO

LINE

STEREO

LINE

1234

5/

6

7/

8

9/10

11/12

M

IX

 B

L

  M

IX  R

1234

5/6

7/8

1

2

9/10

11/12

75 Hz

75 Hz

75 Hz

75 Hz

10

10

20

30

40

5

5

0

10

10

20

30

40

5

5

0

10

10

20

30

40

5

5

0

10

10

20

30

40

5

5

0

3 kHz

HI-MID

3 kHz

HI-MID

3 kHz

HI-MID

3 kHz

HI-MID

3 kHz

HI-MID

3 kHz

HI-MID

3 kHz

HI-MID

3 kHz

HI-MID

2.5 kHz

2.5 kHz

2.5 kHz

2.5 kHz

MID

MID

MID

M

ID

800 Hz

L

O-MID

800 Hz

L

O-MID

800 Hz

L

O-MID

800 Hz

L

O-MID

800 Hz

L

O-MID

800 Hz

L

O-MID

800 Hz

L

O-MID

800 Hz

L

O-MID

L

O

-CUT

L

O

-CUT

L

O

-CUT

L

O

-CUT

L

O

-CUT

L

O

-CUT

L

O-CUT

L

O

-CUT

80 Hz

LO

W

80 Hz

LO

W

80 Hz

LO

W

80 Hz

LO

W

80 Hz

LO

W

80 Hz

LO

W

80 Hz

LO

W

80 Hz

LO

W

80 Hz

LO

W

80 Hz

LO

W

80 Hz

LO

W

80 Hz

LO

W

PA

N

PA

N

P

A

N

P

AN

P

A

N

P

AN

P

A

N

P

AN

BAL

B

AL

BAL

B

AL

M

U

TE

M

IX B

M

U

TE

M

IX B

M

U

TE

M

IX B

M

U

TE

M

IX B

M

U

TE

M

IX B

M

U

TE

M

IX B

M

U

TE

M

IX B

M

U

TE

M

IX B

M

U

TE

M

IX B

M

U

TE

M

IX B

M

U

TE

M

IX B

M

U

TE

M

IX B

SO

L

O

SO

L

O

SO

L

O

SO

L

O

SO

L

O

SO

L

O

SO

L

O

SO

L

O

SO

L

O

SO

L

O

SO

L

O

SO

L

O

10

10

10

10

10

10

10

10

10

10

10

10

10

10

10

10

10

10

20

20

20

20

20

20

20

20

20

30

30

30

30

30

30

30

30

30

40

40

40

40

40

40

40

40

40

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

0

0

0

0

0

0

0

0

0

PRE-F

A

DER

MONIT

OR

PRE-F

ADER

MONIT

OR

PRE-F

A

DER

MONIT

OR

PRE-F

ADER

MONIT

O

R

PRE-F

A

DER

MONIT

O

R

PRE-F

A

DER

MONIT

O

R

PRE-F

A

DER

MONIT

O

R

PRE-F

ADER

MONIT

OR

PRE-F

ADER

MONIT

OR

PRE-F

ADER

MONIT

OR

PRE-F

A

DER

MONIT

O

R

PRE-F

ADER

MONIT

O

R

PRE-POST

PRE-POST

PRE-POST

PRE-POST

PRE-POST

PRE-POST

PRE-POST

PRE-POST

PRE-POST

PRE-POST

PRE-POST

PRE-POST

AU

X

 1

A

UX 1

AU

X

 1

A

UX 1

A

UX 1

A

UX 1

A

UX 1

A

UX 1

A

UX 1

A

UX 1

A

UX 1

A

UX 1

POST-F

A

DER

POST-F

A

DER

POST-F

ADER

POST-F

ADER

POST-F

A

DER

POST-F

ADER

POST-F

ADER

POST-F

A

DER

POST-F

ADER

POST-F

ADER

POST-F

A

DER

POST-F

ADER

AU

X

 2

A

UX 2

AU

X

 2

A

UX 2

A

UX 2

A

UX 2

A

UX 2

A

UX 2

A

UX 2

A

UX 2

A

UX 2

A

UX 2

12 kHz

HIGH

12 kHz

HIGH

12 kHz

HIGH

12 kHz

HIGH

12 kHz

HIGH

12 kHz

HIGH

12 kHz

HIGH

12 kHz

HIGH

12 kHz

HIGH

12 kHz

HIGH

12 kHz

HIGH

12 kHz

HIGH

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

RIGHT

RIGHT

RIGHT

RIGHT

LEFT

(MONO)

LEFT

(MONO)

LEFT

(MONO)

LEFT

(MONO)

LEFT

LEFT (MONO)

RIGHT

RIGHT

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+12

-12

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

10

10

10

10

10

10

10

10

10

10

10

10

0

0

0

000000000

10

10

10

10

10

10

10

10

10

10

10

10

0

0

0

000000000

10

10

10

10

10

10

10

10

10

10

10

10

0

0

0

000000000

R

R

R

RRRRRRRRR

L

L

L

LLLLLLLLL

-10dB

-10dB

-10dB

-10dB

-10dB

-10dB

-10dB

-10dB

MIC

MIC

MIC

MIC

M

IC

MIC

M

IC

MIC

LINE

LINE

LINE

LINE

LINE

LINE

LINE

LINE

+10dB

+10dB

+10dB

+10dB

+10dB

+10dB

+10dB

+10dB

-60dB

-60dB

-60dB

-60dB

-60dB

-60dB

-60dB

-60dB

0dB (LINE)

0dB (LINE)

0dB (LINE)

0dB (LINE)

0dB (LINE)

0dB (LINE)

0dB (LINE)

0dB (LINE)

-40dB

-40dB

-40dB

-40dB

-40dB

-40dB

-40dB

-40dB

LINE

LINE

LINE

LINE

LINE

LINE

L

INE

L

INE

HEADPHONES

MIC

MIC

MIC

M

IC

MIC

M

IC

MIC

MIC

A

U

X

SENDS

TA

P

E

IN

TA

P

E

OUT

MONIT

OR

OUT

MONO

OUT

A

U

X

RETURNS

MIC

LINE

MIC

LINE

MIC

LINE

MIC

LINE

MIC

LINE

MIC

LINE

MIC

LINE

MIC

LINE

STEREO

LINE

STEREO

LINE

STEREO

LINE

STEREO

LINE

3

2

1

45678

9/10

11/12

13/14

15/16

3

2

1

45678

9/10

1

2

75 Hz

75 Hz

75 Hz

75 Hz

75 Hz

75 Hz

75 Hz

75 Hz

10

10

20

30

40

5

5

0

10

10

20

30

40

5

5

0

10

10

20

30

40

5

5

0

A

UX RETURNS

A

U

X 1

A

UX 2

A

UX 1

T

O

 MON

A

UX 2

TO

 M

O

N

NORMAL

LE

VEL SET

PHANT

OM

PO

WER

SOL

O

 MODE

SOL

O

A

C

TIVE

CR / PHONES

SOURCE

OUTPUT/SOL

O

LEVEL

MIX L&R

CR/PHONES

MONIT

OR

LEVEL

MONO LEVEL

MIX B

T

APE IN

ROUTE t

o

 MIX

LEVEL

SET

CLIP

L

R

30

20

10

7

4

2

0

2

4

7

10

AFL

PFL

10

0

10

0

10

0

10

0

10

0

MIX

 B

L

  MIX

  R

10

10

20

30

40

5

5

0

10

10

20

30

40

5

5

0

10

10

20

30

40

5

5

0

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

15/16

13/14

11/12

Содержание SWING12

Страница 1: ......

Страница 2: ...s radiators hest register or other product that produce heat 7 The product may be connected a a power supply only of the type described on the operating instructions or as marked on the product 8 The...

Страница 3: ...di massa consiste nel collegare le masse elettriche di tutti gli apparati ad un solo punto centrale sistema a stella In un sistema audio il punto centrale a cui collegarsi pu essere considerato il mi...

Страница 4: ...ci EQ a 4 bande funzione SOLO AFL e PFL ed uscite MASTER bilanciate con connessioni XLR e JACK La qualit sonora assicurata da pre amplificatori microfonici a bassissimo rumore componenti elettronici a...

Страница 5: ...W PAN PAN PAN PAN PAN PAN PAN PAN BAL BAL BAL BAL MUTE MIX B MUTE MIX B MUTE MIX B MUTE MIX B MUTE MIX B MUTE MIX B MUTE MIX B MUTE MIX B MUTE MIX B MUTE MIX B MUTE MIX B MUTE MIX B SOLO SOLO SOLO SOL...

Страница 6: ...GAIN Controllo di guadagno regola l amplificazione del segnale proveniente dall esterno verso il canale e permette di determinare un suono presente e prevenire la distorsione del segnale Il range di...

Страница 7: ...rno la mandata AUX 1 pu essere anche posizionata PRE FADER rendendo disponibile una seconda mandata monitor PAN Potenziometro a scatto centrale per il controllo panoramico del segnale regola la posizi...

Страница 8: ...a di tipo PEAKING I canali di ingresso STEREO a differenza di quelli MONO presentano un equalizzatore a 3 bande BAL Controllo di bilanciamento del segnale sulle uscite principali Il controllo BAL effe...

Страница 9: ...a mandata MONITOR Consentono di inviare il segnale degli effetti collegati agli AUX RETURNS 1 2 alla mandata MONITOR Nota assegnando il segnale degli AUX RETURNS alla mandata monitor questo non pi pre...

Страница 10: ...la anche il livello dell ingresso TAPE IN e dell uscita MIX B assegnati al MIX L R HEADPHONES OUT Connettore JACK STEREO per l uscita di cuffia collegate a questa uscita solo cuffie stereo con impeden...

Страница 11: ...ta si trova ad un livello troppo elevato vicino al livello di saturazione dello stadio di uscita del mixer Per garantirvi segnali puliti e non distorti ed anche per evitare di danneggiare i componenti...

Страница 12: ...EVEL Tasto di selezione del livello delle uscite principali MIX L R OUT solo connettori XLR M bilanciati Consente di selezionare il livello di uscita tra 4 dB line level e 26 dB mic level CONTROL ROOM...

Страница 13: ...tore XLR F dei canali di ingresso MONO consentendo di alimentare microfoni a condensatore e D I boxes NOTA Quando attivate l alimentazione PHANTOM assicuratevi di utilizzare SEMPRE per il collegamento...

Страница 14: ...oni ne allungherete la vita e l affidabilit a vostro assoluto vantaggio Verificate periodicamente che i cavi che impiegate siano in buono stato con le connessioni realizzate nel modo corretto e con tu...

Страница 15: ...13 Cavi di collegamento Connettore RCA Cavo a Y per INSERT...

Страница 16: ...FT MONO LEFT LEFT MONO RIGHT RIGHT 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15...

Страница 17: ...AUX 2 AUX 2 AUX 2 AUX 2 AUX 2 AUX 2 12 kHz HIGH 12 kHz HIGH 12 kHz HIGH 12 kHz HIGH 12 kHz HIGH 12 kHz HIGH 12 kHz HIGH 12 kHz HIGH GAIN GAIN GAIN GAIN MIC MONO RIGHT RIGHT RIGHT RIGHT LEFT LEFT MONO...

Страница 18: ...OM output livello di uscita 4dB JACK sbilanciati MONITOR output livello di uscita 4dB JACK sbilanciati AUX sends livello di uscita 4dB JACK sbilanciati AUX return sensibilit 0dB JACK sbilanciati IN 20...

Страница 19: ...i uscita 4dB JACK sbilanciati CONTROL ROOM output livello di uscita 4dB JACK sbilanciati MONITOR output livello di uscita 4dB JACK sbilanciati AUX sends livello di uscita 4dB JACK sbilanciati AUX retu...

Страница 20: ...18 Schema a blocchi Schema a blocchi...

Страница 21: ...stem watch out for the so called ground loops which could cause hum and jeopardize the mixer s excellent Signal to Noise and low distortion characteristics The best way even if not always feasible to...

Страница 22: ...4 band EQ SOLO with AFL and PFL options and balanced MASTER outputs with the choice of XLR or JACK connectors The superior audio quality is provided by low noise high grade mic preamps low tolerance...

Страница 23: ...W PAN PAN PAN PAN PAN PAN PAN PAN BAL BAL BAL BAL MUTE MIX B MUTE MIX B MUTE MIX B MUTE MIX B MUTE MIX B MUTE MIX B MUTE MIX B MUTE MIX B MUTE MIX B MUTE MIX B MUTE MIX B MUTE MIX B SOLO SOLO SOLO SOL...

Страница 24: ...ve the signal SEND on the JACK TIP and the signal RETURN on the JACK RING see CONNECTOR CABLES GAIN Gain control regulates the amplification of external signals microphones instruments etc fed into th...

Страница 25: ...al effect By means of an internal setting the AUX 1 can be switched PRE FADER allowing a second monitor send to be used PAN Centre dented pot for controlling the signal s pan regulates stereo position...

Страница 26: ...t or cut at 2 5 kHz with a PEAKING curve Differently from the MONO channels the STEREO channels have a 3 band EQ BAL Centre dented control of the balance of the signal on the main outputs The BAL cont...

Страница 27: ...ct the signal connected to the AUX RETURNS 1 2 to the MONITOR output Note when the AUX RETURNS signal is directed to the MONITOR send it is removed from the main MIX L R outputs MONITOR OUT Unbalanced...

Страница 28: ...hone output connector only stereo headphones with a minimum impedance of 200 Ohms should be connected to this output CR PHONES SOURCE Button for the selection of the signal sent to the HEADPHONES and...

Страница 29: ...of the mixer output stage To ensure clean distortion free signals and to avoid damaging the components of your sound system try to avoid making the red LEDs lighting up repeatedly MIX L R 60mm sliders...

Страница 30: ...ween 4 dB line level and 26 dB mic level CONTROL ROOM OUTPUT Two unbalanced JACK connectors 4dB send out the signal of the channel selected with the SOLO or when no SOLO button is pressed the signal s...

Страница 31: ...IC inputs XLR F connector of the MONO input channels allowing condenser microphones and D I boxes to be powered from the mixer NOTE When the PHANTOM power supply is switched on make certain that cable...

Страница 32: ...ng them this gives the advantage of increasing their life and reliability which is always to your advantage Periodically check that your cables are in good condition and are correctly wired and that a...

Страница 33: ...13 Connector cables RCA connector Y cable for INSERT...

Страница 34: ...MONO LEFT LEFT MONO RIGHT RIGHT 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15...

Страница 35: ...UX 2 AUX 2 AUX 2 AUX 2 AUX 2 AUX 2 12 kHz HIGH 12 kHz HIGH 12 kHz HIGH 12 kHz HIGH 12 kHz HIGH 12 kHz HIGH 12 kHz HIGH 12 kHz HIGH GAIN GAIN GAIN GAIN MIC MONO RIGHT RIGHT RIGHT RIGHT LEFT LEFT MONO L...

Страница 36: ...ut level 4dB RCA phono CONTROL ROOM output output level 4dB Unbalanced JACK MONITOR output output level 4dB Unbalanced JACK AUX sends output level 4dB Unbalanced JACK AUX return sensitivity 10dB Unbal...

Страница 37: ...O output output level 4dB Bnbalanced JACK CONTROL ROOM output output level 4dB Unbalanced JACK MONITOR output output level 4dB Unbalanced JACK AUX sends output level 4dB Unbalanced JACK AUX return sen...

Страница 38: ...18 Block diagram Block diagram...

Страница 39: ...ventuali inesatezze Tutti i diritti sono riservati e in questo documento non pu essere copiato fotocopiato riprodotto per intero o in parte senza previo consenso scritto della GENERALMUSIC S p A GENER...

Страница 40: ...Sales Division 47842 S Giovanni in Marignano RN Via delle Rose 12 tel 39 0541 959511 fax 39 0541 957404 Internet http www lemaudio com...

Отзывы: